Do you notice when watching the best players in disc golf that their putts seem effortless? A big reason why is Spin. In Part 1 of this series I communicated two main points:
Maintaining a straight line at the target while putting, during the entire motion AND follow-through, is the best way to maximize accuracy and consistency
It can be tricky to do this, since spin is also required and generating spin typically requires a certain amount of rotational (non-straight line) force.
So how can you manufacture spin while sticking to that pure straight line? That’s what Part 2 is all about.
I believe it comes down to two key points that work in tandem (in other words, you gotta do both for either to matter when it comes to generating spin). They are described below, followed by a couple other tips that should also help.
Cock the Wrist
By cocking your wrist you are doing all the prep work needed to get the spin on your putt that will enable it to fly more smoothly and hold its line longer.
The great thing about this simple tip is that it allows you to focus on the straight line. Just cock your wrist and keep it cocked, then bring the disc forward on that line.
Set it and forget it
The second part of this magical formula is that mainstay of good technique in most every sport- follow-through! A cocked wrist + strong and exaggerated followthrough = tight spin.
The keys to proper followthrough are exaggeration and keeping it up for longer than seems necessary. Power through the putting motion, and continue to move your hand toward the target without showing down, even after the disc leaves your hand. Stretch your hand toward the target until it can go no further, with fingers outstretched, even holding that pose for a beat.
Exaggerated followthrough ensures two things:
You won’t subconsciously add rotation movement at the end in an attempt to add extra spin
You WILL power through your putt rather than letting up just before or upon release
No more inside-the-circle airballs? Yes, please!
The first of these is important in terms of keeping the disc on the line, and the second is the key to converting the potential of that cocked wrist into all the spin your putt will need. The quicker you go from a fully cocked wrist to fingers outstretched toward the basket, the more spin you’ll get.
If you want a great example of both straight line discipline and exaggerated followthrough, check out Paul McBeth clips on YouTube. Jomez has plenty of good slo-mo (or SloMez, as they call it), and this several years-old clip shows three minutes of off-season practice. Watch for the straight line and the followthrough.
Practice reps focusing on going from cocked wrist to exaggerated followthrough will strengthen the involved muscles for use in this specific manner. If it seems like you can’t get much power on putts using this technique at first, put in the reps. You’ll see progress.
Focus on balance. Keep your entire body’s movement on that straight line–not just arm and disc. If you feel yourself pulling or falling to one side, it will affect the putt.
I shared a key component to accurate and consistent putting in a recent post. The title of the post, The Straight Line on Disc Golf Putting, Part 1, provides a pretty big hint to the nature of the tip. It also indicates that I intended to add at least one more complimentary post, and I do. But comments on social media convinced me to write this one first.
Part of the post was an explanation of why the ‘straight line’ approach to disc golf putting works regardless of a player’s preferred putting style. Push putt, spin putt, pitch putt, I wrote- it doesn’t matter. I also included a very brief explanation of those terms for readers unfamiliar with them, and those definitions became the focus of most of the feedback I received.
I decided to dig a little deeper into what others have said and written about pitch, spin, and push as descriptors used to explain putting techniques in disc golf. One thing became clear (or, rather, unclear): because there is no ultimate authority on disc golf terminology they mean different things to different people. Rather than cite a variety of conflicting explanations, I’ve decided to simply explain what they mean to me, and why.
Before I go into each of the three terms, I’ll start by listing three key points:
Each player’s standard putting technique is unique to that player.
The three terms defined below are not putting techniques or putting ‘styles.’ They are components that can be and usually are combined to one degree or another.
Most players have a standard putting form for routine putts (defining ‘routine’ as inside the circle, relatively flat and not obscured) and therefore a standard mix of two or three of the 3 components. But non-routine putts call for the components to be mixed in different proportions.
Not only does each player’s putt feature its own unique blend of mechanical components. That blend can and does change from putt to putt depending on the situation. It’s a fluid thing. Keep that in mind as you read the definitions below.
This term is used to describe a player propelling a disc forward in a straight line at the target from a spot close to the torso (anywhere from waist to sternum). A couple similar movements used in other sports would be the thrust in fencing and the jab in boxing. Paul McBeth provides a good example in this video by Jomez Productions. Go to the 5:57 mark, and note how the motion of the disc is all straight forward- no arc, no sideways movement, even at the end.
