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Watch Where You’re Throwing!

March 17, 2023March 17, 2023 by frisbeebrain, posted in DaLearning Curve, disc golf, disc golf driving, disc golf form, disc golf instruction, disc golf putting

How to focus on your goals. literally. with your eyes.

Summary: Making full use of your eyes can dramatically improve the aim and consistency of your drives, your putts, and all throws in between. Read on to learn Why, Where (as in, where your eyes should be in any given situation), and How (as in, how to make any necessary changes).

Merriam-Webster defines the term eye-hand coordination as “The way that one’s hands and sight work together to be able to do things that require speed and accuracy (such as catching or hitting a ball).” Or tossing a disc at a target.

After watching my recorded analysis of his driving form, a remote client in New York replied that the issue with keeping his eyes glued to the ground throughout his drive was a habit borrowed from his days playing ball golf. In that sport keeping the head down makes sense. The spot on the ball where the club will ideally make contact is where the eyes need to be in order to do their job.

In disc golf, however, looking down makes no sense at all. Nor does directing your eyes anywhere other than the aiming target. Trying to watch the disc throughout the reach-back or trying to observe some other part of their form are both also popular practices among clients when they first come to me. In all of these cases, the eyes are not being used as they should.

It’s pretty simple, actually: Eyes locked onto a target are sending the brain information that is useful for aiming; eyes looking anywhere else are not. “Wandering eyes” contribute nothing to successful execution. Eyes focused on the wrong thing send information that conflicts with the brain’s understood objective and are often the sole reason for errant shots.

*What are* you looking at? Watch where you’re going. *Watch where you’re throwing!*

The website Cognifit.com further defines eye-hand coordination as the eyes perceiving information (visual-spatial perception) that the brain then uses to guide the hands to carry out a movement. We use our eyes to direct attention to a stimulus and help the brain understand where the body is located in space (self-perception). The broader term motor coordination refers to the “orchestrated movement of multiple body parts as required to accomplish intended actions, like walking.”

Or launching a disc golf disc at a target 400 feet away. Multiple body parts, including the eyes, must coordinate to perform even routine disc throws.

To fully grasp the significance of where our eyes are pointed during every millisecond of a disc golf throw, it helps to think of the human brain as a very powerful computer and our various body parts as software and hardware. I provide a couple of comparisons below specific to driving and putting, but the principle is the same:

Your eyes collect information required for proper aim and balance. Prolonged focus on the right thing maximizes their contribution on any given throw.

those driving eyes

For the neural phenomenon of motor coordination to work best, the eyes need to be focused where they can gather the info most useful to perform the task at hand. When driving this will usually be the basket, but not always- especially on holes with doglegs, elevation changes, or any blind shot that prevents even seeing the basket. Pick something specific, though. This amazing piece of human technology works best when you feed it specific spatial coordinates.

I find it helps to think of eye-body coordination while launching drives in disc golf as if I’m a jet pilot firing guided missiles at another jet- at least as depicted in movies. I first”acquire” the target in my sights, meaning I start by locking my gaze on my aiming point- forward, level with the horizon. As I start my footwork, I remember to “lock on” to the target using the motor coordination connection between my eyes and other body parts. The better I can maintain that connection, the better my aim will be.

At this point, I trust the technology and”fire,” doing my best to keep the target in my sights as continuously as possible throughout the throw. On a full-power throw it is usually necessary to momentarily pull the eyes away from the acquired target. That’s okay, if the extra distance you’ll get justifies the broken eye-body connection. Just remember that having your eyes focused on the target 85 percent of the time is way better than 15 percent of the time, and still much better than 50 percent of the time.

I grabbed the below images from a video of Paul McBeth posted a year ago by Tom Manuel. I agree with Bro Heme who in the video’s comment section said that McBeth is the “best combo of power and accuracy in the game.” He (Paul, not Bro) knows exactly when and how to sacrifice a little aim to get the needed power.

Image 1 shows McBeth already locked onto his target. That’s the default, and his eyes won’t leave until Image 4, when turning his hips and shoulders away from the target makes it impossible for them to maintain contact. Note that even then, though, his chin touches his throwing shoulder rather than pointing back in the same direction as his shoulders. If you could see his eyes, you’d see they are rolled to the right in their sockets, straining to re-establish the eye-body neural connection as soon as possible.

By Image 5 – before the disc has left his hand – McBeth’s head is back in position for his eyes to gather and transmit fresh data critical to shot execution. In Images 6 and 7 we see him making an effort to keep his eyes locked onto the target through the release of the disc. This ensures that the contribution of the eyes is maximized and has the additional benefit of helping prevent him from pulling the disc off his line due to imbalance.

*Simply by the orientation of his head you can tell that this player is looking at the target in all images above except 4 and possibly 5, at which point his eyes are just reacquiring the target.*

Standing at the front of the teepad and focusing your eyes hard on the target before beginning your throw won’t accomplish the same thing— even if you extend the disc dramatically while staring. If you do that, then stare at the ground next to you throughout your throw, or let your eyes passively drift wherever the alignment of your shoulders takes them, the target is no longer acquired, much less locked on.

If you are learning or re-learning the footwork that most like to pair with a full-effort backhand drive, first of all, ask yourself whether that’s a good idea at this point. Assuming the answer is yes (and even if it’s not, yet), you have a couple of much better options than trying to watch your feet or the disc to confirm whether you’re doing things correctly.

You can film yourself and then self-analyze and/or get help from a pro. If you must use your eyes to learn, this is the way to do it. Your eyes already have an important job to do during the throw, and unless you are a chameleon or a four-eyed fish, your eyes can’t multitask.
Learn by feel. Pay attention in detail to what it feels like to keep your eyes straining and neck craning toward the target as you twist your torso away. Learn to stay center-balanced through any footwork, then check the video to see how you did. How does it feel when you do it right? Simply focusing on the feeling of success and failure during and after your throw will help you refine and repeat.

Note: As you see in Figure 5 above, a full-turn drive requires momentarily breaking eye contact with the target. When this is the case, it is important that you don’t wait until your eyes reacquire the target to begin your throw as that would waste the large muscle power of your reach-back and screw up your timing. Instead, learn to treat that fraction of a second when your eyes are forced to come off the target as a blip of static, with the picture returned before you know it. During that blip, the “feeling” you’ve learned will bridge the gap.

the putting trance

Everything I’ve written so far about using the eyes to “throw” a flying disc applies to putting as well. In fact, it’s all magnified! The margin of error on putts is thinner and sharper, and that makes a difference in two ways.

Putting requires exacting precision. Miss by a few inches and you miss the putt
Putting is an unambiguous pass/fail proposition that invites extra mental baggage

Be The Tripod

If the challenge of keeping eyes on the target while driving is like locking onto a 500-mph target while traveling 500 mph yourself, proper eye discipline while putting is like photography with a tripod. The goal is to focus on the exact best place for you to aim (a link of chain, the orange tape) and retain that perfect visual connection through the release of the disc.

