interesting sports

On the pro tours, size DOESN’T matter. Basket size, that is.

May 11, 2019March 9, 2020 by frisbeebrain, posted in disc golf, disc golf book, Disc Golf Pro Tour

By Jack ‘Tupp’ Trageser

the debate about modifying targets to add more drama at top pro events misses a larger, more important point

Where do you stand on The Great Debate about basket size on the pro tour? The subject has been debated extensively- on YouTube in 2018 via a DGPT roundtable, more recently in a PDGA magazine article by course design guru John Houck, and in thousands of discussions among elite players and their fans.

I believe, for reasons listed below, that it is a pointless debate. Basket size and putting difficulty has nothing to do with the perceived lack of drama on the green in disc golf as a spectator sport. Read on and you’ll learn why I feel this way. First, though, a recap:

Those in favor of shrinking baskets think top pros are just too good at putting using the current disc entrapment devices. They believe this has two negative effects on disc golf as a spectator sport: scores that are so low to par that outside observers scoff at disc golf as a professional sport, and a lack of drama on the putting green. Putts inside the circle for touring pros almost always end up inside the basket.

Some pros are opposed to the change, for an understandably self-interested reason- Putting is not their strong suit and they don’t want that weakness to be further magnified. But others make more practical points. If targets are smaller, they contend, players will lay up from longer distances more often, robbing spectators of those twisting, floating, outside-Circle 2 gems that provide some of disc golf’s best spectacles.

Others question the practicality of retrofitting thousands of existing courses and the wisdom of having pros compete with markedly different equipment than the fans who would have, could have made that shot.

Good points on both sides of the argument, right? So what do YOU think?

I’ll tell you what I think. The issues that the Basket-Shrinkers raise are real, but smaller targets and less made putts won’t ‘solve’ them, if indeed they even require solving.

I wrote a book called The Disc Golf Revolution, and much of it involves comparing and contrasting disc golf and traditional (ball) golf. One of the first chapters, titled The Future of Golf, makes the point that disc golf features nearly all of ball golf’s appeal yet none of its numerous drawbacks. You know that list: Cost, time to play, difficulty, history and culture of elitism, environmental impact . . .

I bring this up now because at the end of that chapter, per my training as a journalist, I presented the other side of that argument in a ‘devil’s advocate’ section subtitled 7.5 Reasons Why Ball Golf is Better Than Disc Golf. One of those 7.5 reasons is the undeniable fact that disc golf does not – and cannot – replicate the incredible contrast featured in ball golf between the speed and distance of a powerful drive and the delicacy, the breath-holding drama of a long, slow, undulating putt.

A 30-foot putt in ball golf might last for 30 second as it rolls slowly across the green, while a 30-footer in disc golf is over two blinks after it leaves the player’s hand. Unless it ends in a roll-away, that is, which ironically makes for some of disc golf’s most dramatic moments. What do those slow, serpentine, excruciating rollers resemble? That’s right. Ball golf putts.

Disc golf putts inside the circle don’t lack drama because they go in too often, but rather because they go in too quickly.

Disc golf putts inside the circle don’t lack drama in pro events (compared to ball golf) because they go in too often, but rather because they go in – or don’t – too quickly. That is never going to change, no matter how small and challenging baskets are made to be. It is what it is, and really, that’s OK.

disc golf lessons, disc golf blog — Photo by Leah Jenkins.

Another point I make in my book is that disc golf’s greatest value is as something to DO. This is evidenced by the sport’s continued strong growth in new courses, players, and market size. As disc golf participation grows, the segment of the overall disc golfing population who choose to also be spectators and media consumers also grows. They’re watching in large part because they can relate to what they’re seeing. Disc golf may not feature the drawn-out drama of a ball golf putt, but disc golf spectators (nearly all of whom are also avid players) feel the anxiety of a 30-foot putt. As easy as they can appear, we know how easy those putts are to miss. We know the very real potential for anxiety, fatigue, or a momentary lapse of focus.

So now you know what I think. Give it a try if you want, PDGA and DGPT. Use smaller baskets for some top-tier pro events. You’ll get tougher-scoring courses, and putts inside the circle won’t be quite as much of a foregone conclusion. But it won’t change the real issue, which is the unalterable fact that disc golf putting – as something to watch – isn’t and will never be quite as dramatic as ball golf putting.

Personally I don’t think it’s a big deal. Those of us who play know there is plenty of drama and challenge when you’re the one doing the putting, and in my opinion that is what really matters.

What do you think? I hope you share your own take here by posting a comment, but don’t just say yea or nay on changing basket size. Let me know where you stand on my main assertion. Do disc golf putts lack drama for spectators, and, if so, is it because they go in too often, or because they go in too quickly?

The Straight Line on Disc Golf Putting- Part 1

February 21, 2019February 21, 2019 by frisbeebrain, posted in DaLearning Curve, disc golf, disc golf book, disc golf form, disc golf instruction, disc golf putting, Disc Golf Technique, frisbee golf, putting

By Jack Trageser

The shortest distance between two points is a straight line. You’ve heard that before, right? It’s true of many things, including – in the figurative as well as the literal sense – disc golf putting.

If you’d like to transform yourself from an inconsistent putter who is frustrated by frequently missing putts your peers seem to make all the time (Point A), to someone known for their solid, consistent putting game (Point B), this ‘Straight Line’ tip might get you there quicker than any other adjustment you can make.

More than any other part of the game, putting is all about precision and accuracy. If you miss your release point by even a few degrees it could very well result in a missed putt- even on very short attempts. The best way to prevent this from happening is to keep both the disc and your hand on a rigidly straight line from the time you start the take-back until after the disc leaves your hand (the follow-through).

The bottom line: Eliminate the left-to-right movement in your putting form, and you’ll greatly reduce your left/right misses. Just like that!

disc golf lessons, disc golf blog, disc golf teambuilding, disc golf putting — Figure 1

Figure 1 is obviously a diagram using crude symbols, but it’s a good thing to visualize if you choose to practice this key ingredient to consistently accurate putting. Another option is to imagine a narrow tunnel barely the width of your disc running between you and the basket. Your objective as you take the disc back then launch it forward should be to keep the disc and your hand from hitting the sides of the tunnel, holding onto it until your arm is stretched as far as it can toward the target.

Why It Works

The reason this tip works so well is simple. A disc pulled back and then propelled along a straight line will begin its flight heading in the exact direction at which that line points. Assuming your aim is true, all you need to do is open your hand when your arm is stretched as far toward the target as it will go, then keep reaching with all five fingers for a half-second more.