The pitch putt may be so named because of its similarity to the motion used when ‘pitching’ horseshoes. Like the push putt, an accurate and consistent pitch putt requires the player to keep the disc on a straight line from beginning to end (release and follow-through). Unlike the push putt, the player typically starts the putt at knee-height or even lower and often maintains a straight arm and locked elbow throughout. Because of the low starting point the trajectory of a pitch putt is also almost always steeper (low to high) than a push putt, which especially for power putters can be almost flat.
The term ‘spin putt’ is probably the least accurately descriptive of the three. Spin, after all, is a critical element of any putting technique except the rarely seen end-over-end ‘flip’ putt. A more accurate label for the technique known as the spin putt would be ‘fling putt’ or ‘flip putt.’ There are two things that differentiate this putting method from the two listed above:
The putt finishes with a rotational flipping motion, similar to that uses to ‘toss’ a Frisbee. Original Frisbees used to come with the slogan “Flip flat flies straight.
Unlike the push and pitch putts, most or all of the power/thrust of a pure spin putt comes from this flipping motion. “It’s all in the wrist,” as they say, and in this case it’s true.
This gets back to the reason I wrote the post The Straight Line on Disc Golf Putting, Part 1, in the first place. The wrist flick that defines so-call ‘spin putting’ is the easiest way to generate power while facing the basket. It is the most difficult, however, when it comes to achieving a reliable, consistent release point.
Sure, some top pros have have had success with it (Nate Doss and Steve Rico come to mind). but they are the exception to the rule. Why? Because when the wrist-flip supplies most of the power, the motion of the disc leading up to the release point follows an arc rather than a straight line.
To see what I mean, check out this very recent clip from Jomez Productions’ coverage of Simon Lizotte at the 2019 Pro Worlds. Go to the 32:00 mark, and watch the slo-mo replay of Simon’s spin putt. He finishes by following through straight at the target after the disc is out of his hand, but the motion leading up to the release is clearly more of a rotational wrist-flicking nature.
Now go back and watch the Paul McBeth clip linked above and you’ll see the putting motion and the exaggerated follow through both staying on the same line directly at the target. The disc can’t help but following that straight line, and this isn’t a given with a spin (AKA fling AKA flip) putt.
I know, sticking to this straight line while also generating sufficient spin is tricky. I’ll address how to do just that in the next post, Part 2 of The Straight Line on Disc Golf Putting. Stay tuned!
The shortest distance between two points is a straight line. You’ve heard that before, right? It’s true of many things, including – in the figurative as well as the literal sense – disc golf putting.
If you’d like to transform yourself from an inconsistent putter who is frustrated by frequently missing putts your peers seem to make all the time (Point A), to someone known for their solid, consistent putting game (Point B), this ‘Straight Line’ tip might get you there quicker than any other adjustment you can make.
More than any other part of the game, putting is all about precision and accuracy. If you miss your release point by even a few degrees it could very well result in a missed putt- even on very short attempts. The best way to prevent this from happening is to keep both the disc and your hand on a rigidly straight line from the time you start the take-back until after the disc leaves your hand (the follow-through).
The bottom line: Eliminate the left-to-right movement in your putting form, and you’ll greatly reduce your left/right misses. Just like that!
Figure 1 is obviously a diagram using crude symbols, but it’s a good thing to visualize if you choose to practice this key ingredient to consistently accurate putting. Another option is to imagine a narrow tunnel barely the width of your disc running between you and the basket. Your objective as you take the disc back then launch it forward should be to keep the disc and your hand from hitting the sides of the tunnel, holding onto it until your arm is stretched as far as it can toward the target.
Why It Works
The reason this tip works so well is simple. A disc pulled back and then propelled along a straight line will begin its flight heading in the exact direction at which that line points. Assuming your aim is true, all you need to do is open your hand when your arm is stretched as far toward the target as it will go, then keep reaching with all five fingers for a half-second more.