Physically this is easier than the eye discipline required when driving. There is way less movement going on (jet vs. tripod), and at no point are you forced to rotate your neck away from the target.

With putting it’s often the mental part that is more challenging, because of the pass/fail thing. It’s easier to get ensnared in anxious thoughts about the results of the putt when there is no gray area. Letting the eyes drift away from the target to the disc is common in this case, sometimes before the disc even leaves the hand.

*Even when you’re on the side of a mountain in the Andes surrounded by llamas putting at a makeshift basket of a thin tire and thinner chains, maintain focus with the target. Photo by Jeff Faes.*

Breaking visual contact with the target even a fraction of a second too soon can cause a bad miss. To prevent this, lock your eyes onto your aiming point and try to keep them there until the disc reaches the target. As much as possible, keep your head still as well. Think of a picture taken right as the camera gets jolted. Blurry, out of focus. It’s why tripods exist.

The next time you practice your putting (today, right?), focus on your “eye-work.” Are you aiming at something small and specific? When I am in a period of poor mental focus I will sometimes realize I’m aiming at the target in general. Be intentional about your aiming point, on every putt.

Do your eyes stay locked on that aiming point, or do they “unlock” as the disc leaves your hand so you can track the progress of your attempt? I struggle with this in particular, and I’m not sure whether it is due to being emotionally attached to the results or my ADHD. Maybe my eyes get drawn to the movement.

Whatever the reason, I know it’s something that requires constant monitoring, and I know it’ll be worth the effort. Science tells me that keeping my eyes focused on the right thing improves motor coordination. My own empirical evidence backs it up.

The takeaway here could not be simpler. Watch where you’re throwing!

A Tribute to MC Flow, and How to Play Better by Balancing Challenge and Skill

October 27, 2021 by frisbeebrain, posted in DaLearning Curve, DeLaveaga, disc golf, disc golf book, disc golf instruction, Disc Golf Lessons, disc golf psychology, frisbee golf, Jack Tupp

MC Flow was not a hip-hop artist, nor a pioneering disc golfer from the early ’80s. He was a psychologist, and no one has ever referred to him by that name except me, in this post.

While researching my book, Three Paths to Better Disc Golf, I learned that Mihaly Csikszentmihalyi is the person credited with the concept of Flow. In the context of athletic performance and contemporary language, “In the Zone” may be the more familiar term for this state of being.

I read yesterday that Csikszentmihalyi (pronounced chik-sent-mee-hai-ee) died on October 20th, a great loss to the academic community. After learning some new things about his teaching and having had a few years to reflect since mentioning him in the book, I decided to once again bring him to the attention of disc golfers who seek the elusive but wholly available nexus of optimized performance and enriched experience on the course.

Csikszentmihalyi was best known to academics who study psychology for his larger body of work exploring happiness and creativity. His codification of the ideal state of productivity, production, and engagement (flow) was his greatest contribution to the larger world’s understanding of the human experience.

Although the concept of flow applies to any long term endeavor that a person wishes to undertake and ultimately master, athletic competition provides the ideal vessel to understand, witness, and hopefully experience this elusive state.

When you think of an athlete being “In the Zone,” what is the first thing that comes to mind? For me it’s a basketball player who is making the right decision at every juncture, making every shot no matter how difficult. When this is happening, we’ll also hear phrases like “automatic,” “unconscious,” and “out of her mind.”

As I have come to understand it, though, flow isn’t a trance-like state where we’re either in it or we’re not- a plane of existence we may be lucky to stumble into once or twice in our lives. It is a target at which to aim, and much like aiming for one center link of a basket, even coming close usually produces positive results.

Csikszentmihalyi (aka MC Flow) used flow to describe a person being in a state of complete absorption with whatever they are doing, of being so involved in an activity that nothing else exists. In an interview with Wired magazine he explained it as “”being completely involved in an activity for its own sake. The ego falls away,” he said. “Time flies.”

If he had stopped there, this insight would still have been fascinating, but not very useful to those of us obsessed with optimizing performance. But thankfully he didn’t stop there.

The actionable crux of MC Flow’s hypothesis is a roadmap on how to get there. To achieve a flow state, he said, a balance must be struck between the challenge of the task and the skill of the performer. If the task is too easy or too difficult, flow cannot occur as both skill level and challenge level must be matched and high; if skill and challenge are low and matched, then apathy results. If the challenge level is high and the skill level is low, the result is anxiety.

This brings me to the main new thing I learned about MC Flow’s hypotheses yesterday, and how it supports my concept of Disc Golf in a Vacuum.

Csikszentmihalyi believed that autotelic personality – in which a person performs acts because they are intrinsically rewarding, rather than to achieve external goals – is a trait possessed by individuals who can learn to enjoy situations that most other people would find miserable. According to the Wikipedia entry on the man and his work, “Research has shown that aspects associated with the autotelic personality include curiosity, persistence, and humility.”

When I had the mountaintop (Top of the World at DeLaveaga DGC, to be specific) epiphany that led to me formulating my own hypothesis on optimizing both enjoyment and performance in disc golf, I was zeroing in on some of the same general ideas as MC Flow. My big personal discovery had three parts:

Immersing myself in the selection, planning, execution, and then evaluation of a shot, solely for the sake of doing so (the intrinsic reward) rather than as a step to achieving a low score on my round that day (an external goal) is the richest, most gratifying way to experience disc golf
Remaining in or close to this state for an entire round almost always results in optimized execution and therefore optimized scoring
Despite being wholly absorbed in each shot as it happens, I’ve found I am much better equipped to go back after the round, often many hours later, and relive the whole round

Csikszentmihalyi listed several conditions for flow, and others have taken it upon themselves to flesh out his hypothesis even further. If you’re interested in the broader topic I encourage you to hop onto Google and dig in. As it pertains to athletic endeavors, and specifically disc golf, I’ll focus on just one: You must be at the balance between the perceived challenges of the task at hand and your own perceived skills.

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The first chart in this post may make it seem like you need to be at the far end of both the challenge and skill side of the equation in order to experience flow, but this is not the case. The two simply need to be in balance. Other charts illustrating flow reference the term flow channel, and indicate that we merely needs to be redirecting ourselves into this ideal mix of challenge and skill. It’s not the only condition needed to achieve flow, but it’s seemingly the most important one.

In disc golf terms, this presents different directives depending on who you are and where you’re at with your game.

Less experienced and less skilled players can usually move toward the flow channel by simply being realistic about their capabilities and acting accordingly. When presented with a hole that “requires” a drive you don’t have – whether in terms of distance or shot shape – don’t take the bait. Figure out an alternative you CAN execute that gets you closer to the hole, even if it is unconventional. Remember, it’s all about finding that equal ratio of skill and challenge so you can stay balanced on the line between boredom and anxiety.

If you’re a skilled player wanting to get into the flow more, ask yourself if you’re at least on some subconscious level experiencing boredom. Maybe you’ve already determined what you can and can’t do on the course and have stuck to your comfort zone for too long. According to Csikszentmihalyi, you can’t remain in both the comfort zone and the flow channel for very long.