Whether you prefer the ‘Push,’ ‘Spin,’ or ‘Pitch’ putting technique; whether you use an ‘In-Line’ or a ‘Straddle’ stance, the straight line principle works and is embraced by nearly all top pros. Want proof? Do a little research on YouTube and you can easily spot the effort to keep the putting hand on the line toward the basket even after the disc leaves the hand. Paul Mcbeth and James Conrad provide obvious examples. Watch Ricky Wysocki and you’ll see that the straight line is even more essential to successful pitch putting.

Contrast that with a short ‘toss’ or ‘flip’ where your hand and the disc travel in an arc. Because the movement isn’t directed in a straight line headed toward the target, accuracy depends on releasing the disc at just the right moment. Too early and you miss ‘short-side.’ Too late and you pull it wide. As diagrammed in Figure 2, a variance in your release point of less than an inch can result in completely missing the target.

To further drive home the importance of keeping putts on ‘the line,’ let’s explore the fact that putting in disc golf has very little in common with throwing. Contrary to what most beginners and a surprising number of more seasoned players seem to think, putting isn’t simply a backhand throw modified into a short, soft toss.

The differences begin with the stance. For a right-handed backhand throw, a player’s feet are typically positioned with her toes pointing roughly 90 degrees to the left of the target. All standard putting methods, on the other hand, call for the player’s toes to be pointed, and shoulders squared, directly at the target. This is for a reason; It allows the player to pull the disc back and bring it forward on the same line as her line of sight- something that aids greatly in aiming. To help understand this, think of how we aim in archery or with firearms- with an eye peering directly down the line of flight.

Unlike rifles and longbows, however, in disc golf it’s up to us to provide both the aim and the momentum that ensures the projectile heads directly at the target. It’s not as simple as pulling a trigger or releasing an arrow. The line of sight advantage only matters when the disc is kept on that same straight line until it leaves your hand.

Why It Can Take Some Work To Get It To Work

Keeping your disc on a true straight line provides greatly improved accuracy and consistency, but the tradeoff is a restriction on power generation. It gets easier and more natural with practice and repetition, but holding the line can be hard at first. This is why even players who normally demonstrate proper straight-line form sometimes pull their putts wide when attempting shots at the edge of (and especially beyond) their range.

Up Next: How To Make It Work

I’ve made my best argument for why eliminating the left/right movement from your putting form is the secret to improved accuracy and consistency. Hopefully it seems logical enough that you want to start working on it right away.

As I mentioned earlier, it most likely won’t be an instant transformation. You may struggle to generate spin, power, or both. In Part 2 of this post I’ll provide specific details that should help, complete with a practice technique and a couple video demonstrations. To make sure you know when it’s out, follow this blog on WordPress and our School of Disc Golf and Play DiscGolf Facebook pages.

As ball golf courses struggle, disc golf fills the void

December 27, 2018 by frisbeebrain, posted in DaLearning Curve, DeLaveaga, disc golf, disc golf book, disc golf courses, disc golf instruction, disc golf on ball golf courses, Disc vs. Ball, Jack Tupp

Contrasting the rapidly expanding number of disc golf courses in the U.S. with the, uh, relative ‘shrinkage‘ in ball golf is one way to measure the unstoppable ascension of The New Golf.

Both Steve Dodge and I have publicly predicted that the number of disc golf courses in the U.S. will overtake traditional golf venues in the near future. Mr. Dodge wrote about it on the DGPT blog, and I addressed it a couple of times in my book. In both cases we considered the two types of courses as mutually exclusive- in other words, they are either one or the other. A growing trend, however, is changing the math in a BIG way.

If we’re comparing facilities that offer ONLY ball golf to all the parks, open spaces, AND commercial venues where permanent disc golf courses exist, our seemingly aggressive predictions of eight and five years may turn out to be conservative.

And you can guess why, can’t you?

disc golf on golf courses, disc golf lessons, disc golf teambuilding — The basket of Hole 11 of the disc golf layout on DeLaveaga Municipal Golf Golf in Santa Cruz, CA sits perilously close to a sand trap. Traps and greens are typically one-stroke hazards in disc golf.

Public ball golf courses are dropping left and right. More often than not they operate at a loss these days, and those that try to remain open are desperate to attract new patrons. Enter disc golf, a sport headed in a decidedly different direction. This story from the San Diego Union-Tribune offers a perfect example.

San Diego runs multiple public golf courses, but only the famous Torrey Pines complex with two championship 18-hole tracks turns a profit. The rest of them are subsidized by the city. Balboa and Mission Bay, which according to the article lose a combined $2 million each year, felt compelled to attract a new breed of golfer. For a relatively minimal investment they added disc golf and footgolf, and (no surprise), usage at both courses has spiked.

“The spikes in usage at Balboa and Mission Bay have been partly attributed to upgrades, including new foot and disc golf courses added to each and a greater focus on the quality of course conditions.” -David Garrick, SD Union Tribune

A quick Google search yields plenty of other examples, like this one from Ceres, CA, and another from Tuscon, AZ where the city council recommended more desperate measures- with disc golf still the end goal.

The article from San Diego also mentioned some details on how much it costs to operate a traditional golf course. According to Garrick, energy and water costs for all San Diego public courses are expected to rise this year from $2.1 to $2.6 million, with personnel costs rising from $4.3 million to $4.6 million. Their overall budget will approach $20 million!

So is it realistic to think that within a few short years the number of disc golf-only courses in the U.S. combined with the number of ball golf/disc golf hybrid courses will be greater than the number of ball golf-only courses? Sure seems like it.

We’re trending that way already, as budget-strapped cities and municipalities are figuring out that disc golf courses require a tiny fraction of the overhead needed to keep a traditional golf course playable, in addition to requiring far less land.

What do you suppose will happen when it also becomes common knowledge that the average taxpayer these days is more likely to embrace the easier-to-learn, quicker-to-play, less expensive, and less environmentally impactful version of the game?

Get ready for The New Golf. It will eclipse the old, obsolete model, much sooner than you think.

Back to Bloggin’

December 21, 2018 by frisbeebrain, posted in DeLaveaga, disc golf, disc golf book, disc golf instruction, Disc Golf Pro Tour, frisbee golf, Jack Tupp, santa cruz, Touring Pro, Touring Pros

As George ‘Frolf’ Costanza once famously said, “I’m back baby, I’m back!”

Tell all your content-hungry disc golf pals who (in addition to playing and watching) read about the sport whenever they can that the School of Disc Golf is back to posting a mixture of disc golf content- not just the instructional stuff tied to our core business.

You’ll once again also be seeing current disc golf news from around the world, with a focus on stories about the sport’s growth around the world. Like this story from Bay County, MI. Check out this awesome quote from director of recreation and facilities Cristen Gignac:

“One of the big parts of this grant is we do public input,” she said, adding during the month of September they had a survey that went out to the community. “There was a lot of interest in disc golf, you’ll see that as a priority in a handful of different places.”