Whether you prefer the ‘Push,’ ‘Spin,’ or ‘Pitch’ putting technique; whether you use an ‘In-Line’ or a ‘Straddle’ stance, the straight line principle works and is embraced by nearly all top pros. Want proof? Do a little research on YouTube and you can easily spot the effort to keep the putting hand on the line toward the basket even after the disc leaves the hand. Paul Mcbeth and James Conrad provide obvious examples. Watch Ricky Wysocki and you’ll see that the straight line is even more essential to successful pitch putting.
Contrast that with a short ‘toss’ or ‘flip’ where your hand and the disc travel in an arc. Because the movement isn’t directed in a straight line headed toward the target, accuracy depends on releasing the disc at just the right moment. Too early and you miss ‘short-side.’ Too late and you pull it wide. As diagrammed in Figure 2, a variance in your release point of less than an inch can result in completely missing the target.
To further drive home the importance of keeping putts on ‘the line,’ let’s explore the fact that putting in disc golf has very little in common with throwing. Contrary to what most beginners and a surprising number of more seasoned players seem to think, putting isn’t simply a backhand throw modified into a short, soft toss.
The differences begin with the stance. For a right-handed backhand throw, a player’s feet are typically positioned with her toes pointing roughly 90 degrees to the left of the target. All standard putting methods, on the other hand, call for the player’s toes to be pointed, and shoulders squared, directly at the target. This is for a reason; It allows the player to pull the disc back and bring it forward on the same line as her line of sight- something that aids greatly in aiming. To help understand this, think of how we aim in archery or with firearms- with an eye peering directly down the line of flight.
Unlike rifles and longbows, however, in disc golf it’s up to us to provide both the aim and the momentum that ensures the projectile heads directly at the target. It’s not as simple as pulling a trigger or releasing an arrow. The line of sight advantage only matters when the disc is kept on that same straight line until it leaves your hand.
Why It Can Take Some Work To Get It To Work
Keeping your disc on a true straight line provides greatly improved accuracy and consistency, but the tradeoff is a restriction on power generation. It gets easier and more natural with practice and repetition, but holding the line can be hard at first. This is why even players who normally demonstrate proper straight-line form sometimes pull their putts wide when attempting shots at the edge of (and especially beyond) their range.
Up Next: How To Make It Work
I’ve made my best argument for why eliminating the left/right movement from your putting form is the secret to improved accuracy and consistency. Hopefully it seems logical enough that you want to start working on it right away.
As I mentioned earlier, it most likely won’t be an instant transformation. You may struggle to generate spin, power, or both. In Part 2 of this post I’ll provide specific details that should help, complete with a practice technique and a couple video demonstrations. To make sure you know when it’s out, follow this blog on WordPress and our School of Disc Golf and Play DiscGolf Facebook pages.
When we watch a full-power drive performed by someone who can really huck it, the ‘run-up’ is a big part of the show. Whether it’s a literal running start or a couple smooth strides, and whether the technique used is an X-step/scissors step or crow-hop, that bodily forward motion appears to contribute greatly to distance the disc travels. But does it, really?
The short answer is no. The large majority of the power that translates to long disc golf drives comes from arm speed, maximized by hip/torso/shoulder rotation. The ‘run-up’ adds only marginally to that equation, resulting in between 5-15 percent more distance. And that’s only IF (and it’s a big ‘if’) everything is coordinated and timed perfectly.
Yet the run-up seems so necessary to power generation that nearly all developing players incorporate it into their drives from the very beginning. And that is usually a big mistake. It takes a high level of athletic coordination, plus LOTS and lots of practice, to use a run-up and still maintain control and consistency like these top pros. (Note that while their form may vary from player to player, they all have the main ingredients in common- especially the perfectly timed and balanced weight transfer. Even though the body is moving forward, the weight stays back until precisely right millisecond.)
The physical side of disc golf is as much about control as it is power. More, actually, because the harder you throw in the wrong direction, the farther the disc can go in the wrong direction. And if you play on tight, wooded courses it doesn’t matter how hard you throw; Miss that gap and your disc ain’t goin’ nowhere! Well, nowhere good, at least. Golf in all its forms is first and foremost a game of accuracy, precision, and consistency.