For example, even the most backhand-dominant players admit that certain upshots call for a forehand. If you’re in such a situation, consider upping the challenge part of the equation. It’ll probably cause you to veer quickly from boredom to anxiety – as the curvy line on the diagram indicates – but it’ll keep you moving toward your maximum mix of challenge and skill, Stay mindful of this mix and you’ll stay in or near the flow state most of the time. Any hey, that’s what practice is for, right? Working on skills in a less pressurized environment.

According to Csikszentmihalyi, you can’t remain in both the comfort zone and the flow channel for very long.

I started writing today to pay tribute to the man who explained being “in the zone” in scientific terms. When I returned home after that horrible USDGC performance in 2009 and discovered the transformative experience of truly focusing on abstract execution for its own sake, I knew I couldn’t have been the first to put it into words.

While I still think that in the highly-charged atmosphere of competitive sports the “focus on what you’re trying to do, not what you’re hoping to achieve” maxim is the key, MC Flow gave us much more. He gifted us with an excellent blueprint for using psychological tools to maximize our potential.

Top Of The World View: Keep Calm & Hammes On

June 3, 2021June 20, 2021 by frisbeebrain, posted in DeLaveaga, DGPT, disc golf, disc golf book, disc golf form, disc golf instruction, Disc Golf Lessons, disc golf psychology, Disc Golf Technique, frisbee golf, Jack Tupp, Touring Pros

How the 2021 Santa Cruz Masters Cup was won

Flynn Carrol, throwing a soft Vibram Ridge, just like I taught him. Photo: Jack Trageser

The 2021 Masters Cup is over. The stuff I wrote the last three days about spectators and volunteers and the course and the weather… Sunday was more of the same. 72 degrees with puffs of wind bringing faint whiffs of the Pacific ocean. The spectators were, like, totally chill. So chill, in fact, that they were almost rowdy.

Since Sunday was the final round, and final rounds are about results, so that’s what I’m a-gonna write about.I got some good pictures and videos, too, so stick with me. I watched most of the lead card’s final round, and will explain why I think Adam Hammes won the Masters Cup by demonstrating some quick thinking, quicker feet, and a skill necessary for a good score at DeLa.

First up, though, is a look at two good friends of mine who competed in MP50, because this series is all about what I saw!

Flynn Carrol is a regular playing partner at DeLa and much better than his record in past professional Masters Cups (he won the event as an Advanced player) would indicate. I saw a good amount of his Friday and Saturday holes, and he battled! Didn’t let the inevitable bad breaks get him unraveled.¹

Jon Baldwin nails his 35-foot uphill putt on the first hole in his sudden death playoff with Robert Bainbridge at the 2021 Masters Cup. GIF: Jack Trageser

This year, Flynn had the modest goal of throwing three rounds above his current 939 rating. His rounds went 951, 989, 945. Good job, Flynn! And no more strokes for you! Seriously, no more.

Jon Baldwin is another local friend who did well. Jon is no stranger to winning here and on the Worlds stage,² but as easy to root for as ever. He ended up tied for first with Robert Bainbridge, and they were told to play holes 1-4 (the hill) in rotation, sudden death format, until someone won a hole. They both had outside circle putts, and Bainbridge insisted Jon was out. I couldn’t tell.

Someone nearby whispered “Gamesmanship,” assuming Bainbridge wanted to see if Baldwin’s attempt might possibly miss and roll back down the hill.

Jon stepped up first, nailed his putt, and the modest crowd whelped with glee. Bainbridge’s putt to match Jon’s birdie came up short, no metal, and it was over except Baldwin thanking Innova.

Hammes Shows How to Win at DeLa; Pierce’s Game Continues to Evolve

I am admittedly something between a die hard and casual pro disc golf consumer. I know most of the names and watch a good deal of coverage. My take on Paige Pierce — aside from the Captain Obvious observation that she is singularly talented in all aspects of disc golf — is that she combines those superior skills with a 100% aggressive, 100%-of-the-time game plan. The result is a mess of runaway victories, and a few that probably got away only due to her pedal-to-the-metal approach. On Sunday with a three-stroke lead to begin the final round, I saw an approach that was more Bobby Fischer than Mike Tyson. She seemed content to play some defense and see what the rest of the field might do. Sure enough, her lead grew simply through the faltering of others, and Paige Pierce cruised to victory.

Adam Hammes went wire to wire, shooting a 14-under par 61 in the first round, then 11-down in the second round, and 8-down Sunday. With the 24-hole Masters Cup layout and three rounds, that is 33-under par for 72 holes. That rate seems right about where the PDGA wants it.

Hammes had his ups and downs over the final round, but successfully avoided the big mistakes that enable one to cough up a lead quickly. As we walked down the short fairway on hole 20 — AKA the Gravity Hole, AKA The Lady — I checked scores on my phone while trying not to trip over a gnarled root and tumble into the ravine that makes this hole so potentially treacherous.

UDisc Live showed James Proctor on the last two holes, trailing Hammes by one stroke. Proctor had saved his best round for last, posting a -13 par 62. He had trailed Hammes by six strokes at the start of the round. I wondered how up-to-date UDisc was at that moment. Maybe Proctor was already in at -33, or even -34.

The quick thinking and nimble-footed Adam Hammes. Photo: Jack Trageser

I looked up to see Adam Hammes gauging an uphill putt, the basket 35 feet in front of and above him and a deep, vegetation-clogged ravine below. His putt was just short of money. It hit the front rim and the hard dirt in front of it in quick succession, then did that thing so many would-be roll-aways do, pausing on its edge as if contemplating whether to flop to the side or go for a ride.

This one opted to roll, and it headed for the ravine, picking up speed as gravity pulled from the depths below. Then Hammes’ disc hit some tree debris and things took another turn, literally and figuratively. The still-rolling disc turned right and began rolling back toward Hammes rather than plunging deeper into the ravine.

Hammes, as he watched all this unfold, might have had about a half-second to appreciate the good break turn at the end of that bad-break roller before realizing the disc was now heading straight toward him (and he’s not standing in the safest place to hit the deck). As you can see in the video I captured, he showed quick thinking and nimble movement to dodge the disc and the one-stroke penalty that would have come with any contact between him and it.

Hammes watched the disc roll another 10 feet or so down the hill before coming to rest in a rare flat spot on that hole. He picked up his bag and walked down to his disc with zero body language. Nothing to indicate that he was inwardly screaming about having just been “DeLa’d.” He set up again, fired with full commitment, and nailed the putt in dead center chains.

DeLaveaga throws adversity at players, and offers them plenty of tempting (jenky!) excuses (jenky!) when things don’t go well. The players who win here all understand three things:

DeLa needs to be played differently, and she can be managed when played correctly
Bad things will happen no matter what
Must remain calm

Hammes ended up winning, four holes later, by one stroke. But if the rolling disc hits him or he misses the comeback putt, he ties or loses. It was all in the balance there on the Gravity Hole, and Adam Hammes made three championship-caliber moves for the win.