Stories like this are popping up everywhere, and I love to share them. Add in occasional commentary provided by yours truly, Jack Tupp (aka Frisbeebrain), and you’ll see a good mix of disc golf content- much of which you won’t get anywhere else. Use the ‘Subscribe’ link at right to make sure the good stuff hits your email inbox before the metaphorical ink is dry.

A little about the history of this blog:

Back in 2008, I decided to launch one of the sport’s first blogs, DeLa Blahg then went on to write (along with PDGA’s Steve Hill) for Rattling Chains, and after that All Things Disc Golf- both also excellent pioneering Disc Golf Blogs. Since then I launched the School of Disc Golf to offer lessons and teambuilding events and published two books. Three Paths to Better Disc Golf offers multiple tips to help you shoot lower scores, while The Disc Golf Revolution aims to help you share the sport – in all its important glory – with the outside world.

DeLaShermis13 — You’ll also see examples of my personal disc golf-themed smartphone captures, like this recent one from Hole 13 at my home course, DeLaveaga in Santa Cruz, CA.

Enough about me, right? Everyone is encouraged to post comments, and send me questions, ideas of topics to cover, and story links. If you want to peruse past posts for ideas, just use the search box. Let’s talk some disc golf!

Finally, a teaser for what’s up next: I’ll be sharing a completely fresh take on whether baskets should be smaller/more challenging on the pro tour. Stay tuned!

Do pressure putts wind you up? “Don’t look down!”

December 27, 2016 by frisbeebrain, posted in DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, disc golf putting, Disc Golf Technique, frisbee golf, instruction, Jack Tupp, putting

How do you perform on pressure putts? Are they a weakness in your otherwise solid disc golf game? If the first question caused you to grind your teeth and/or break out into a cold sweat, and if you grudgingly answered ‘yes’ to the second question, this post is for you.

Let’s start with a seemingly random question: Have you ever had to walk across a rickety bridge spanning a 3,000-foot gorge? Or maybe you’ve traversed a narrow, slippery trail hugging the side of a steep mountain. Even if you haven’t, you’ve probably seen such scenes in movies and know what the cool, calm, and collected inevitably say to those with mortal fear in their eyes:

“Don’t look down!”

The obvious reason for this timely advice is to help an already frightened and nervous person from becoming paralyzed with fear. Looking down in such situations reminds us of the dire consequences if things don’t go right, and healthy fear is one of the traits hard-wired into all species. But alas, not all fear is healthy, nor helpful.

Take away the consequences -possibility of serious injury or death, with immense pain along the way, in this case – and that walk across the rickety bridge is really no big deal. It’s just walking, after all. But when one false step could turn into a real-life Wile E. Coyote plunge, it suddenly gets much harder. And this is true of pretty much everything. The more it means to you, the greater the likelihood that anxiety comes into play. And anxiety, needless to say, never enhances performance.

Good news, the solution is simple! However, it’s not easy, at least not in an instantaneous, problem-solved kind of way. You gotta consciously work at overcoming a tendency that, like garden weeds, can never be entirely eliminated. But if you make a sincere effort to make this change you should see some results almost immediately.

Here is the essence of the one and only true way to combat performance anxiety. Drumroll, please . . . . . .

Think about what you’re trying to do, not what you’re trying to accomplish- and definitely not why you’re trying to accomplish it.

Many believe that athletes who are known as ‘clutch performers’ must somehow thrive on the pressure that negatively affects everyone else. That’s not true. They have simply trained themselves to concentrate on the raw components of the task at hand and block out everything else.

The general idea of focusing on actions rather than results is nothing new. Instructors, trainers, and coaches have applied it to everything imaginable- far beyond the realm of athletics. I’ve written about the applications of this concept multiple times before and have included some links later in this post. There are many techniques that will help you accomplish this game-changing transformation. Adapt one of mine, or come up with your own. The purpose here is to help you understand and embrace the basic concept.

The rickety bridge/”Don’t look down!” analogy just recently occurred to me, and I think it can be instrumental in helping golfers who already realize that the primary obstacles between them and lower scores are often mental, but haven’t gotten beyond that vague realization.

Want yet another example? I bet whoever trains people to diffuse bombs stresses the fact that the mind must remain focused 100 percent on the task at hand. Thoughts of beloved family members and fear of being blown to smithereens could result in shaky hands or a momentary confusion between red and blue wires. Next thing you know, BOOM!

As we all know, some missed putts result in different kinds of explosions (or, in some cases, implosions): Exploding scores, tempers, and visions of that personal-best round that was so close you could taste it. And it’s not the miss itself that is so frustrating, but the awareness that it was due to a brain twisted into knots.

If you now believe the simple solution revealed above (think about what you’re trying to do, not what you’re trying to accomplish) has merit, and are wondering “How, exactly?” that’s an excellent question. There is no one-size-fits-all answer, but I think I can get you headed in the right direction by sharing a little about my personal strategies, tactics, and tricks.

Think about what you’re trying to DO

This literally means the physical movements I (and you) need to perform in order to execute a successful putt. This isn’t a post about putting technique, so I’ll only list a few things that I try to think about right before every putt (yours may be different):

Start with a comfortable, balanced stance
Focus my eyes on the orange decal on the pole, or one particular link, and don’t release the stare until the disc arrives at the basket
Follow through straight at the target, feeling the stretch in my back, shoulder, arm, hand and fingers for a lingering second after the disc leaves my hand

Notice I did not list “make the putt” as something I’m trying to do.

Do NOT think about what you’re trying to accomplish, or why you’re trying to accomplish it.

The second you start thinking about making the putt, two bad things happen.

You stop thinking the productive “Do This” thoughts that give you the best chance of success. You can’t simultaneously follow two trains of thought.
You open the door to why you want or need to make the putt. The bigger the situation, the farther the drop from that rickety bridge. It doesn’t matter whether a really bad thing will happen if you miss (you lose the round, for instance) or a really good thing won’t happen (you don’t birdie hole 13 for the first time ever). The effect is the same.

Remember when I said the solution is simple, but not easy? That’s because thinking only about the process of putting and blocking out all thoughts related to the desired achievement is a simple enough concept- but easier said than done. That’s where the strategies, tactics, and tricks come in. I’ve shared a few that I’ve posted about in the past. Adapt them to your game, or use them as inspiration for developing your own routines to prevent yourself from “looking down.”

“Do This!”

Back in 2011, I came up with a pre-shot routine wherein I practice my putting motion several times, full speed but without the disc in my hand, right before my actual putt. I discovered several benefits in doing this, and you can read the post or watch this short video if you’re interested in the full explanation. I list it here because one of those benefits of the routine is that it allows me to think about my process keys while practicing my “stroke,” and then when it’s time to execute the actual putt, my last final thought is always the same: Do exactly what I just did on the last practice stroke. Just that one thought, and nothing else.

