Do you notice when watching the best players in disc golf that their putts seem effortless? A big reason why is Spin. In Part 1 of this series I communicated two main points:
Maintaining a straight line at the target while putting, during the entire motion AND follow-through, is the best way to maximize accuracy and consistency
It can be tricky to do this, since spin is also required and generating spin typically requires a certain amount of rotational (non-straight line) force.
So how can you manufacture spin while sticking to that pure straight line? That’s what Part 2 is all about.
I believe it comes down to two key points that work in tandem (in other words, you gotta do both for either to matter when it comes to generating spin). They are described below, followed by a couple other tips that should also help.
Cock the Wrist
By cocking your wrist you are doing all the prep work needed to get the spin on your putt that will enable it to fly more smoothly and hold its line longer.
The great thing about this simple tip is that it allows you to focus on the straight line. Just cock your wrist and keep it cocked, then bring the disc forward on that line.
Set it and forget it
The second part of this magical formula is that mainstay of good technique in most every sport- follow-through! A cocked wrist + strong and exaggerated followthrough = tight spin.
The keys to proper followthrough are exaggeration and keeping it up for longer than seems necessary. Power through the putting motion, and continue to move your hand toward the target without showing down, even after the disc leaves your hand. Stretch your hand toward the target until it can go no further, with fingers outstretched, even holding that pose for a beat.
Exaggerated followthrough ensures two things:
You won’t subconsciously add rotation movement at the end in an attempt to add extra spin
You WILL power through your putt rather than letting up just before or upon release
No more inside-the-circle airballs? Yes, please!
The first of these is important in terms of keeping the disc on the line, and the second is the key to converting the potential of that cocked wrist into all the spin your putt will need. The quicker you go from a fully cocked wrist to fingers outstretched toward the basket, the more spin you’ll get.
If you want a great example of both straight line discipline and exaggerated followthrough, check out Paul McBeth clips on YouTube. Jomez has plenty of good slo-mo (or SloMez, as they call it), and this several years-old clip shows three minutes of off-season practice. Watch for the straight line and the followthrough.
Practice reps focusing on going from cocked wrist to exaggerated followthrough will strengthen the involved muscles for use in this specific manner. If it seems like you can’t get much power on putts using this technique at first, put in the reps. You’ll see progress.
Focus on balance. Keep your entire body’s movement on that straight line–not just arm and disc. If you feel yourself pulling or falling to one side, it will affect the putt.
I shared a key component to accurate and consistent putting in a recent post. The title of the post, The Straight Line on Disc Golf Putting, Part 1, provides a pretty big hint to the nature of the tip. It also indicates that I intended to add at least one more complimentary post, and I do. But comments on social media convinced me to write this one first.
Part of the post was an explanation of why the ‘straight line’ approach to disc golf putting works regardless of a player’s preferred putting style. Push putt, spin putt, pitch putt, I wrote- it doesn’t matter. I also included a very brief explanation of those terms for readers unfamiliar with them, and those definitions became the focus of most of the feedback I received.
I decided to dig a little deeper into what others have said and written about pitch, spin, and push as descriptors used to explain putting techniques in disc golf. One thing became clear (or, rather, unclear): because there is no ultimate authority on disc golf terminology they mean different things to different people. Rather than cite a variety of conflicting explanations, I’ve decided to simply explain what they mean to me, and why.
Before I go into each of the three terms, I’ll start by listing three key points:
Each player’s standard putting technique is unique to that player.
The three terms defined below are not putting techniques or putting ‘styles.’ They are components that can be and usually are combined to one degree or another.
Most players have a standard putting form for routine putts (defining ‘routine’ as inside the circle, relatively flat and not obscured) and therefore a standard mix of two or three of the 3 components. But non-routine putts call for the components to be mixed in different proportions.
Not only does each player’s putt feature its own unique blend of mechanical components. That blend can and does change from putt to putt depending on the situation. It’s a fluid thing. Keep that in mind as you read the definitions below.