He reacted quickly to avoid making contact with his rolling disc (thinking and acting nimbly)
He did not react outwardly at all to display frustration at the bad break
He focused on and made the next shot

I believe all three were needed for Adam Hammes to become the 2021 Masters champion.

Foreshadowing alert! ↩
Look it up, lazy bones! ↩

I wrote this story and the entire Top of the World View series for Ultiworld Disc Golf.

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Disc golf driving: The lowdown on run-ups (and why you maybe shouldn’t use one yet)

January 8, 2021February 11, 2021 by frisbeebrain, posted in backhand, DaLearning Curve, DeLaveaga, disc golf, disc golf book, disc golf form, disc golf instruction, Disc Golf Technique, instruction

Nearly all disc golfers, from touring pros to those brand new to the game, use some type of run-up as part of their backhand drives. Most shouldn’t, though- at least not until they master the fundamental basics crucial to both power and consistency.

I see too many players who try to incorporate a throw into their run-up rather than the other way around. In other words, they seem to be approaching it as “How can I throw a disc while walking (or galloping)?” Crazy.

Why is this mistake so common? Because we tend to imitate what we see the majority of others do, for one thing. Add to that the way most teepads look like little runways, encouraging the player to start at the back, gain some momentum, and launch the disc near the front. Also, most new players crave more distance and it seems like getting a running start is a good way to get it.

The assumption is that the run-up is a crucial part of the drive, but in reality it is not. In fact, for players who don’t yet have a good grasp of proper weight transfer, timing, balance, and the use of larger muscles (rather than just their throwing arm), using a run-up hurts more than it helps. This is true in the short term as well as the long term.

Kesler Martin of Infinite Discs demonstrates proper weight transfer and timing on this drive during the 2019 Masters Cup. In the second frame his plant foot has just landed and he has kept his weight back, shoulders turned, and disc in the reach-back position, ready for the Big Boom.

Let’s talk short term first. You’re on the tee on a hole that requires a full-powered drive. Naturally you employ a run-up because that’s what any player would do when needing to achieve their max distance, right? Wrong. First of all, a perfectly executed backhand drive that includes a run-up adds 15 to 20 percent of distance compared to the same throw without the footwork. That’s the best case scenario.

Think of it as a math equation. That little bit of forward momentum you get by striding or even galloping into your throw adds slightly to the speed of the disc as it’s thrown- but ONLY if you’ve figured out how to keep your weight back even as your feet are taking steps forward. On top of that you need to time it perfectly so your launch occurs just after your plant foot hits the ground. If you’re off, even by a little, you won’t get the extra power (might even lose power) and your release point is apt to be off as well, causing the disc to fly in the wrong direction.

I see too many players who try to incorporate a throw into their run-up rather than the other way around.

As for the long-term damage of using a run-up off the tee (or in the fairway) before learning proper basics, it’s simple. Adding that extra layer of complication often means a player will never learn the basics. At the risk of being both trite and corny, you really do have to learn to walk before you can run. Or in this case, throw properly before you can walk or run (up).

I have one more thing for you to consider on this subject. The surest way to throw with accuracy is to keep things as simple as possible. Even a full-power standing drive requires the thrower to take their eyes off the target for a brief second. We accept this trade-off when necessary, but shouldn’t turn away from the target when it is not. A proper run-up using the x-step/scissor step footwork requires the thrower to turn away from the target and synchronize that footwork with the timing of the throw. If an upshot can be executed confidently with only your arm and without turning your head, that’s what you should do. Likewise, if you can drive a hole without a run-up, why add that unnecessary complication?

A Blueprint for Better Disc Golf Putting

July 20, 2020 by frisbeebrain, posted in DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, disc golf putting, Disc Golf Technique, frisbee golf, instruction, Jack Tupp, putting

The key to achieving a goal is to have a plan. A blueprint for success. This is as true for improving athletic performance, including disc golf putting, as anything else.

In the first half of 2020, thousands of competitive-minded disc golfers asked themselves a question in response to closed courses and cancelled tournaments due to the quarantine: “What can I do to make disc golf downtime profitable in terms of lower scores in the future?” Many of us present ourselves with a similar personal challenge each offseason — or at least we should.

If I were to conduct a poll asking that question, the most popular answer would almost certainly be “work on my putting.” Missed putts feel like missed opportunities, more than any other aspect of the game. Three-putting from 35 feet feels like self destruction in a competitive round, and missing a 20-footer after an incredible drive can be soul-crushing. Converting a few misses into makes each round is the quickest way to shave strokes from your score.

If you want that payoff at the end, however, you need to think beyond simply “getting in your rep’s” each day. Twenty putts from 10 different stations is great for conditioning, but to achieve a noticeable, lasting breakthrough you’ll have to dig deeper. This project is about thinking as well as putting.

In other words, you need a blueprint.

The first step is to conduct some critical analysis. Think of your putting game as a boat that is taking on water. You know there are leaks, and you know they can be plugged: you just have to find them.

Finding the Leaks

Step 1: Think back to missed putts in past rounds and try to identify any trends. For instance, do you regularly miss short putts left or right? Does your percentage of made putts go way down when there is more at stake? Do your missed putts all too often end up even further from the basket? Does it seem like you get more than your share of spit-outs? Make a list of what you think are your biggest leaks, then grab some discs and head for your nearest basket.

Step 2: Before you start putting, remind yourself that you’re going to take that same analyst’s approach at the end of the session. Take putts from a variety of distances (and inclines, if possible) without putting from the same place twice in a row. Take your time with each putt, as if you were playing a round. After misses, make quick mental observations so you can recall them later, then let them go and focus on the next putt. When you’re done, add to or refine the list you started earlier.

Step 3: Now contact a couple disc golf buddies, preferably ones you play with regularly. Ask them for their honest input. What are your putting strengths and weaknesses? What are your costliest chronic mistakes on the green? Do you let emotions get in the way, and if so, which ones — Fear? Anxiety? Anger? Use your friends’ answers to add to your list, then rank the items based on severity (how much of an issue is this for you personally) and impact (how many strokes is it costing you per round).

You’re now almost ready to start the hands-on part of this project, but the last bit of preparation is crucial. You need to create a plan of action to address each specific issue on your list. It’s easier said than done, but you need to know the cause of each leak so you can figure out the best way to address it.

Plugging the Leaks

You may feel stumped at this point. If you knew the cause of all those frustrating missed short putts you’d have fixed the problem yourself by now, right? While I don’t have the space here to address every issue, I’ll cover a few common ones and link to some resources that go into more detail. But remember, the main point is to take a systematic and purposeful approach to make significant improvements to your putting game. Okay, onto plugging some common leaks!

Left/Right Misses

First up: a tendency to miss even short putts left or right. This is usually due to horizontal movement of hand and disc during the putt, which makes it difficult to consistently release the disc directly at the target.

The reason this tip works so well is simple. A disc pulled back and then propelled along a straight line will begin its flight heading in the exact direction at which that line points.

If you’re interested to learn more about the importance of straight-line putting and how to retrain yourself, you can read up on that here.