When I’m giving private lessons (with the exception of pros and top amateurs who already demonstrate a solid grasp of proper driving technique) I insist on starting with a stand-still throw. No run-up. No steps at all except for a back foot toe-drag on the follow-through. For details check out this post I wrote several years ago titled “Building Blocks of Basic Backhand Technique.” It is still one of the most viewed pages on our website.
I decided to write this particular post after reading a testimonial from a recent client. You can read his full comments here if you like, but the most relevant snippet is shown below.
“I’ve been playing for about 2.5 years and understood I had built some bad habits but did not have any clue as to how to go about identifying and fixing them. Jack broke proper form down to very simple and understandable mechanics, and over the course of 3 hours, I found myself throwing from a standstill almost as far – and much more accurately – than I had before.” –John J., Berkeley, CA
Here’s the bottom line: To maximize your power potential with a backhand drive in disc golf you need to focus on the following, in order of importance:
Engage your major muscles (as opposed to throwing with your arm only) through rotation of your hips and shoulders
Perfect your timing and weight transfer. Keep your weight back until a fraction of a second BEFORE you launch the disc. NOTE: This is the part that most often goes awry when a player tries to incorporate a run-up too soon.
Speaking of launching the disc . . . at just the right time, with all that coiled energy held back, unleash it with an explosive burst. Going from zero to 60 as quickly as possible is what creates the armspeed that is essential to power and distance
Finally, when you’ve mastered the first three, slowly integrate a run-up by starting slowly. The important thing is to keep your timing and release point intact.
(Once again, to learn more about making sure the disc goes where you want it to go, read this post for more details on backhand form). The above list addresses power generation only)
I recommend throwing backhand drives exclusively with the standstill technique for at least a month so that once you add a run-up you’ll know instantly when the timing is right and when it isn’t. You’ll likely suffer a loss of accuracy and control at first, so it’s best to experiment during fieldwork and rounds that don’t matter.
Remember that a run-up itself only increases your driving distance marginally. It’s the other three elements listed above that really help players make big strides in not only distance but accuracy and consistency as well. Good luck, and happy chuckin’!
Contrasting the rapidly expanding number of disc golf courses in the U.S. with the, uh, relative ‘shrinkage‘ in ball golf is one way to measure the unstoppable ascension of The New Golf.
Both Steve Dodge and I have publicly predicted that the number of disc golf courses in the U.S. will overtake traditional golf venues in the near future. Mr. Dodge wrote about it on the DGPT blog, and I addressed it a couple of times in my book. In both cases we considered the two types of courses as mutually exclusive- in other words, they are either one or the other. A growing trend, however, is changing the math in a BIG way.
If we’re comparing facilities that offer ONLY ball golf to all the parks, open spaces, AND commercial venues where permanent disc golf courses exist, our seemingly aggressive predictions of eight and five years may turn out to be conservative.
And you can guess why, can’t you?
Public ball golf courses are dropping left and right. More often than not they operate at a loss these days, and those that try to remain open are desperate to attract new patrons. Enter disc golf, a sport headed in a decidedly different direction. This story from the San Diego Union-Tribune offers a perfect example.
San Diego runs multiple public golf courses, but only the famous Torrey Pines complex with two championship 18-hole tracks turns a profit. The rest of them are subsidized by the city. Balboa and Mission Bay, which according to the article lose a combined $2 million each year, felt compelled to attract a new breed of golfer. For a relatively minimal investment they added disc golf and footgolf, and (no surprise), usage at both courses has spiked.
“The spikes in usage at Balboa and Mission Bay have been partly attributed to upgrades, including new foot and disc golf courses added to each and a greater focus on the quality of course conditions.” -David Garrick, SD Union Tribune
A quick Google search yields plenty of other examples, likethis one from Ceres, CA, andanother from Tuscon, AZ where the city council recommended more desperate measures- with disc golf still the end goal.
The article from San Diego also mentioned some details on how much it costs to operate a traditional golf course. According to Garrick, energy and water costs for all San Diego public courses are expected to rise this year from $2.1 to $2.6 million, with personnel costs rising from $4.3 million to $4.6 million. Their overall budget will approach $20 million!