This term is used to describe a player propelling a disc forward in a straight line at the target from a spot close to the torso (anywhere from waist to sternum). A couple similar movements used in other sports would be the thrust in fencing and the jab in boxing. Paul McBeth provides a good example in this video by Jomez Productions. Go to the 5:57 mark, and note how the motion of the disc is all straight forward- no arc, no sideways movement, even at the end.
The pitch putt may be so named because of its similarity to the motion used when ‘pitching’ horseshoes. Like the push putt, an accurate and consistent pitch putt requires the player to keep the disc on a straight line from beginning to end (release and follow-through). Unlike the push putt, the player typically starts the putt at knee-height or even lower and often maintains a straight arm and locked elbow throughout. Because of the low starting point the trajectory of a pitch putt is also almost always steeper (low to high) than a push putt, which especially for power putters can be almost flat.
The term ‘spin putt’ is probably the least accurately descriptive of the three. Spin, after all, is a critical element of any putting technique except the rarely seen end-over-end ‘flip’ putt. A more accurate label for the technique known as the spin putt would be ‘fling putt’ or ‘flip putt.’ There are two things that differentiate this putting method from the two listed above:
The putt finishes with a rotational flipping motion, similar to that uses to ‘toss’ a Frisbee. Original Frisbees used to come with the slogan “Flip flat flies straight.
Unlike the push and pitch putts, most or all of the power/thrust of a pure spin putt comes from this flipping motion. “It’s all in the wrist,” as they say, and in this case it’s true.
This gets back to the reason I wrote the post The Straight Line on Disc Golf Putting, Part 1, in the first place. The wrist flick that defines so-call ‘spin putting’ is the easiest way to generate power while facing the basket. It is the most difficult, however, when it comes to achieving a reliable, consistent release point.
Sure, some top pros have have had success with it (Nate Doss and Steve Rico come to mind). but they are the exception to the rule. Why? Because when the wrist-flip supplies most of the power, the motion of the disc leading up to the release point follows an arc rather than a straight line.
To see what I mean, check out this very recent clip from Jomez Productions’ coverage of Simon Lizotte at the 2019 Pro Worlds. Go to the 32:00 mark, and watch the slo-mo replay of Simon’s spin putt. He finishes by following through straight at the target after the disc is out of his hand, but the motion leading up to the release is clearly more of a rotational wrist-flicking nature.
Now go back and watch the Paul McBeth clip linked above and you’ll see the putting motion and the exaggerated follow through both staying on the same line directly at the target. The disc can’t help but following that straight line, and this isn’t a given with a spin (AKA fling AKA flip) putt.
I know, sticking to this straight line while also generating sufficient spin is tricky. I’ll address how to do just that in the next post, Part 2 of The Straight Line on Disc Golf Putting. Stay tuned!
The shortest distance between two points is a straight line. You’ve heard that before, right? It’s true of many things, including – in the figurative as well as the literal sense – disc golf putting.
If you’d like to transform yourself from an inconsistent putter who is frustrated by frequently missing putts your peers seem to make all the time (Point A), to someone known for their solid, consistent putting game (Point B), this ‘Straight Line’ tip might get you there quicker than any other adjustment you can make.
More than any other part of the game, putting is all about precision and accuracy. If you miss your release point by even a few degrees it could very well result in a missed putt- even on very short attempts. The best way to prevent this from happening is to keep both the disc and your hand on a rigidly straight line from the time you start the take-back until after the disc leaves your hand (the follow-through).
The bottom line: Eliminate the left-to-right movement in your putting form, and you’ll greatly reduce your left/right misses. Just like that!
Figure 1 is obviously a diagram using crude symbols, but it’s a good thing to visualize if you choose to practice this key ingredient to consistently accurate putting. Another option is to imagine a narrow tunnel barely the width of your disc running between you and the basket. Your objective as you take the disc back then launch it forward should be to keep the disc and your hand from hitting the sides of the tunnel, holding onto it until your arm is stretched as far as it can toward the target.