Short Putts

If you tend to miss too many putts in general, the above issue is only one of several possible causes. The other common physical cause for demoralizing unforced errors such as missed short putts is a lack of follow-through. This sometimes happens because we mistakenly believe short putts only require a soft toss. It is important to always complete your putting motion, regardless of length. For help incorporating proper follow-through, check out this post.

The most common reason for missing short putts has nothing to do with technical flaws. It’s simply a lack of focus on the task at hand. If the putt is practically a gimme, it’s easy to take it for granted and begin thinking about the next hole. Or perhaps the hole went badly and you’re eager to get it over with and move on. The best way to eliminate these completely avoidable mistakes is to establish a specific putting routine and stick to it, no matter how short the putt. If you’re doing it at 30 feet, you should also be doing it at 10. There are even more causes of missed short putts and how to eliminate them here.

Pressure Putts

Do your putting percentages go down as the stakes go up? Pressure putts can undermine even the best players and in a variety of different ways. Stress and anxiety are known to be performance inhibitors in all sports, causing the body to tighten up and lose necessary fluidity. Sometimes it’s as simple as being distracted, thinking about how important the putt is when you should be thinking about aim or line or follow-through.

I’ve found that the best way to combat both is to stick to your routine, and make sure the routine includes thinking about the right things before and during the putt. This is straight out of Sports Psychology 101, and I sum it up thusly: Think about what you’re trying to do, NOT what you’re hoping to accomplish. I’ve talked about handling pressure, and proper ‘shot-thinking” in the past.

Three-Putting

If you take three throws to complete a hole after being within 50 feet, either you made an avoidable mistake or got hit with a large dose of bad luck. (I’ve got tips on how to best deal with the instances when it’s truly a rotten break and nothing else.) If you suffer lots of three-putts, however, you’ve likely got a systemic issue that is easily addressed.

Here are the most common of those systematic issues:

Putting Too Hard

When you fire bullet-putts at the basket, all kinds of things can go wrong. If you miss entirely, the disc is now moving away from the basket at full speed. If you hit the top or the cage, the disc still has plenty of energy and momentum to travel away from the basket. And sometimes accurate putts that would stay in the basket if thrown at a more reasonable speed use that excess, superfluous energy to escape the grasp of the chains.

To avoid long comeback putts (which often turn into three-putts or worse), use only enough velocity to hit the link of chain you’re aiming at with sufficient energy to push that link toward the pole. Except on short putts, the speed of the disc should not be the same when it arrives at the target as when it left your hand.

The key to doing this is to use arc. The longer the putt, the greater the arc. This enables you to get the disc to arrive at the target with only the necessary amount of speed. As a bonus, the arc means that on longer putts the disc will be moving downward (toward the ground) at the end of its flight, which will usually help it come to a stop sooner.

The next two causes of chronic three-putting have nothing to do with technique. One stems from flawed decision making and the other a lack of focus.

Lack of Risk/Reward Concession

The object of golf is to complete each hole in the fewest strokes possible. Your decision to go for it boldly or go for it carefully or lay it up should be dictated by the answer you ask yourself: What are my odds of executing this shot successfully and what is the worst possible consequence if I miss?

Don’t confuse confidence with a blissful ignorance of things like odds and risk. If you know your chances of making a birdie putt from 50 feet are low and you’re playing a round where score counts, it makes sense to lay up and play for par. If you have the skill to go for it with enough finesse that a miss will result in a putt you make almost every time, that’s a different story. The key is knowing your limitations. Otherwise, you’re burning up three strokes to complete the hole from 50 feet.

Lack of Focus

As mentioned earlier, one of the best ways to maintain focus is to develop a routine and stick to it. This means going through the same steps every time regardless of how routine the throw or short the putt. The repetition will ensure that you don’t forget to do it in important or stressful situations. All routines different in little ways, but have the same critical elements in common. This is helpful in understanding the necessary basic components.

your blueprint

If you agree that working on your putting is a good way to achieve real score improvement, don’t just commit to an amount of time or putts each day. Use the below formula to create a customized blueprint to work smarter and succeed.

Identify your putting ‘leaks’ (WHERE is the leak?)
List possible causes for each leak. (WHY does it leak?)
Find changes or adjustments to try based on each cause until you find the one that works (What MIGHT plug the leak? What WILL plug the leak?)
Practice putting purposefully, plugging one leak at a time

Remote disc golf lessons work well!

June 2, 2020July 30, 2020 by frisbeebrain, posted in disc golf, disc golf book, disc golf instruction, disc golf putting, Disc Golf Technique, frisbee golf, Jack Tupp

I have provided ‘virtual’ disc golf instruction in the past. The methods used ranged from verbal and email consultations to critiquing form via shared video clips to video conferencing. I’m glad I had that experience under my belt before the Shelter at Home directives ruled out in-person lessons for several months, because the desire among disc golfers to improve has not waned. If anything – with most of us having extra time on our hands – it has increased!

disc golf lessons, disc golf remote lessons, school of disc golf

The testimonial section of our website now features a new entry in the Lessons & Coaching section. Roger, who inquired via the School of Disc Golf website, was in a courtyard in Mexico while I was in my garden in Santa Cruz, CA. The physical separation did not seem to hinder the effectiveness of our communication. Below is quick rundown of how we did it.

To begin with, I had Roger share video clips with me prior to the lesson, from several different angles. This gave me an idea of where to start before our live video session began. The most notable flaw in the video clips led me to emphasize a particular point, and Roger told me the next day that it resulted in a major breakthrough in his putting accuracy and consistency.

For our scheduled virtual lesson we opted to use Google Duo. We could have used Zoom or Facetime (if I was an Apple guy) and those tools would have been just as effective. One key bit of equipment for me was a Bluetooth headset, so I could easily hear Roger without having to be near my phone and demonstrate technique with the hassle of wires. Another, perhaps even more important, was us both having a tripod with a smartphone mount. I can’t properly demonstrate anything while holding a phone, and propping the phone up somewhere is a hassle and, depending on the surroundings, often impossible.

Perhaps the best endorsement of the ‘remote’ aspect of our remote lesson was the fact that Roger didn’t even mention it in his testimonial. I didn’t feel like the lesson suffered by us not being physically together, and apparently he didn’t either.

If you are interested in giving it a try, contact me at School of Disc Golf today.

Back to Bloggin’

December 21, 2018 by frisbeebrain, posted in DeLaveaga, disc golf, disc golf book, disc golf instruction, Disc Golf Pro Tour, frisbee golf, Jack Tupp, santa cruz, Touring Pro, Touring Pros

As George ‘Frolf’ Costanza once famously said, “I’m back baby, I’m back!”

Tell all your content-hungry disc golf pals who (in addition to playing and watching) read about the sport whenever they can that the School of Disc Golf is back to posting a mixture of disc golf content- not just the instructional stuff tied to our core business.