For me, there is no other correct final thought before I pull the trigger. The routine is now habit for me, which makes it easier to remember even in the most high-pressure moments. I’m also more likely to identify renegade “value” thoughts that try to invade my routine in time to replace them with “process” thoughts.

Assess. Choose. Execute.

Extending the routine further backward is another way to be sure I’m thinking about the right things at the right time. A successful shot starts well before I step up to my lie. In this post I discuss the proper sequence of first assessing the situation, then choosing exactly what to do, then executing. If I complete the first two steps before I step up to my lie (this post was for all shots, not just putting), I have a better chance at being able to focus on process, and only process, when it’s time to execute.

Like A Machine

Another post that touches on this subject was titled “Play Disc Golf Like a Machine. A Well-Oiled Machine.” If you need another metaphor for setting emotion and value aside and simply executing a command, you’ll find it in that post. If it helps, think of yourself emulating a robot, automaton, or even Star Trek’s Dr. Spock. If asked, he’d say “In competitive disc golf, feelings are illogical and counter-productive.”

However you get there, separating process from value on every throw will result in lower scores and less stress. Find something that works for you, and stick with it. It’ll be worth it!

Learning by Feel in Disc Golf: Why, and How

October 17, 2015 by frisbeebrain, posted in All Things Disc Golf, DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, Disc Golf Technique, frisbee golf, instruction

Companies that market formal clothing love to tell us how their garments lead directly to success in business.

“If you look good, you’ll feel good”. Heard that one before?

The idea is that men wearing chic, expertly-tailored suits and women wearing designer labels gain extra confidence. There may be a kernel of truth buried beneath the B.S., but that’s beside the point. What matters is we can use it to communicate some useful info to disc golfers wanting to improve skills and consistency. It’ll take a bit of ‘splainin’ to get to the meat of the lesson, though, so hang in there. It’ll be worth the 10-minute read.

First off, this tip flips those ad slogans around. Feeling comes first. Also, I am using the word ‘feel’ in a totally different way than them. We’re not talking about the touchy-feely emotional kind of feel (as in, ‘you hurt my feelings’). More like the physiological use for the word, as in ‘that toilet paper feels like sandpaper!’ (Cringe-worthy mental image, but it got the point across, didn’t it?) Finally, since we’re talking about a different kind of ‘feel’, the word good doesn’t work as well. So if we had to have a pithy slogan similar to theirs to sum up the lesson, it would be more along the lines of “Feeling right leads to playing better, and (for those who care about such things) playing better makes you look good.

Ok, we’re done laying out our tortured analogy. Onto the actual message.

The School of Disc Golf has previously mentioned the concept of ‘muscle memory’ no less than six times, with good reason. It’s a scientific explanation of why and how practice makes us better. On Wikipedia, it is summarized as “a form of procedural memory that involves consolidating a specific motor task into memory through repetition. When a movement is repeated over time, a long-term muscle memory is created for that task, eventually allowing it to be performed without conscious effort.”

By that definition, muscle memory is something that happens automatically, behind the curtain of your conscious thoughts. It’s one of the benefits of repetitive practice. I’d like to believe that as disc golfers (or any athlete working to perfect a craft) we can take it further than that. We can try to consciously maximize the process and benefits. I’ll explain using a couple commonly accepted tips.

Putting

Whether you prefer the spin putt or the push putt, the in-line or straddle stance, following through, dramatically, should be a constant. We talk about it in detail in this post and even include a video tutorial of an exercise to practice follow through and better develop the key muscles used in this particular way. Every putt should end with a rigid throwing arm stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.

Now, as you read this, don’t focus on what that description of following through looks like. Focus on what it feels like. If I was giving you an in-person lesson right now, I’d explain follow through, much as I just did in writing above, and show you what it looks like. Hopefully after seeing me do it you’d make your best effort to replicate what you just saw me do. Assuming you did it correctly, I’d tell you so, and you’d accept that you just did it correctly based on my positive feedback. But here’s the thing: I can’t follow you around for all your practice sessions and rounds of disc golf. My lessons are reasonably priced, I think, but that would get costly quickly! And even if that were feasible, the key to the lesson (that follow through is a key to good putting) would not penetrate beyond your logical mind. In other words, it won’t be carved into your muscle memory. That kind of learning requires feel.

Let’s go back to the word picture I offered:

Every putt should end with a rigid throwing arm and hand stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.

As you read the words, stretch your throwing arm toward a focal point across the room. It doesn’t matter what it is, but keep your eyes locked onto it. Now zero in on the key words and phrases, “rigid throwing arm and hand”, “stretched”, “elbow . . . locked”, “arm and even fingers perfectly straight”. Rather than thinking about these descriptions look like, or what you should look like emulating them, let your mind dwell on what each of these things feels like. An arm stretched straight ahead to its extremity feels very different than one that is dangling at your side, or resting on the arm of a chair. Get that feeling locked into your long-term memory and recall it before every putt. Remind yourself that unless you feel that sensation of stretching and straining directly toward your target, you’re not doing it right.

This post is meant to be more about the importance of learning and recalling by feel than a putting lesson, but we’ll make one more point. At the end of your putt, just before, during and after you release the disc, the feeling should also include a quick, sharp burst of movement. Don’t misunderstand all the talk of stretching toward the target and conjure up thoughts of slow motion Tai Chi. For more on that check out the follow through post referenced above.

Backhand Drive

Since we went into pretty good detail about the importance of ‘feel’ in the putting example, this one will be short and sweet. It should help drive (no pun intended) the point home using a different type of scenario. We’ll focus on one particular aspect of good, consistent driving: Balance.

One of the key points in our comprehensive post ‘Building Blocks of Basic Backhand Technique‘ is the relationship between balance and weight transfer. When it comes to throwing a golf disc properly the two are intertwined, and the difference can definitely be felt when done correctly vs. incorrectly.

First off, when you’re setting up to throw, make sure you begin with good posture (knees still slightly bent, but back mostly straight and body not ‘hunched over’) and weight evenly distributed between front and back foot. As you execute the throw, remember the goal of keeping that weight centered as much as possible. Yes, you need to transfer weight to the back foot as you reach your disc all the way back and transfer it forward in sync with the disc as you throw. But to retain the most consistent control of where your disc goes, you must remain well balanced. If you feel yourself falling off to one side or, more commonly, falling forward upon disc release, your balance is off and likely so is your aim.

This is why, in the backhand post cited above as well as all lessons I give on the subject, I urge players to begin by learning proper backhand technique without a run-up. It’s important to lock in the feel of proper balance and weight transfer so you can recall it when needed, and identify flaws when they arise.

This post doesn’t include any images, for a good reason. Visual aids do have a place in learning. But when it comes to muscle memory it’s all about learning through feel, and realizing that feeling is the best way to learn.