Why It Works
The reason this tip works so well is simple. A disc pulled back and then propelled along a straight line will begin its flight heading in the exact direction at which that line points. Assuming your aim is true, all you need to do is open your hand when your arm is stretched as far toward the target as it will go, then keep reaching with all five fingers for a half-second more.
Whether you prefer the ‘Push,’ ‘Spin,’ or ‘Pitch’ putting technique; whether you use an ‘In-Line’ or a ‘Straddle’ stance, the straight line principle works and is embraced by nearly all top pros. Want proof? Do a little research on YouTube and you can easily spot the effort to keep the putting hand on the line toward the basket even after the disc leaves the hand. Paul Mcbeth and James Conrad provide obvious examples. Watch Ricky Wysocki and you’ll see that the straight line is even more essential to successful pitch putting.
Contrast that with a short ‘toss’ or ‘flip’ where your hand and the disc travel in an arc. Because the movement isn’t directed in a straight line headed toward the target, accuracy depends on releasing the disc at just the right moment. Too early and you miss ‘short-side.’ Too late and you pull it wide. As diagrammed in Figure 2, a variance in your release point of less than an inch can result in completely missing the target.
To further drive home the importance of keeping putts on ‘the line,’ let’s explore the fact that putting in disc golf has very little in common with throwing. Contrary to what most beginners and a surprising number of more seasoned players seem to think, putting isn’t simply a backhand throw modified into a short, soft toss.
The differences begin with the stance. For a right-handed backhand throw, a player’s feet are typically positioned with her toes pointing roughly 90 degrees to the left of the target. All standard putting methods, on the other hand, call for the player’s toes to be pointed, and shoulders squared, directly at the target. This is for a reason; It allows the player to pull the disc back and bring it forward on the same line as her line of sight- something that aids greatly in aiming. To help understand this, think of how we aim in archery or with firearms- with an eye peering directly down the line of flight.
Unlike rifles and longbows, however, in disc golf it’s up to us to provide both the aim and the momentum that ensures the projectile heads directly at the target. It’s not as simple as pulling a trigger or releasing an arrow. The line of sight advantage only matters when the disc is kept on that same straight line until it leaves your hand.
Why It Can Take Some Work To Get It To Work
Keeping your disc on a true straight line provides greatly improved accuracy and consistency, but the tradeoff is a restriction on power generation. It gets easier and more natural with practice and repetition, but holding the line can be hard at first. This is why even players who normally demonstrate proper straight-line form sometimes pull their putts wide when attempting shots at the edge of (and especially beyond) their range.
Up Next: How To Make It Work
I’ve made my best argument for why eliminating the left/right movement from your putting form is the secret to improved accuracy and consistency. Hopefully it seems logical enough that you want to start working on it right away.
As I mentioned earlier, it most likely won’t be an instant transformation. You may struggle to generate spin, power, or both. In Part 2 of this post I’ll provide specific details that should help, complete with a practice technique and a couple video demonstrations. To make sure you know when it’s out, follow this blog on WordPress and our School of Disc Golf and Play DiscGolf Facebook pages.
How do you perform on pressure putts? Are they a weakness in your otherwise solid disc golf game? If the first question caused you to grind your teeth and/or break out into a cold sweat, and if you grudgingly answered ‘yes’ to the second question, this post is for you.
Let’s start with a seemingly random question: Have you ever had to walk across a rickety bridge spanning a 3,000-foot gorge? Or maybe you’ve traversed a narrow, slippery trail hugging the side of a steep mountain. Even if you haven’t, you’ve probably seen such scenes in movies and know what the cool, calm, and collected inevitably say to those with mortal fear in their eyes:
“Don’t look down!”
The obvious reason for this timely advice is to help an already frightened and nervous person from becoming paralyzed with fear. Looking down in such situations reminds us of the dire consequences if things don’t go right, and healthy fear is one of the traits hard-wired into all species. But alas, not all fear is healthy, nor helpful.