You’ll once again also be seeing current disc golf news from around the world, with a focus on stories about the sport’s growth around the world. Like this story from Bay County, MI. Check out this awesome quote from director of recreation and facilities Cristen Gignac:

“One of the big parts of this grant is we do public input,” she said, adding during the month of September they had a survey that went out to the community. “There was a lot of interest in disc golf, you’ll see that as a priority in a handful of different places.”

Stories like this are popping up everywhere, and I love to share them. Add in occasional commentary provided by yours truly, Jack Tupp (aka Frisbeebrain), and you’ll see a good mix of disc golf content- much of which you won’t get anywhere else. Use the ‘Subscribe’ link at right to make sure the good stuff hits your email inbox before the metaphorical ink is dry.

A little about the history of this blog:

Back in 2008, I decided to launch one of the sport’s first blogs, DeLa Blahg then went on to write (along with PDGA’s Steve Hill) for Rattling Chains, and after that All Things Disc Golf- both also excellent pioneering Disc Golf Blogs. Since then I launched the School of Disc Golf to offer lessons and teambuilding events and published two books. Three Paths to Better Disc Golf offers multiple tips to help you shoot lower scores, while The Disc Golf Revolution aims to help you share the sport – in all its important glory – with the outside world.

DeLaShermis13 — You’ll also see examples of my personal disc golf-themed smartphone captures, like this recent one from Hole 13 at my home course, DeLaveaga in Santa Cruz, CA.

Enough about me, right? Everyone is encouraged to post comments, and send me questions, ideas of topics to cover, and story links. If you want to peruse past posts for ideas, just use the search box. Let’s talk some disc golf!

Finally, a teaser for what’s up next: I’ll be sharing a completely fresh take on whether baskets should be smaller/more challenging on the pro tour. Stay tuned!

Do pressure putts wind you up? “Don’t look down!”

December 27, 2016 by frisbeebrain, posted in DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, disc golf putting, Disc Golf Technique, frisbee golf, instruction, Jack Tupp, putting

How do you perform on pressure putts? Are they a weakness in your otherwise solid disc golf game? If the first question caused you to grind your teeth and/or break out into a cold sweat, and if you grudgingly answered ‘yes’ to the second question, this post is for you.

Let’s start with a seemingly random question: Have you ever had to walk across a rickety bridge spanning a 3,000-foot gorge? Or maybe you’ve traversed a narrow, slippery trail hugging the side of a steep mountain. Even if you haven’t, you’ve probably seen such scenes in movies and know what the cool, calm, and collected inevitably say to those with mortal fear in their eyes:

“Don’t look down!”

The obvious reason for this timely advice is to help an already frightened and nervous person from becoming paralyzed with fear. Looking down in such situations reminds us of the dire consequences if things don’t go right, and healthy fear is one of the traits hard-wired into all species. But alas, not all fear is healthy, nor helpful.

Take away the consequences -possibility of serious injury or death, with immense pain along the way, in this case – and that walk across the rickety bridge is really no big deal. It’s just walking, after all. But when one false step could turn into a real-life Wile E. Coyote plunge, it suddenly gets much harder. And this is true of pretty much everything. The more it means to you, the greater the likelihood that anxiety comes into play. And anxiety, needless to say, never enhances performance.

Good news, the solution is simple! However, it’s not easy, at least not in an instantaneous, problem-solved kind of way. You gotta consciously work at overcoming a tendency that, like garden weeds, can never be entirely eliminated. But if you make a sincere effort to make this change you should see some results almost immediately.

Here is the essence of the one and only true way to combat performance anxiety. Drumroll, please . . . . . .

Think about what you’re trying to do, not what you’re trying to accomplish- and definitely not why you’re trying to accomplish it.

Many believe that athletes who are known as ‘clutch performers’ must somehow thrive on the pressure that negatively affects everyone else. That’s not true. They have simply trained themselves to concentrate on the raw components of the task at hand and block out everything else.

The general idea of focusing on actions rather than results is nothing new. Instructors, trainers, and coaches have applied it to everything imaginable- far beyond the realm of athletics. I’ve written about the applications of this concept multiple times before and have included some links later in this post. There are many techniques that will help you accomplish this game-changing transformation. Adapt one of mine, or come up with your own. The purpose here is to help you understand and embrace the basic concept.

The rickety bridge/”Don’t look down!” analogy just recently occurred to me, and I think it can be instrumental in helping golfers who already realize that the primary obstacles between them and lower scores are often mental, but haven’t gotten beyond that vague realization.

Want yet another example? I bet whoever trains people to diffuse bombs stresses the fact that the mind must remain focused 100 percent on the task at hand. Thoughts of beloved family members and fear of being blown to smithereens could result in shaky hands or a momentary confusion between red and blue wires. Next thing you know, BOOM!

As we all know, some missed putts result in different kinds of explosions (or, in some cases, implosions): Exploding scores, tempers, and visions of that personal-best round that was so close you could taste it. And it’s not the miss itself that is so frustrating, but the awareness that it was due to a brain twisted into knots.

If you now believe the simple solution revealed above (think about what you’re trying to do, not what you’re trying to accomplish) has merit, and are wondering “How, exactly?” that’s an excellent question. There is no one-size-fits-all answer, but I think I can get you headed in the right direction by sharing a little about my personal strategies, tactics, and tricks.

Think about what you’re trying to DO

This literally means the physical movements I (and you) need to perform in order to execute a successful putt. This isn’t a post about putting technique, so I’ll only list a few things that I try to think about right before every putt (yours may be different):

Start with a comfortable, balanced stance
Focus my eyes on the orange decal on the pole, or one particular link, and don’t release the stare until the disc arrives at the basket
Follow through straight at the target, feeling the stretch in my back, shoulder, arm, hand and fingers for a lingering second after the disc leaves my hand

Notice I did not list “make the putt” as something I’m trying to do.

Do NOT think about what you’re trying to accomplish, or why you’re trying to accomplish it.

The second you start thinking about making the putt, two bad things happen.

You stop thinking the productive “Do This” thoughts that give you the best chance of success. You can’t simultaneously follow two trains of thought.
You open the door to why you want or need to make the putt. The bigger the situation, the farther the drop from that rickety bridge. It doesn’t matter whether a really bad thing will happen if you miss (you lose the round, for instance) or a really good thing won’t happen (you don’t birdie hole 13 for the first time ever). The effect is the same.

Remember when I said the solution is simple, but not easy? That’s because thinking only about the process of putting and blocking out all thoughts related to the desired achievement is a simple enough concept- but easier said than done. That’s where the strategies, tactics, and tricks come in. I’ve shared a few that I’ve posted about in the past. Adapt them to your game, or use them as inspiration for developing your own routines to prevent yourself from “looking down.”

“Do This!”

Back in 2011, I came up with a pre-shot routine wherein I practice my putting motion several times, full speed but without the disc in my hand, right before my actual putt. I discovered several benefits in doing this, and you can read the post or watch this short video if you’re interested in the full explanation. I list it here because one of those benefits of the routine is that it allows me to think about my process keys while practicing my “stroke,” and then when it’s time to execute the actual putt, my last final thought is always the same: Do exactly what I just did on the last practice stroke. Just that one thought, and nothing else.