So is it realistic to think that within a few short years the number of disc golf-only courses in the U.S. combined with the number of ball golf/disc golf hybrid courses will be greater than the number of ball golf-only courses? Sure seems like it.
We’re trending that way already, as budget-strapped cities and municipalities are figuring out that disc golf courses require a tiny fraction of the overhead needed to keep a traditional golf course playable, in addition to requiring far less land.
What do you suppose will happen when it also becomes common knowledge that the average taxpayer these days is more likely to embrace the easier-to-learn, quicker-to-play, less expensive, and less environmentally impactful version of the game?
Get ready for The New Golf. It will eclipse the old, obsolete model, much sooner than you think.
How do you perform on pressure putts? Are they a weakness in your otherwise solid disc golf game? If the first question caused you to grind your teeth and/or break out into a cold sweat, and if you grudgingly answered ‘yes’ to the second question, this post is for you.
Let’s start with a seemingly random question: Have you ever had to walk across a rickety bridge spanning a 3,000-foot gorge? Or maybe you’ve traversed a narrow, slippery trail hugging the side of a steep mountain. Even if you haven’t, you’ve probably seen such scenes in movies and know what the cool, calm, and collected inevitably say to those with mortal fear in their eyes:
“Don’t look down!”
The obvious reason for this timely advice is to help an already frightened and nervous person from becoming paralyzed with fear. Looking down in such situations reminds us of the dire consequences if things don’t go right, and healthy fear is one of the traits hard-wired into all species. But alas, not all fear is healthy, nor helpful.
Take away the consequences -possibility of serious injury or death, with immense pain along the way, in this case – and that walk across the rickety bridge is really no big deal. It’s just walking, after all. But when one false step could turn into a real-life Wile E. Coyote plunge, it suddenly gets much harder. And this is true of pretty much everything. The more it means to you, the greater the likelihood that anxiety comes into play. And anxiety, needless to say, never enhances performance.
Good news, the solution is simple! However, it’s not easy, at least not in an instantaneous, problem-solved kind of way. You gotta consciously work at overcoming a tendency that, like garden weeds, can never be entirely eliminated. But if you make a sincere effort to make this change you should see some results almost immediately.
Here is the essence of the one and only true way to combat performance anxiety. Drumroll, please . . . . . .
Think about what you’re trying to do, not what you’re trying to accomplish- and definitely not why you’re trying to accomplish it.
Many believe that athletes who are known as ‘clutch performers’ must somehow thrive on the pressure that negatively affects everyone else. That’s not true. They have simply trained themselves to concentrate on the raw components of the task at hand and block out everything else.
The general idea of focusing on actions rather than results is nothing new. Instructors, trainers, and coaches have applied it to everything imaginable- far beyond the realm of athletics. I’ve written about the applications of this concept multiple times before and have included some links later in this post. There are many techniques that will help you accomplish this game-changing transformation. Adapt one of mine, or come up with your own. The purpose here is to help you understand and embrace the basic concept.
The rickety bridge/”Don’t look down!” analogy just recently occurred to me, and I think it can be instrumental in helping golfers who already realize that the primary obstacles between them and lower scores are often mental, but haven’t gotten beyond that vague realization.
Want yet another example? I bet whoever trains people to diffuse bombs stresses the fact that the mind must remain focused 100 percent on the task at hand. Thoughts of beloved family members and fear of being blown to smithereens could result in shaky hands or a momentary confusion between red and blue wires. Next thing you know, BOOM!
As we all know, some missed putts result in different kinds of explosions (or, in some cases, implosions): Exploding scores, tempers, and visions of that personal-best round that was so close you could taste it. And it’s not the miss itself that is so frustrating, but the awareness that it was due to a brain twisted into knots.
If you now believe the simple solution revealed above (think about what you’re trying to do, not what you’re trying to accomplish) has merit, and are wondering “How, exactly?” that’s an excellent question. There is no one-size-fits-all answer, but I think I can get you headed in the right direction by sharing a little about my personal strategies, tactics, and tricks.