Take away the consequences -possibility of serious injury or death, with immense pain along the way, in this case – and that walk across the rickety bridge is really no big deal. It’s just walking, after all. But when one false step could turn into a real-life Wile E. Coyote plunge, it suddenly gets much harder. And this is true of pretty much everything. The more it means to you, the greater the likelihood that anxiety comes into play. And anxiety, needless to say, never enhances performance.
Good news, the solution is simple! However, it’s not easy, at least not in an instantaneous, problem-solved kind of way. You gotta consciously work at overcoming a tendency that, like garden weeds, can never be entirely eliminated. But if you make a sincere effort to make this change you should see some results almost immediately.
Here is the essence of the one and only true way to combat performance anxiety. Drumroll, please . . . . . .
Think about what you’re trying to do, not what you’re trying to accomplish- and definitely not why you’re trying to accomplish it.
Many believe that athletes who are known as ‘clutch performers’ must somehow thrive on the pressure that negatively affects everyone else. That’s not true. They have simply trained themselves to concentrate on the raw components of the task at hand and block out everything else.
The general idea of focusing on actions rather than results is nothing new. Instructors, trainers, and coaches have applied it to everything imaginable- far beyond the realm of athletics. I’ve written about the applications of this concept multiple times before and have included some links later in this post. There are many techniques that will help you accomplish this game-changing transformation. Adapt one of mine, or come up with your own. The purpose here is to help you understand and embrace the basic concept.
The rickety bridge/”Don’t look down!” analogy just recently occurred to me, and I think it can be instrumental in helping golfers who already realize that the primary obstacles between them and lower scores are often mental, but haven’t gotten beyond that vague realization.
Want yet another example? I bet whoever trains people to diffuse bombs stresses the fact that the mind must remain focused 100 percent on the task at hand. Thoughts of beloved family members and fear of being blown to smithereens could result in shaky hands or a momentary confusion between red and blue wires. Next thing you know, BOOM!
As we all know, some missed putts result in different kinds of explosions (or, in some cases, implosions): Exploding scores, tempers, and visions of that personal-best round that was so close you could taste it. And it’s not the miss itself that is so frustrating, but the awareness that it was due to a brain twisted into knots.
If you now believe the simple solution revealed above (think about what you’re trying to do, not what you’re trying to accomplish) has merit, and are wondering “How, exactly?” that’s an excellent question. There is no one-size-fits-all answer, but I think I can get you headed in the right direction by sharing a little about my personal strategies, tactics, and tricks.
Think about what you’re trying to DO
This literally means the physical movements I (and you) need to perform in order to execute a successful putt. This isn’t a post about putting technique, so I’ll only list a few things that I try to think about right before every putt (yours may be different):
Start with a comfortable, balanced stance
Focus my eyes on the orange decal on the pole, or one particular link, and don’t release the stare until the disc arrives at the basket
Follow through straight at the target, feeling the stretch in my back, shoulder, arm, hand and fingers for a lingering second after the disc leaves my hand
Notice I did not list “make the putt” as something I’m trying to do.
Do NOT think about what you’re trying to accomplish, or why you’re trying to accomplish it.
The second you start thinking about making the putt, two bad things happen.
You stop thinking the productive “Do This” thoughts that give you the best chance of success. You can’t simultaneously follow two trains of thought.
You open the door to why you want or need to make the putt. The bigger the situation, the farther the drop from that rickety bridge. It doesn’t matter whether a really bad thing will happen if you miss (you lose the round, for instance) or a really good thing won’t happen (you don’t birdie hole 13 for the first time ever). The effect is the same.
Remember when I said the solution is simple, but not easy? That’s because thinking only about the process of putting and blocking out all thoughts related to the desired achievement is a simple enough concept- but easier said than done. That’s where the strategies, tactics, and tricks come in. I’ve shared a few that I’ve posted about in the past. Adapt them to your game, or use them as inspiration for developing your own routines to prevent yourself from “looking down.”