For me, there is no other correct final thought before I pull the trigger. The routine is now habit for me, which makes it easier to remember even in the most high-pressure moments. I’m also more likely to identify renegade “value” thoughts that try to invade my routine in time to replace them with “process” thoughts.

Assess. Choose. Execute.

Extending the routine further backward is another way to be sure I’m thinking about the right things at the right time. A successful shot starts well before I step up to my lie. In this post I discuss the proper sequence of first assessing the situation, then choosing exactly what to do, then executing. If I complete the first two steps before I step up to my lie (this post was for all shots, not just putting), I have a better chance at being able to focus on process, and only process, when it’s time to execute.

Like A Machine

Another post that touches on this subject was titled “Play Disc Golf Like a Machine. A Well-Oiled Machine.” If you need another metaphor for setting emotion and value aside and simply executing a command, you’ll find it in that post. If it helps, think of yourself emulating a robot, automaton, or even Star Trek’s Dr. Spock. If asked, he’d say “In competitive disc golf, feelings are illogical and counter-productive.”

However you get there, separating process from value on every throw will result in lower scores and less stress. Find something that works for you, and stick with it. It’ll be worth it!

Learning by Feel in Disc Golf: Why, and How

October 17, 2015 by frisbeebrain, posted in All Things Disc Golf, DaLearning Curve, DeLaBlahg, disc golf, disc golf book, disc golf instruction, Disc Golf Technique, frisbee golf, instruction

Companies that market formal clothing love to tell us how their garments lead directly to success in business.

“If you look good, you’ll feel good”. Heard that one before?

The idea is that men wearing chic, expertly-tailored suits and women wearing designer labels gain extra confidence. There may be a kernel of truth buried beneath the B.S., but that’s beside the point. What matters is we can use it to communicate some useful info to disc golfers wanting to improve skills and consistency. It’ll take a bit of ‘splainin’ to get to the meat of the lesson, though, so hang in there. It’ll be worth the 10-minute read.

First off, this tip flips those ad slogans around. Feeling comes first. Also, I am using the word ‘feel’ in a totally different way than them. We’re not talking about the touchy-feely emotional kind of feel (as in, ‘you hurt my feelings’). More like the physiological use for the word, as in ‘that toilet paper feels like sandpaper!’ (Cringe-worthy mental image, but it got the point across, didn’t it?) Finally, since we’re talking about a different kind of ‘feel’, the word good doesn’t work as well. So if we had to have a pithy slogan similar to theirs to sum up the lesson, it would be more along the lines of “Feeling right leads to playing better, and (for those who care about such things) playing better makes you look good.

Ok, we’re done laying out our tortured analogy. Onto the actual message.

The School of Disc Golf has previously mentioned the concept of ‘muscle memory’ no less than six times, with good reason. It’s a scientific explanation of why and how practice makes us better. On Wikipedia, it is summarized as “a form of procedural memory that involves consolidating a specific motor task into memory through repetition. When a movement is repeated over time, a long-term muscle memory is created for that task, eventually allowing it to be performed without conscious effort.”

By that definition, muscle memory is something that happens automatically, behind the curtain of your conscious thoughts. It’s one of the benefits of repetitive practice. I’d like to believe that as disc golfers (or any athlete working to perfect a craft) we can take it further than that. We can try to consciously maximize the process and benefits. I’ll explain using a couple commonly accepted tips.

Putting

Whether you prefer the spin putt or the push putt, the in-line or straddle stance, following through, dramatically, should be a constant. We talk about it in detail in this post and even include a video tutorial of an exercise to practice follow through and better develop the key muscles used in this particular way. Every putt should end with a rigid throwing arm stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.

Now, as you read this, don’t focus on what that description of following through looks like. Focus on what it feels like. If I was giving you an in-person lesson right now, I’d explain follow through, much as I just did in writing above, and show you what it looks like. Hopefully after seeing me do it you’d make your best effort to replicate what you just saw me do. Assuming you did it correctly, I’d tell you so, and you’d accept that you just did it correctly based on my positive feedback. But here’s the thing: I can’t follow you around for all your practice sessions and rounds of disc golf. My lessons are reasonably priced, I think, but that would get costly quickly! And even if that were feasible, the key to the lesson (that follow through is a key to good putting) would not penetrate beyond your logical mind. In other words, it won’t be carved into your muscle memory. That kind of learning requires feel.

Let’s go back to the word picture I offered:

Every putt should end with a rigid throwing arm and hand stretched directly toward the link of chain you’re aiming at. Your elbow should be locked, arm and even fingers perfectly straight, with your thumb pointed straight up at the sky.

As you read the words, stretch your throwing arm toward a focal point across the room. It doesn’t matter what it is, but keep your eyes locked onto it. Now zero in on the key words and phrases, “rigid throwing arm and hand”, “stretched”, “elbow . . . locked”, “arm and even fingers perfectly straight”. Rather than thinking about these descriptions look like, or what you should look like emulating them, let your mind dwell on what each of these things feels like. An arm stretched straight ahead to its extremity feels very different than one that is dangling at your side, or resting on the arm of a chair. Get that feeling locked into your long-term memory and recall it before every putt. Remind yourself that unless you feel that sensation of stretching and straining directly toward your target, you’re not doing it right.

This post is meant to be more about the importance of learning and recalling by feel than a putting lesson, but we’ll make one more point. At the end of your putt, just before, during and after you release the disc, the feeling should also include a quick, sharp burst of movement. Don’t misunderstand all the talk of stretching toward the target and conjure up thoughts of slow motion Tai Chi. For more on that check out the follow through post referenced above.

Backhand Drive

Since we went into pretty good detail about the importance of ‘feel’ in the putting example, this one will be short and sweet. It should help drive (no pun intended) the point home using a different type of scenario. We’ll focus on one particular aspect of good, consistent driving: Balance.

One of the key points in our comprehensive post ‘Building Blocks of Basic Backhand Technique‘ is the relationship between balance and weight transfer. When it comes to throwing a golf disc properly the two are intertwined, and the difference can definitely be felt when done correctly vs. incorrectly.

First off, when you’re setting up to throw, make sure you begin with good posture (knees still slightly bent, but back mostly straight and body not ‘hunched over’) and weight evenly distributed between front and back foot. As you execute the throw, remember the goal of keeping that weight centered as much as possible. Yes, you need to transfer weight to the back foot as you reach your disc all the way back and transfer it forward in sync with the disc as you throw. But to retain the most consistent control of where your disc goes, you must remain well balanced. If you feel yourself falling off to one side or, more commonly, falling forward upon disc release, your balance is off and likely so is your aim.

This is why, in the backhand post cited above as well as all lessons I give on the subject, I urge players to begin by learning proper backhand technique without a run-up. It’s important to lock in the feel of proper balance and weight transfer so you can recall it when needed, and identify flaws when they arise.

This post doesn’t include any images, for a good reason. Visual aids do have a place in learning. But when it comes to muscle memory it’s all about learning through feel, and realizing that feeling is the best way to learn.