Think about what you’re trying to DO
This literally means the physical movements I (and you) need to perform in order to execute a successful putt. This isn’t a post about putting technique, so I’ll only list a few things that I try to think about right before every putt (yours may be different):
Start with a comfortable, balanced stance
Focus my eyes on the orange decal on the pole, or one particular link, and don’t release the stare until the disc arrives at the basket
Follow through straight at the target, feeling the stretch in my back, shoulder, arm, hand and fingers for a lingering second after the disc leaves my hand
Notice I did not list “make the putt” as something I’m trying to do.
Do NOT think about what you’re trying to accomplish, or why you’re trying to accomplish it.
The second you start thinking about making the putt, two bad things happen.
You stop thinking the productive “Do This” thoughts that give you the best chance of success. You can’t simultaneously follow two trains of thought.
You open the door to why you want or need to make the putt. The bigger the situation, the farther the drop from that rickety bridge. It doesn’t matter whether a really bad thing will happen if you miss (you lose the round, for instance) or a really good thing won’t happen (you don’t birdie hole 13 for the first time ever). The effect is the same.
Remember when I said the solution is simple, but not easy? That’s because thinking only about the process of putting and blocking out all thoughts related to the desired achievement is a simple enough concept- but easier said than done. That’s where the strategies, tactics, and tricks come in. I’ve shared a few that I’ve posted about in the past. Adapt them to your game, or use them as inspiration for developing your own routines to prevent yourself from “looking down.”
Back in 2011, I came up with a pre-shot routine wherein I practice my putting motion several times, full speed but without the disc in my hand, right before my actual putt. I discovered several benefits in doing this, and you can read the post or watch this short video if you’re interested in the full explanation. I list it here because one of those benefits of the routine is that it allows me to think about my process keys while practicing my “stroke,” and then when it’s time to execute the actual putt, my last final thought is always the same: Do exactly what I just did on the last practice stroke. Just that one thought, and nothing else.
For me, there is no other correct final thought before I pull the trigger. The routine is now habit for me, which makes it easier to remember even in the most high-pressure moments. I’m also more likely to identify renegade “value” thoughts that try to invade my routine in time to replace them with “process” thoughts.
Assess. Choose. Execute.
Extending the routine further backward is another way to be sure I’m thinking about the right things at the right time. A successful shot starts well before I step up to my lie. In this post I discuss the proper sequence of first assessing the situation, then choosing exactly what to do, then executing. If I complete the first two steps before I step up to my lie (this post was for all shots, not just putting), I have a better chance at being able to focus on process, and only process, when it’s time to execute.
Like A Machine
Another post that touches on this subject was titled “Play Disc Golf Like a Machine. A Well-Oiled Machine.” If you need another metaphor for setting emotion and value aside and simply executing a command, you’ll find it in that post. If it helps, think of yourself emulating a robot, automaton, or even Star Trek’s Dr. Spock. If asked, he’d say “In competitive disc golf, feelings are illogical and counter-productive.”
However you get there, separating process from value on every throw will result in lower scores and less stress. Find something that works for you, and stick with it. It’ll be worth it!
Companies that market formal clothing love to tell us how their garments lead directly to success in business.
“If you look good, you’ll feel good”. Heard that one before?
The idea is that men wearing chic, expertly-tailored suits and women wearing designer labels gain extra confidence. There may be a kernel of truth buried beneath the B.S., but that’s beside the point. What matters is we can use it to communicate some useful info to disc golfers wanting to improve skills and consistency. It’ll take a bit of ‘splainin’ to get to the meat of the lesson, though, so hang in there. It’ll be worth the 10-minute read.
First off, this tip flips those ad slogans around. Feeling comes first. Also, I am using the word ‘feel’ in a totally different way than them. We’re not talking about the touchy-feely emotional kind of feel (as in, ‘you hurt my feelings’). More like the physiological use for the word, as in ‘that toilet paper feels like sandpaper!’ (Cringe-worthy mental image, but it got the point across, didn’t it?) Finally, since we’re talking about a different kind of ‘feel’, the word good doesn’t work as well. So if we had to have a pithy slogan similar to theirs to sum up the lesson, it would be more along the lines of “Feeling right leads to playing better, and (for those who care about such things) playing better makes you look good.
Ok, we’re done laying out our tortured analogy. Onto the actual message.