Back in 2011, I came up with a pre-shot routine wherein I practice my putting motion several times, full speed but without the disc in my hand, right before my actual putt. I discovered several benefits in doing this, and you can read the post or watch this short video if you’re interested in the full explanation. I list it here because one of those benefits of the routine is that it allows me to think about my process keys while practicing my “stroke,” and then when it’s time to execute the actual putt, my last final thought is always the same: Do exactly what I just did on the last practice stroke. Just that one thought, and nothing else.
For me, there is no other correct final thought before I pull the trigger. The routine is now habit for me, which makes it easier to remember even in the most high-pressure moments. I’m also more likely to identify renegade “value” thoughts that try to invade my routine in time to replace them with “process” thoughts.
Assess. Choose. Execute.
Extending the routine further backward is another way to be sure I’m thinking about the right things at the right time. A successful shot starts well before I step up to my lie. In this post I discuss the proper sequence of first assessing the situation, then choosing exactly what to do, then executing. If I complete the first two steps before I step up to my lie (this post was for all shots, not just putting), I have a better chance at being able to focus on process, and only process, when it’s time to execute.
Like A Machine
Another post that touches on this subject was titled “Play Disc Golf Like a Machine. A Well-Oiled Machine.” If you need another metaphor for setting emotion and value aside and simply executing a command, you’ll find it in that post. If it helps, think of yourself emulating a robot, automaton, or even Star Trek’s Dr. Spock. If asked, he’d say “In competitive disc golf, feelings are illogical and counter-productive.”
However you get there, separating process from value on every throw will result in lower scores and less stress. Find something that works for you, and stick with it. It’ll be worth it!
The Disc Golf World Tour debuted last weekend and for the most part, it delivered on Jussi Meresmaa’s promises. But whether it can deliver on his long-term vision of disc golf as a spectator sport- well, that’s another matter. As is the question of whether his and the other new tours’ efforts will ultimately help or hinder the sport’s growth.
He said his new high-profile tour series would be broadcast live with better production quality- a slicker, more polished presentation if you will – and it was. In that sense, SpinTV delivered, and then some.
The on-screen graphics and animation during live coverage of the inaugural La Mirada Open represented a huge leap forward. Little details like on-course sponsor signage, the pads wrapped around the basket pole colored the same yellow as the Innova DisCatcher band, and even the DGWT branding on handheld microphones added to the overall effect. On Saturday, when we couldn’t see residential streets and chain link fences in the shot, La Mirada looked like Augusta National. Even the commercials looked to be more professionally done.
Announcers Jamie Thomas and Avery Jenkins (who both performed fairly well and will certainly get even better) made much ado of the next-level ‘metrics’, Greens in Regulation, Putts Inside the Circle Ratio, Putts Outside the Circle Ratio. Sports fans definitely love their stats and having these on-screen graphics available at any time is a big step in that direction.
Speaking of the announcers, did you know Avery starred in another disc golf TV show five years ago? Discmasters, a show featuring Avery, Nate Doss, Valarie Jenkins and your truly (Jack Tupp) was filmed for local TV in Santa Cruz and made the rounds on YouTube. Hopefully, he’ll get to show his lighter side on SpinTV as well.
One last big positive to point out: the player profiles mixed into the broadcast. Media experts have understood that the more insight viewers get about what makes the players tick, the stronger their connection to the action.
As an avid disc golfer, I have an appetite for live disc golf action and I can appreciate the strides that have been made by DiscGolfPlanetTV, Smashboxx, and now SpinTV. It’s definitely getting better and better. But I have two major concerns about the direction things are headed.
The first is the fact that with the current course and camera configurations these broadcasts don’t come close to conveying the essence of disc golf. Even with two cameras, the angles are almost always from behind the thrower and behind the basket. In both cases, the disc remains fairly static on the screen and so does the backdrop. Ball golf uses at least six cameras to properly film a hole, and that’s just not feasible for disc golf yet. Disc golfers who are viewing can convert what they are seeing into the majestic S-turn we know the shot required and appreciate the amazing skill. To a non-disc golfer, it’s just people throwing Frisbees again and again.