Disc Golf Book Excerpt: The environmental impact of disc golf vs. ball golf

September 3, 2015September 9, 2015 by frisbeebrain, posted in DaLearning Curve, disc golf book, disc golf courses, Pinto Lake

In this excerpt from a soon-to-be-released disc golf book targeting non-disc golfers, the considerable environmental impact of ball golf course development and maintenance is contrasted with the relatively invisible footprint of most disc golf courses. Consider the resources demanded by a ball golf course located in the middle of a desert wasteland. A disc golf course on the same piece of land, on the other hand, would involve nothing except strategically-placed targets and tees. Virtually no manipulation of the landscape whatsoever. And no watering.

I hope you enjoy the read, follow the links and post comments below.

As shown on this shot from the fairway of hole #3 at Pinto Lake DGC in Watsonville, CA (site of the 2011 PDGA World Championships), disc golf can be played on severe slopes and any type of ground cover- in this case bare dirt. — As shown on this shot from the fairway of hole #3 at Pinto Lake DGC in Watsonville, CA (site of the 2011 PDGA World Championships), disc golf can be played on severe slopes and any type of ground cover- in this case bare dirt with a severe right-to-left slope.

The Environmental Impact of Golf

Traditional golf attracts criticism from environmentalists for two primary reasons: water and pesticides. Prodigious amounts of both are used each week by U.S. golf courses to keep fairways and greens lush, green, and free of weeds. The more radical line of thinking is that the environmental impact on such large areas for the benefit – and recreational benefit at that – of so few is unconscionable. Even a good percentage of golf enthusiasts polled on the subject of golf and the environment tend to agree that course owners and greenskeepers need to modify maintenance practices.

As part of a comprehensive report on golf and the environment in 2008 written by John Barton, Golf Digest magazine conducted a survey with the purpose of determining the opinions of golfers as compared to the general population. When asked if Pesticides used on a golf course creates a potential health hazard for humans, 40 percent of the golfer group responded yes (compared to 66 percent of the general population group). That says two things: Two-thirds of the general population think that the pesticides used on traditional golf courses are likely hazardous and even close to half of all golfers are willing to admit it; yet their reasons for wanting to play the game are so compelling that they don’t care. They’ll take their chances!

To the poll question “Should the amount of water used on golf courses only be enough to keep the grass alive, not make it green and lush?” 44 percent of golfers said yes. Pay attention to this one not only to the reply (most golfers still want their course green and lush, whatever it takes) but to the particular wording of the question. ‘ . . . enough to keep the grass alive . . . ” How much is that, exactly? And why is keeping the grass alive necessary if it isn’t going to be esthetically pleasing? Dead grass comes back every Spring.

The answer to the first question is hard to nail down, as the difference between ‘alive’ and ‘lush and green’ is entirely subjective. But the answer to the second question is more illuminating and goes directly to why golf will always be a concern – and, therefore, a barrier – to certain environmentalists.

Thick grass, mowed (emissions from maintenance equipment are another concern of environmentalist) at a consistent height is essential to the game of golf because players hit the ball from wherever it lands. They expect a reward for keeping the ball in the fairway in the form of a clean shot at the ball as it lies atop the perfect grass. And greens, where players putt the ball at the hole, are supposed to be kept so short and uniform that the ball will roll straight and smoothly with a slight tap of the club. To get a better idea of how important this manipulation of the land is to the game of traditional golf, think of your favorite natural open space park. Now imagine people trying to play golf there, hitting their balls from amongst the dirt, brush, tall native grasses or bushes and clustered trees. Not to mention finding the ball after each shot.

In the Golf Digest story mentioned above, five different people with different perspectives on golf and the environment were interviewed. One of them was a noted environmentalist named Brent Blackwelder, who is also an avid golfer. According to Barton, Blackwelder is one of America’s most prominent environmental advocates and has testified before Congress more than 100 times. He is also past president of Friends of the Earth and now president emeritus of the same.

Blackwelder answered asked a number of questions, but his response to the final one was the most illuminating in the context of this book. After touching on specific issues like pesticides, energy use, and genetically-engineered grasses, Barton asked, “What would golf be like in a perfect world?” Blackwelder’s reply:

“You’d be playing on an organic course. The maintenance equipment would be charged by solar power. Recycled water would be used for irrigation, and used efficiently and sparingly. There’d be a great variety of wildlife habitats. This idea that you’ve got to make everything look like a miniature golf course with a green carpet is crazy. It’s the same problem that we see with these lawn fetishes—all the water and chemicals and energy that are used for a lawn that just sits there. So let’s get back to the rugged qualities of the game. People ought to read the history of golf.

“We’ve not been very good stewards of the earth as a species. We should be a blessing to the rest of life, not such a curse. The whole idea of living with and appreciating and understanding our surroundings is something we need more of. We have this incredible nature-deficit disorder worldwide. We’re sitting all day in front of a computer in an office and not getting out for a walk in the woods. Golf is a great opportunity to be outdoors. It should be a fun, interesting, great walk out there; a healthful, salubrious experience.”

The utopian golf experience that Blackwelder describes as “golf in a perfect world” is already a reality, and it’s even better from an environmentalist’s perspective than he’s imagining. It may not be the golf he grew up playing, with clubs and balls on 150 acres of heavily manipulated land. But it can be played on virtually every type of terrain with hardly any alteration required, and zero watering or pesticides. As this book aims to demonstrate indisputably, players get the full golf experience – the mental challenge, the constant risk/reward equation to solve – while in an entirely natural, native, organic environment.

They may not realize it, yet, the growing number of people like Blackwelder who see great value in the game of golf but also feel a strong obligation to minimize human impact on the planet.

Disc golf is the Utopian golf experience.

It requires one-third the land of a ball golf course, and rather than being carved out of a local natural habitat, a disc golf course can completely conform to it. No watering and no pesticides needed.

Well-know turnover shots: when to use ’em and how to throw ’em

July 4, 2015 by frisbeebrain, posted in anhyzer, backhand, DaLearning Curve, DeLaBlahg, disc golf, disc golf instruction, Disc Golf Technique, frisbee golf, hyzer

Among the pleasures of disc golf – and there are many – perhaps the most satisfying for the athletically-minded is mastering new flight paths for one’s disc. And since all discs to one degree or another have the natural tendency to fade left or right depending on the direction of the spin, making a disc turn in the opposite direction of that fade is among the first big milestones. And then you realize that within the broad classification of “turnover shot” exist an endless quantity of different shot-shapes and ways to achieve them, and things really begin to get interesting. And fun.