The School of Disc Golf has previously mentioned the concept of ‘muscle memory’ no less than six times, with good reason. It’s a scientific explanation of why and how practice makes us better. On Wikipedia, it is summarized as “a form of procedural memory that involves consolidating a specific motor task into memory through repetition. When a movement is repeated over time, a long-term muscle memory is created for that task, eventually allowing it to be performed without conscious effort.”
By that definition, muscle memory is something that happens automatically, behind the curtain of your conscious thoughts. It’s one of the benefits of repetitive practice. I’d like to believe that as disc golfers (or any athlete working to perfect a craft) we can take it further than that. We can try to consciously maximize the process and benefits. I’ll explain using a couple commonly accepted tips.
Whether you prefer the spin putt or the push putt, the in-line or straddle stance, following through, dramatically, should be a constant. We talk about it in detail in this post and even include a video tutorial of an exercise to practice follow through and better develop the key muscles used in this particular way. Every putt should end with a rigid throwing arm stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.
Now, as you read this, don’t focus on what that description of following through looks like. Focus on what it feels like. If I was giving you an in-person lesson right now, I’d explain follow through, much as I just did in writing above, and show you what it looks like. Hopefully after seeing me do it you’d make your best effort to replicate what you just saw me do. Assuming you did it correctly, I’d tell you so, and you’d accept that you just did it correctly based on my positive feedback. But here’s the thing: I can’t follow you around for all your practice sessions and rounds of disc golf. My lessons are reasonably priced, I think, but that would get costly quickly! And even if that were feasible, the key to the lesson (that follow through is a key to good putting) would not penetrate beyond your logical mind. In other words, it won’t be carved into your muscle memory. That kind of learning requires feel.
Let’s go back to the word picture I offered:
Every putt should end with a rigid throwing arm and hand stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.
As you read the words, stretch your throwing arm toward a focal point across the room. It doesn’t matter what it is, but keep your eyes locked onto it. Now zero in on the key words and phrases, “rigid throwing arm and hand”, “stretched”, “elbow . . . locked”, “arm and even fingers perfectly straight”. Rather than thinking about these descriptions look like, or what you should look like emulating them, let your mind dwell on what each of these things feels like. An arm stretched straight ahead to its extremity feels very different than one that is dangling at your side, or resting on the arm of a chair. Get that feeling locked into your long-term memory and recall it before every putt. Remind yourself that unless you feel that sensation of stretching and straining directly toward your target, you’re not doing it right.
This post is meant to be more about the importance of learning and recalling by feel than a putting lesson, but we’ll make one more point. At the end of your putt, just before, during and after you release the disc, the feeling should also include a quick, sharp burst of movement. Don’t misunderstand all the talk of stretching toward the target and conjure up thoughts of slow motion Tai Chi. For more on that check out the follow through post referenced above.
Since we went into pretty good detail about the importance of ‘feel’ in the putting example, this one will be short and sweet. It should help drive (no pun intended) the point home using a different type of scenario. We’ll focus on one particular aspect of good, consistent driving: Balance.
One of the key points in our comprehensive post ‘Building Blocks of Basic Backhand Technique‘ is the relationship between balance and weight transfer. When it comes to throwing a golf disc properly the two are intertwined, and the difference can definitely be felt when done correctly vs. incorrectly.
First off, when you’re setting up to throw, make sure you begin with good posture (knees still slightly bent, but back mostly straight and body not ‘hunched over’) and weight evenly distributed between front and back foot. As you execute the throw, remember the goal of keeping that weight centered as much as possible. Yes, you need to transfer weight to the back foot as you reach your disc all the way back and transfer it forward in sync with the disc as you throw. But to retain the most consistent control of where your disc goes, you must remain well balanced. If you feel yourself falling off to one side or, more commonly, falling forward upon disc release, your balance is off and likely so is your aim.
This is why, in the backhand post cited above as well as all lessons I give on the subject, I urge players to begin by learning proper backhand technique without a run-up. It’s important to lock in the feel of proper balance and weight transfer so you can recall it when needed, and identify flaws when they arise.
This post doesn’t include any images, for a good reason. Visual aids do have a place in learning. But when it comes to muscle memory it’s all about learning through feel, and realizing that feeling is the best way to learn.