The other nit I’m gonna pick today is with the decision – or rather the necessity – to feature mostly wide open holes. The logic that open holes film better is sound, at least as long as the technology is limited to two camera angles at ground level. But it’s regrettable because another essential aspect of disc golf’s mystique is the wooded hole. In terms of how the games plays, two important elements of disc golf that distinguish it from ball golf in a positive way are missing in coverage of wide open courses; The holes with multiple obstacles players must navigate on a single shot, and the fact that disc golf can be played on very rugged terrain. Forest? Jungle? No problem! That needs to be part of the elevator pitch- which five minutes of live coverage seen by a non-disc golfer amounts to.
Once again, if the aim is to use the broadcasts to introduce potential new players and fans to the sport I don’t think it’ll work. In fact, seeing guys throw Frisbees in what appears to be, and usually is, a city or county park probably just confirms their misguided preconceptions.
What’s the real goal here? If it’s to entertain disc golf enthusiasts, then fine. Well done (Although your typical disc golfer likes to be outside on a Saturday afternoon, so even that market gets diluted somewhat). But if the goal is to ‘#growthesport’ of disc golf, we need players, and we need even more courses. For now, the best solution is still the one that got us where we are today. Support your local club. Volunteer, become a dues-paying member. Sponsor a hole.
Then take a break and watch some live Disc Golf World Tour coverage. If you’re already a disc golf nut, it’s a treat to stream the best players in the world onto a big screen TV.
Companies that market formal clothing love to tell us how their garments lead directly to success in business.
“If you look good, you’ll feel good”. Heard that one before?
The idea is that men wearing chic, expertly-tailored suits and women wearing designer labels gain extra confidence. There may be a kernel of truth buried beneath the B.S., but that’s beside the point. What matters is we can use it to communicate some useful info to disc golfers wanting to improve skills and consistency. It’ll take a bit of ‘splainin’ to get to the meat of the lesson, though, so hang in there. It’ll be worth the 10-minute read.
First off, this tip flips those ad slogans around. Feeling comes first. Also, I am using the word ‘feel’ in a totally different way than them. We’re not talking about the touchy-feely emotional kind of feel (as in, ‘you hurt my feelings’). More like the physiological use for the word, as in ‘that toilet paper feels like sandpaper!’ (Cringe-worthy mental image, but it got the point across, didn’t it?) Finally, since we’re talking about a different kind of ‘feel’, the word good doesn’t work as well. So if we had to have a pithy slogan similar to theirs to sum up the lesson, it would be more along the lines of “Feeling right leads to playing better, and (for those who care about such things) playing better makes you look good.
Ok, we’re done laying out our tortured analogy. Onto the actual message.
The School of Disc Golf has previously mentioned the concept of ‘muscle memory’ no less than six times, with good reason. It’s a scientific explanation of why and how practice makes us better. On Wikipedia, it is summarized as “a form of procedural memory that involves consolidating a specific motor task into memory through repetition. When a movement is repeated over time, a long-term muscle memory is created for that task, eventually allowing it to be performed without conscious effort.”
By that definition, muscle memory is something that happens automatically, behind the curtain of your conscious thoughts. It’s one of the benefits of repetitive practice. I’d like to believe that as disc golfers (or any athlete working to perfect a craft) we can take it further than that. We can try to consciously maximize the process and benefits. I’ll explain using a couple commonly accepted tips.
Whether you prefer the spin putt or the push putt, the in-line or straddle stance, following through, dramatically, should be a constant. We talk about it in detail in this post and even include a video tutorial of an exercise to practice follow through and better develop the key muscles used in this particular way. Every putt should end with a rigid throwing arm stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.
Now, as you read this, don’t focus on what that description of following through looks like. Focus on what it feels like. If I was giving you an in-person lesson right now, I’d explain follow through, much as I just did in writing above, and show you what it looks like. Hopefully after seeing me do it you’d make your best effort to replicate what you just saw me do. Assuming you did it correctly, I’d tell you so, and you’d accept that you just did it correctly based on my positive feedback. But here’s the thing: I can’t follow you around for all your practice sessions and rounds of disc golf. My lessons are reasonably priced, I think, but that would get costly quickly! And even if that were feasible, the key to the lesson (that follow through is a key to good putting) would not penetrate beyond your logical mind. In other words, it won’t be carved into your muscle memory. That kind of learning requires feel.