A while back we published a post called “Mastering the turnover shot: Equal parts art and science.” In it we explain in pretty good detail the handful of ways of executing flight paths variously known as a turnover shot or anhyzer. (You can check out our Disc Golf Terminology page for definitions of all these terms.) We recommend reading the previous post before reading this one. This post explains specific flight paths that can be achieved by adjusting any of six different factors, and those are listed and described there.

disc golf lessons classes event disc golf events — Most anhyzer flights of any distance require extra height. Note not only the angle of this player’s disc but also the height of the release point.

The Anhyzer S-turn

Let’s start by explaining the term ‘S-turn’, which describes the flight path rather than throw itself. It simply refers to a flight path where the disc turns in one direction for the beginning of the flight, then finishes by turning in the other direction. You’ve like done it before, by accident if not by design. Being able to properly execute an S-turn represents a huge step forward for any player, and once you understand how to do it it really isn’t any harder than turnover shots intended to arc in a single direction the entire flight. And it not only proves useful when two turns are required. It’s also a great way to maximize distance as the turns keep the disc in the air longer.

To hyzer a disc means to release it with a nose angle that encourages the disc to fade in the direction it naturally tends to fade. For instance, a right-handed backhand shot will fade to the left. So to throw an anhyzer in that same situation a player must release it with a nose angle that not only enables the disc to resist that tendency to fade, but turn in the other direction. An RHBH thrower uses a nose angle where the left side of the disc is lower than the right, so that same thrower – if she wants to throw an anhyzer shot – needs to reverse that nose angle so that the left side is higher than the right. Think of driving a car with your hands “10 and 2” on the steering wheel, and imagine a straight line between your hands. When you turn left, your left hand becomes lower than the right and that straight line mimics the nose angle you’d want on your disc for a hyzer release. A right turn mimics the angle for an anhyzer release (Again, see the previous post for a correct explanation of hyzer/anhyzer as anhyzer and turnover are not synonymous.)

Sticking with our RHBH example, an anhyzer S-turn shot will initially turn to the right, then at some point fade back to the left. This shot comes in handy when the hole presents early obstacles on the right side of the fairway that force the player to start the shot on the left side, while also having characteristics that make it undesirable to let the disc finish in that direction. For instance the hole has a wall of early trees on the right side and on the other side of the trees is a deep ravine or a water hazard. The basket is on the left side of the fairway a little deeper than the ravine/water, behind another grove of trees.

The trees on the right are too high for a simple tall hyzer route, so the player must throw through the gap on the left, but she can’t throw straight at the basket without heading right for the grove on the left. The solution is the anhyzer S-turn, because it first avoids the trees on the right by passing through the gap, then (because it is turning right thanks to the anhyzer release angle) passes to the right of the grove on the left. This much could be accomplished with a simple anhyzer shot, but remember if it finishes right it’ll find the ravine/water hazard. So it is imperative that the disc finish left.

The two keys to pulling this off are knowing the discs in your bag and the release point required for each- and that only happens with practice. Get out in a field and throw all your discs with the same amount of power and same nose angle. The understable discs will likely turn over and never fade back, while your super-overstable disc may hardly turn at all before fading back to the hyzer angle. Since every situation is somewhat unique, you’ll want to eventually learn how to do this with as many of your discs as possible. It’ll require different combinations of those six factors explained in the last post, which is why it’s important to really know each disc’s characteristics.

We mention release point because this is usually the biggest hurdle players have in learning to throw this shot. If you release the disc at too low a point with a steep anhyzer nose angle, it will head straight for the ground as it turns over and never have a chance to fade back. A fairly typical release point for an anhyzer S-turn is eye level or higher, but it is differs depending on the player’s armspeed, the disc, and the situation.

The Flip Hyzer S-turn

The flight path for a flip hyzer (or hyzer flip) S-turn is the reverse of the anhyzer S-turn. It’s usually the easier S-turn shot to execute because for most players throwing with a hyzer angle comes much more naturally. However, a key ingredient to executing this shot is above average armspeed, so if you’re having trouble with it that may be the reason.

The term ‘flip hyzer’ accurately describes this flight path. When done properly the RHBH thrower releases a throw on a hyzer angle with enough power for the rate of speed to eventually overcome that hyzer angle, causing the disc to turn over and drift right. The really cool thing about this shot is that by dialing up just the right mix of nose angle, armspeed and release point (and of course the disc chosen matters as well), the thrower can manipulate the precise point at which the disc turns. For instance, a steeper hyzer angle will make the disc take longer to turn over, while increasing the armspeed will make it happen quicker.

Even though the flight characteristics of a flip hyzer shot are the reverse as an anhyzer S-turn, it isn’t used in quite the same way. A player will typically utilize it in two scenarios:

On long, ‘tunnel’ type holes where the disc needs to finish on a turnover line, a flip hyzer enables the thrower to maximize the distance before the disc begins to turn over
On very long, wide open holes where nothing matters but distance, a flip hyzer when executed properly will yield the most distance. In fact, in distance contests top pros use this method almost exclusively as their elite power, combined with a sharp hyzer angle and a high release trajectory often result in three turns- the initial hyzer, and then the turnover as spin rate overcomes angle, and finally (since the trajectory was upward and the disc still isn’t close to the ground), a fade back to the hyzer line.

Once again, the only way a player can master this shot enough to have confidence in the technical situations in which it is required is through hours and hours of experimentation and then repetition. It’s also worth noting that both these S-turn methods can be used to achieve a roller shot, where the player is intentionally causing the disc land on an anhyzer angle with enough power left to stand up and roll.

Holding the line

As discussed in the previous post, for most players throwing a disc perfectly straight is harder than making it turn. So it should not be a surprise that making a disc turn over and then hold a particular line once it has turned is for some even harder. On courses with baskets placed in harrowing positions (near OB, water, cliffs) a straight, flat landing is often the only way to avoid trouble. Like the S-turn shots it requires a very exacting combination of angle, speed and trajectory, but in this case another specific factor is even more important. And that factor is . . . spin.

Think of it this way: If a player wants to throw RHBH anhyzer that turns over through its entire flight he’d throw a disc he knows will continue to turn with a steep enough nose angle. If he wants the disc to turn most of the way then fade left at the end (anhyzer S-turn), he could use the same technique but switch to a sufficiently more overstable disc. But if he wants the disc to execute a right turn at a certain point then very gradually come out of the turn and finish on a straight line, merely changing discs won’t cut it.

Unlike most shots, where as number of factor combinations result in roughly the same flight path, this requires an increase in spin and nose angle steepness proportionate with the distance the disc needs to carry on that straight finishing line. Spin can be increased by accentuating that whip-cracking, towel-snapping release and reducing the follow through of the arm. A good way to learn this is to pick out the apex of the intended flight path, which should act as a hinge that connects the first part of your throw with the second. Aim for that hinge with the idea that your disc will reach that apex with the right angle and lots of spin, then use that spin to coast on the exact straight line you want.