Let’s go back to the word picture I offered:
Every putt should end with a rigid throwing arm and hand stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.
As you read the words, stretch your throwing arm toward a focal point across the room. It doesn’t matter what it is, but keep your eyes locked onto it. Now zero in on the key words and phrases, “rigid throwing arm and hand”, “stretched”, “elbow . . . locked”, “arm and even fingers perfectly straight”. Rather than thinking about these descriptions look like, or what you should look like emulating them, let your mind dwell on what each of these things feels like. An arm stretched straight ahead to its extremity feels very different than one that is dangling at your side, or resting on the arm of a chair. Get that feeling locked into your long-term memory and recall it before every putt. Remind yourself that unless you feel that sensation of stretching and straining directly toward your target, you’re not doing it right.
This post is meant to be more about the importance of learning and recalling by feel than a putting lesson, but we’ll make one more point. At the end of your putt, just before, during and after you release the disc, the feeling should also include a quick, sharp burst of movement. Don’t misunderstand all the talk of stretching toward the target and conjure up thoughts of slow motion Tai Chi. For more on that check out the follow through post referenced above.
Since we went into pretty good detail about the importance of ‘feel’ in the putting example, this one will be short and sweet. It should help drive (no pun intended) the point home using a different type of scenario. We’ll focus on one particular aspect of good, consistent driving: Balance.
One of the key points in our comprehensive post ‘Building Blocks of Basic Backhand Technique‘ is the relationship between balance and weight transfer. When it comes to throwing a golf disc properly the two are intertwined, and the difference can definitely be felt when done correctly vs. incorrectly.
First off, when you’re setting up to throw, make sure you begin with good posture (knees still slightly bent, but back mostly straight and body not ‘hunched over’) and weight evenly distributed between front and back foot. As you execute the throw, remember the goal of keeping that weight centered as much as possible. Yes, you need to transfer weight to the back foot as you reach your disc all the way back and transfer it forward in sync with the disc as you throw. But to retain the most consistent control of where your disc goes, you must remain well balanced. If you feel yourself falling off to one side or, more commonly, falling forward upon disc release, your balance is off and likely so is your aim.
This is why, in the backhand post cited above as well as all lessons I give on the subject, I urge players to begin by learning proper backhand technique without a run-up. It’s important to lock in the feel of proper balance and weight transfer so you can recall it when needed, and identify flaws when they arise.
This post doesn’t include any images, for a good reason. Visual aids do have a place in learning. But when it comes to muscle memory it’s all about learning through feel, and realizing that feeling is the best way to learn.
In this excerpt from a soon-to-be-released disc golf book targeting non-disc golfers, the considerable environmental impact of ball golf course development and maintenance is contrasted with the relatively invisible footprint of most disc golf courses. Consider the resources demanded by a ball golf course located in the middle of a desert wasteland. A disc golf course on the same piece of land, on the other hand, would involve nothing except strategically-placed targets and tees. Virtually no manipulation of the landscape whatsoever. And no watering.
I hope you enjoy the read, follow the links and post comments below.
The Environmental Impact of Golf
Traditional golf attracts criticism from environmentalists for two primary reasons: water and pesticides. Prodigious amounts of both are used each week by U.S. golf courses to keep fairways and greens lush, green, and free of weeds. The more radical line of thinking is that the environmental impact on such large areas for the benefit – and recreational benefit at that – of so few is unconscionable. Even a good percentage of golf enthusiasts polled on the subject of golf and the environment tend to agree that course owners and greenskeepers need to modify maintenance practices.