This type of shot is particularly handy on shorter shorts where you can use a fan grip and a putter, but it can be thrown with a power grip as well.

Mastering the turnover shot: equal parts art and science

December 22, 2014March 3, 2015 by frisbeebrain, posted in All Things Disc Golf, backhand, DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, Disc Golf Technique, frisbee golf, instruction, Jack Tupp

Anyone can throw a hyzer.

In fact, even for most beginners throwing a hyzer is as natural and involuntary as breathing. But getting the disc to not hyzer is like trying not to breathe.

Those who are highly skilled at making a golf disc turn in the direction opposite to its natural fade all know the ability is as much art as science. As much feel and touch as proper technique. But solve that puzzle, and you’ve just taken a giant leap in your evolution as a player.

There are two things that separate players who have truly mastered the flight of a golf disc and those who have not: the ability to throw a disc relatively straight for more than 150 feet, and the ability throw what is alternately known as an anhzyser or turnover shot. The two are actually connected as they both require the ability to iron out the muscle memory nearly everyone has that causes us to automatically throw golf discs on a hyzer angle.

Figuring out the latter usually leads to rapid improvement with the former – another reason why understanding and mastering the multiple components of a turnover shot will take your game up several notches. However, as explained below, teaching someone to throw turnover shots is more about explaining these different components and how they relate to one another than a simple ‘Step 1, Step 2, Step 3’ approach.

First let’s discuss the distinction between ‘turning the disc over’ and throwing an anhyzer shot. In a nutshell, to turn the disc over means to get it to curve in the direction opposite of that which in naturally wants to curve (fade). For instance, a right handed backhand shot will naturally fade left (immediately or eventually, depending on the disc), so a player wanting to get the disc to curve right needs to ‘turn it over’. Throwing an anhyzer is simply one of several ways to turn your disc over, all of which we’ll examine in detail.

No less than six primary factors affect to what degree your disc will (or will not) turn over: angle of release, release point, trajectory, the amount of spin on the disc, the wind, and of course the stability of the disc itself. Each of these can be manipulated or in the case of the wind, leveraged to create a desired flight path. More exciting still they can be mixed together to create every conceivable shot.

This photo demonstrates two of the six elements that can be adjusted to craft the exact turnover shot required: release point and disc angle.

A perfect analogy is the way the three primary colors – red, blue, and yellow – can be combined to create every other color imaginable. Now consider that you’re equipped with six factors that enable you to paint a masterpiece on every throw! It’s one of the reasons disc golf just gets better and better as you improve. Disc flight can also be compared to cooking in much the same way. Great dishes can be created from just a few simple ingredients. Let’s briefly examine each factor, then explore different ways to cook up some tasty, gourmet turnovers.

Angle of release and release point

The angle of release refers to the angle of the nose of the disc as it’s release. It’s the most obvious of all the factors to someone first trying to learn how to throw a turnover shot since it’s fairly logical that if angling the disc to one side results in a hyzer in one direction, then reversing the angle should help it turn in the other direction. Angle of release is the most important factor in throwing an anhyzer shot, which is reversing the angle to get the disc, from the time it leaves the hand, to turn the opposite direction of a hyzer. Hmmm. . . ANgle opposite of a HYZER. Anhyzer . . . if nothing else that’s a good way to remember the correct definition of the word. And remember that anhyzering (might as well go all the way and turn it into a verb, too) is just one of several techniques for getting a disc to turn over.

Hole 10 at Pinto Lake CDGC has OB along both sides of the fairway. The player pictured intends to release an overstable O-Lace on a sharp anyhyzer line aimed at the right side so it will turn over toward the basket then straighten out as it finishes. Note the angle of the disc as the player is just about to launch his drive.

Release point is pretty much what it sounds like- the point at which the disc is released. Most anhyzers should be released at a point higher than normal, especially those intended to continue on the anhyzer line for all or most of its flight. This is because a disc that is turning over isn’t gliding through the air. It’s falling as soon as it reaches its apex, therefore it needs to gets launched from a high release point and have a trajectory that takes the disc upward, so when it begins to fall, it has more time before it comes back to earth. Which brings us to trajectory.

Trajectory

While angle of release is determined by the angle of the nose of the disc when it’s released, trajectory is controlled by the line on which the disc is pulled back and released. When a disc is pulled back and throw on a line parallel to the ground, the trajectory should be relatively flat. If the trajectory is angled upward, that is of course the direction the disc will go. Trajectory is especially important when throwing turnover shots – and it almost always needs to be from low-to-high – since turnover shots need time to develop, and adding height is the simplest way to get it.

Spin

More than any of the other factors, the proper use of controlled spin to help a disc turn over is the mark of an expert. The stability of a disc is partially determined by how much spin it can handle before it’s natural fade is overcome. Throwing a disc hard and fast like you’d try to do when attempting a long drive is one way to generate lots of spin, but not every shot calls for 100 percent power. A really good player can increase the spin on a disc to manipulate its flight path without overdoing the power.

Spin, combined with angle of release, is also the key to achieving a flight where the disc flies straight or even fades for a distance before turning over. Have you heard of the term hyzer flip? It’s basically the shot I’m describing, but thrown full power. The disc is thrown on a hyzer line but at a certain point the spin is too much for the disc, resulting in turnover. With the right combination of angle, spin (and in this case raw power) and trajectory, the resulting flight path can be one where the disc begins on a hyzer line, then turns over for a period, and when the spin reduces again, ends up fading back into the hyzer line. Three turns on one throw- pretty cool.

But not as cool, in my opinion, as a shot that uses spin in a more subtle way to turn a disc over. This requires increasing spin without also cranking up the power, which is a skill that for most takes a while to refine.

Wind

You likely have heard or figured out that throwing into a headwind will turn a disc over/make a disc less stable, while a tailwind does the opposite. Very true. Wind is the one factor the player doesn’t control, but it has a big impact on the flight of a disc. When the wind is extreme, it’s the starting point for selecting a disc and flight strategy. When it’s more gentle, the wind is simply a fact that needs to be accounted for. Or more accurately, adjusted for. Depending on the wind, you might increase or decrease spin, throw with slightly more anhyzer angle, or (especially in the case of a good tailwind) make sure the trajectory is angled more sharply upward.

Factoring wind into you turnover recipe is a good example of how subtle adjustments and combinations of factors need to be to get just the shot you want. All other factors being the same, a shot thrown into a four-mile headwind will fly quite differently than a two mile crosswind. Remember that the next time you cry out to the heavens “That disc always turns over on this hole! Why did it fade out this time?!!” Which brings us to the final factor: the disc.