As part of a comprehensive report on golf and the environment in 2008 written by John Barton, Golf Digest magazine conducted a survey with the purpose of determining the opinions of golfers as compared to the general population. When asked if Pesticides used on a golf course creates a potential health hazard for humans, 40 percent of the golfer group responded yes (compared to 66 percent of the general population group). That says two things: Two-thirds of the general population think that the pesticides used on traditional golf courses are likely hazardous and even close to half of all golfers are willing to admit it; yet their reasons for wanting to play the game are so compelling that they don’t care. They’ll take their chances!
To the poll question “Should the amount of water used on golf courses only be enough to keep the grass alive, not make it green and lush?” 44 percent of golfers said yes. Pay attention to this one not only to the reply (most golfers still want their course green and lush, whatever it takes) but to the particular wording of the question. ‘ . . . enough to keep the grass alive . . . ” How much is that, exactly? And why is keeping the grass alive necessary if it isn’t going to be esthetically pleasing? Dead grass comes back every Spring.
The answer to the first question is hard to nail down, as the difference between ‘alive’ and ‘lush and green’ is entirely subjective. But the answer to the second question is more illuminating and goes directly to why golf will always be a concern – and, therefore, a barrier – to certain environmentalists.
Thick grass, mowed (emissions from maintenance equipment are another concern of environmentalist) at a consistent height is essential to the game of golf because players hit the ball from wherever it lands. They expect a reward for keeping the ball in the fairway in the form of a clean shot at the ball as it lies atop the perfect grass. And greens, where players putt the ball at the hole, are supposed to be kept so short and uniform that the ball will roll straight and smoothly with a slight tap of the club. To get a better idea of how important this manipulation of the land is to the game of traditional golf, think of your favorite natural open space park. Now imagine people trying to play golf there, hitting their balls from amongst the dirt, brush, tall native grasses or bushes and clustered trees. Not to mention finding the ball after each shot.
In the Golf Digest story mentioned above, five different people with different perspectives on golf and the environment were interviewed. One of them was a noted environmentalist named Brent Blackwelder, who is also an avid golfer. According to Barton, Blackwelder is one of America’s most prominent environmental advocates and has testified before Congress more than 100 times. He is also past president of Friends of the Earth and now president emeritus of the same.
Blackwelder answered asked a number of questions, but his response to the final one was the most illuminating in the context of this book. After touching on specific issues like pesticides, energy use, and genetically-engineered grasses, Barton asked, “What would golf be like in a perfect world?” Blackwelder’s reply:
“You’d be playing on an organic course. The maintenance equipment would be charged by solar power. Recycled water would be used for irrigation, and used efficiently and sparingly. There’d be a great variety of wildlife habitats. This idea that you’ve got to make everything look like a miniature golf course with a green carpet is crazy. It’s the same problem that we see with these lawn fetishes—all the water and chemicals and energy that are used for a lawn that just sits there. So let’s get back to the rugged qualities of the game. People ought to read the history of golf.
“We’ve not been very good stewards of the earth as a species. We should be a blessing to the rest of life, not such a curse. The whole idea of living with and appreciating and understanding our surroundings is something we need more of. We have this incredible nature-deficit disorder worldwide. We’re sitting all day in front of a computer in an office and not getting out for a walk in the woods. Golf is a great opportunity to be outdoors. It should be a fun, interesting, great walk out there; a healthful, salubrious experience.”
The utopian golf experience that Blackwelder describes as “golf in a perfect world” is already a reality, and it’s even better from an environmentalist’s perspective than he’s imagining. It may not be the golf he grew up playing, with clubs and balls on 150 acres of heavily manipulated land. But it can be played on virtually every type of terrain with hardly any alteration required, and zero watering or pesticides. As this book aims to demonstrate indisputably, players get the full golf experience – the mental challenge, the constant risk/reward equation to solve – while in an entirely natural, native, organic environment.
They may not realize it, yet, the growing number of people like Blackwelder who see great value in the game of golf but also feel a strong obligation to minimize human impact on the planet.
Disc golf is the Utopian golf experience.
It requires one-third the land of a ball golf course, and rather than being carved out of a local natural habitat, a disc golf course can completely conform to it. No watering and no pesticides needed.