Disc type and stability

Back when I started playing a couple decades ago, the best advice I heard from the best players was this simple nugget: Pick a good all-purpose disc (back then that meant a Roc) and play with just that disc. Master that disc before throwing anything else. The wisdom there is that by learning with only that one disc, the player has no choice but to coax every shot out of that disc. I think that is still one of the best pieces of advice for new players because otherwise, players assume that pulling off technical shots or getting more distance is just a matter of finding the right disc for the job. Not true!

Think of it this way: In any pursuit imaginable, an expert with remedial equipment will still achieve expert results. A virtuoso violinist will produce incredible music with a beat up rental violin. But give a Stradivarius to a beginner, and it will emit the same hideous squawks as he makes with his inferior instrument.

I digress here for a good reason. Disc type and stability is indeed one of the six factors affecting a disc’s flight, but it has more in common with the wind than it does the other four factors. Once the disc is in your hand, you still need to know how to tune the dials of the other factors (and have the skill to do so) to get the flight you want. Like the wind, the disc, once selected, is an absolute that needs to be figured into the equation.

All that being said, the finest ingredients and the best equipment in the hands of an expert do make a big difference. An understable putter can be used for some amazing touch shots that turn at just the right time, then float to the target as softly as a feather. An overstable driver can be throw with full power on a sharp anhyzer angle and just the right trajectory to produce a dramatic S-turn that passes to the left of one grove of trees then the right of another on the way to a drop-in birdie. But a player is always better off possessing one disc and mastery of flight control than a bag stuffed with any 25 discs you care to name and only vague ideas of how to use them.

Watch for the next post soon in which the specific ingredients and techniques for several basic turnover shots will be discussed. In the meantime, go out to a field (if your weather permits) and experiment with the components that make up every turnover shot. See which ones work best for you. Try them with all your discs and discover the infinite ways one can make a disc fly.

“Okay, everybody take a knee!” (and putt)

December 16, 2014 by frisbeebrain, posted in DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, disc golf product reviews, Disc Golf Technique, frisbee golf, instruction, Jack Tupp, Pinto Lake, santa cruz

The DeLaveaga Disc Golf Club is hosting a 145-player C-tier event in December called the Faultline Charity Pro-Am. The tournament director, your truly, wanted to include a nice, unique prize for the person in each division that carded the fewest bogey strokes and opted for a great new disc golf product called a Sew Fly, made by a company of the same name.

Sew, er, I mean, so what is a Sew Fly? It’s a round pillow of sorts that is made of tough, waterproof material on the outside, but filled with plenty of soft padding on the inside. It’s primary purpose is to serve as a knee pad to keep pants clean and knees protected, but the Sew Fly also flies remarkably well and is perfect for a game of catch.

All Sew Fly products can be customized with a great deal of detail. Shown here are ‘Small’ Fly’s with the DeLaveaga Disc Golf Club logo embroidered in a variety of different colors.

Much like the Sew Fly, this post will serve double duty as both a product review and instructional post. I set out to put the Sew Fly through its paces against a very wet and muddy DeLaveaga, and it occurred to me that I’ve never dedicated a post to the benefits of getting in a lower throwing position when the situation calls for it. More on that shortly.

When my Sew Flys arrived in the mail, I naturally tested the flight characteristics. Much to my wife’s chagrin, I tried it out by playing catch with one of my kids in the house. The verdict: these things can really fly! The design provides a decent amount of float and glide, and hyzers and anhyzers can be crafted as with any other flying disc. The larger Sew Fly flies the best, not unlike a golf disc compared to a mini. They’re soft and light enough to not dent, scratch or smash, but they are heavy enough to send knick-knacks scattering or knock over a glass of grape juice. No that didn’t happen to us, but as my wife anxiously pointed out, it could have.

Next up was the test of it’s more utilitarian function of disc golf knee pad.

Once again the Sew Fly performed the job admirably. The padding is more than adequate to absorb whatever it’s sitting on top of, and the bottom is made of an extra tough material that seems like it will hold up for a long time without tearing. Also, there is no way moisture is penetrating the bottom much less reaching the player’s knee. It does everything you’d want a knee pad to do.

I was pretty excited when I heard about the Sew Fly because I throw from one or both knees, my butt, and on rare occasions my back whenever a lower release point can help me execute a shot. I sometimes put a towel down to kneel on, but usually don’t bother- especially when the course is dry. As a result I’ve suffered painful jabs from rocks and sticks many times. I plan to use my Sew Fly all the time now.

Let’s talk about why I feel so strongly about getting down and dirty (and I don’t have to get dirty now!) on the course.

Throwing from closer to the ground can open up a shot and allow a player to obtain more loft. which in turn makes it easier to throw an accurate layup shot.

The difference in a typical release point when kneeling is about a foot or so compared to a normal stance. Those 12 inches certainly make a big difference when trying to hit a low gap right in front of you, which is the scenario under which most players throw from a knee. But I’ll get down and dirty pretty much any time I’m faced with a low ceiling, because the lower release point allows me to get more air under the shot and therefore throw it harder with a lower risk of hitting the ceiling. By throwing from lower, my angle of attack is much more comfortable. Those 12 inches make a bigger difference the longer the required shot is.

One of the best examples of this advantage is when I’m throwing a low skip shot to get under continuous low foliage (branches and such). If I throw standing up, the disc is flying downward toward the ground, and energy is wasted when it hits from that downward angle. If I throw from a knee, the disc can truly skip and lose hardly any momentum, like a stone skimming and skipping across water.

The same principle applies when throwing an air shot. The lower release point and flat or even upward trajectory in essence buys me more room for the disc to fly. This in turn allows me to get more touch on a shot, preventing those ‘blow-bys’ that result from throwing the disc too hard when trying to clear a low gap.

Two thing to remember when throwing from a knee or two knees, or a sitting or kneeling position: Find a way to re-establish your center of gravity so you can maintain your balance; and try to get a good, solid foundation. The two really go hand-in-hand. When throwing from one knee, what you do with the other leg matters quite a bit. If your off-foot is behind your marker there isn’t much to think about, but if you are kneeling directly behind your marker it usually works best to splay your other leg behind you on the same line as your intended throw or kneel with both knees. The advantage of the two-knee approach is a superior, sturdy foundation, but doing so will likely limit power a little. Therefore it works best on shorter shots.

Sometimes I need to get even lower than on my knees, and I’ll actually sit behind my mini. In most cases I’ll sit indian style as it solves the issue of what to do with my legs and gives me a very solid foundation. The larger Sew Fly is (for me) just big enough to sit on without contacting the ground.

My overall assessment of the Sew Fly is that it works great as both a kneepad and a catch disc. I personally prefer the smaller one for use on the course as it’s easier to store, but the larger one is better for playing catch. The small one flies fine too, but is harder to catch. These make great gifts for the disc golfer that already has everything disc golf-related. Check out all the ways they can be customized at http://www.sewflyoriginals.com/

the debate about modifying targets to add more drama at top pro events misses a larger, more important point

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