Well-know turnover shots: when to use ’em and how to throw ’em

July 4, 2015 by frisbeebrain, posted in anhyzer, backhand, DaLearning Curve, DeLaBlahg, disc golf, disc golf instruction, Disc Golf Technique, frisbee golf, hyzer

Among the pleasures of disc golf – and there are many – perhaps the most satisfying for the athletically-minded is mastering new flight paths for one’s disc. And since all discs to one degree or another have the natural tendency to fade left or right depending on the direction of the spin, making a disc turn in the opposite direction of that fade is among the first big milestones. And then you realize that within the broad classification of “turnover shot” exist an endless quantity of different shot-shapes and ways to achieve them, and things really begin to get interesting. And fun.

A while back we published a post called “Mastering the turnover shot: Equal parts art and science.” In it we explain in pretty good detail the handful of ways of executing flight paths variously known as a turnover shot or anhyzer. (You can check out our Disc Golf Terminology page for definitions of all these terms.) We recommend reading the previous post before reading this one. This post explains specific flight paths that can be achieved by adjusting any of six different factors, and those are listed and described there.

disc golf lessons classes event disc golf events — Most anhyzer flights of any distance require extra height. Note not only the angle of this player’s disc but also the height of the release point.

The Anhyzer S-turn

Let’s start by explaining the term ‘S-turn’, which describes the flight path rather than throw itself. It simply refers to a flight path where the disc turns in one direction for the beginning of the flight, then finishes by turning in the other direction. You’ve like done it before, by accident if not by design. Being able to properly execute an S-turn represents a huge step forward for any player, and once you understand how to do it it really isn’t any harder than turnover shots intended to arc in a single direction the entire flight. And it not only proves useful when two turns are required. It’s also a great way to maximize distance as the turns keep the disc in the air longer.

To hyzer a disc means to release it with a nose angle that encourages the disc to fade in the direction it naturally tends to fade. For instance, a right-handed backhand shot will fade to the left. So to throw an anhyzer in that same situation a player must release it with a nose angle that not only enables the disc to resist that tendency to fade, but turn in the other direction. An RHBH thrower uses a nose angle where the left side of the disc is lower than the right, so that same thrower – if she wants to throw an anhyzer shot – needs to reverse that nose angle so that the left side is higher than the right. Think of driving a car with your hands “10 and 2” on the steering wheel, and imagine a straight line between your hands. When you turn left, your left hand becomes lower than the right and that straight line mimics the nose angle you’d want on your disc for a hyzer release. A right turn mimics the angle for an anhyzer release (Again, see the previous post for a correct explanation of hyzer/anhyzer as anhyzer and turnover are not synonymous.)

Sticking with our RHBH example, an anhyzer S-turn shot will initially turn to the right, then at some point fade back to the left. This shot comes in handy when the hole presents early obstacles on the right side of the fairway that force the player to start the shot on the left side, while also having characteristics that make it undesirable to let the disc finish in that direction. For instance the hole has a wall of early trees on the right side and on the other side of the trees is a deep ravine or a water hazard. The basket is on the left side of the fairway a little deeper than the ravine/water, behind another grove of trees.

The trees on the right are too high for a simple tall hyzer route, so the player must throw through the gap on the left, but she can’t throw straight at the basket without heading right for the grove on the left. The solution is the anhyzer S-turn, because it first avoids the trees on the right by passing through the gap, then (because it is turning right thanks to the anhyzer release angle) passes to the right of the grove on the left. This much could be accomplished with a simple anhyzer shot, but remember if it finishes right it’ll find the ravine/water hazard. So it is imperative that the disc finish left.

The two keys to pulling this off are knowing the discs in your bag and the release point required for each- and that only happens with practice. Get out in a field and throw all your discs with the same amount of power and same nose angle. The understable discs will likely turn over and never fade back, while your super-overstable disc may hardly turn at all before fading back to the hyzer angle. Since every situation is somewhat unique, you’ll want to eventually learn how to do this with as many of your discs as possible. It’ll require different combinations of those six factors explained in the last post, which is why it’s important to really know each disc’s characteristics.

We mention release point because this is usually the biggest hurdle players have in learning to throw this shot. If you release the disc at too low a point with a steep anhyzer nose angle, it will head straight for the ground as it turns over and never have a chance to fade back. A fairly typical release point for an anhyzer S-turn is eye level or higher, but it is differs depending on the player’s armspeed, the disc, and the situation.

The Flip Hyzer S-turn

The flight path for a flip hyzer (or hyzer flip) S-turn is the reverse of the anhyzer S-turn. It’s usually the easier S-turn shot to execute because for most players throwing with a hyzer angle comes much more naturally. However, a key ingredient to executing this shot is above average armspeed, so if you’re having trouble with it that may be the reason.

The term ‘flip hyzer’ accurately describes this flight path. When done properly the RHBH thrower releases a throw on a hyzer angle with enough power for the rate of speed to eventually overcome that hyzer angle, causing the disc to turn over and drift right. The really cool thing about this shot is that by dialing up just the right mix of nose angle, armspeed and release point (and of course the disc chosen matters as well), the thrower can manipulate the precise point at which the disc turns. For instance, a steeper hyzer angle will make the disc take longer to turn over, while increasing the armspeed will make it happen quicker.

Even though the flight characteristics of a flip hyzer shot are the reverse as an anhyzer S-turn, it isn’t used in quite the same way. A player will typically utilize it in two scenarios:

On long, ‘tunnel’ type holes where the disc needs to finish on a turnover line, a flip hyzer enables the thrower to maximize the distance before the disc begins to turn over
On very long, wide open holes where nothing matters but distance, a flip hyzer when executed properly will yield the most distance. In fact, in distance contests top pros use this method almost exclusively as their elite power, combined with a sharp hyzer angle and a high release trajectory often result in three turns- the initial hyzer, and then the turnover as spin rate overcomes angle, and finally (since the trajectory was upward and the disc still isn’t close to the ground), a fade back to the hyzer line.

Once again, the only way a player can master this shot enough to have confidence in the technical situations in which it is required is through hours and hours of experimentation and then repetition. It’s also worth noting that both these S-turn methods can be used to achieve a roller shot, where the player is intentionally causing the disc land on an anhyzer angle with enough power left to stand up and roll.

Holding the line

As discussed in the previous post, for most players throwing a disc perfectly straight is harder than making it turn. So it should not be a surprise that making a disc turn over and then hold a particular line once it has turned is for some even harder. On courses with baskets placed in harrowing positions (near OB, water, cliffs) a straight, flat landing is often the only way to avoid trouble. Like the S-turn shots it requires a very exacting combination of angle, speed and trajectory, but in this case another specific factor is even more important. And that factor is . . . spin.

Think of it this way: If a player wants to throw RHBH anhyzer that turns over through its entire flight he’d throw a disc he knows will continue to turn with a steep enough nose angle. If he wants the disc to turn most of the way then fade left at the end (anhyzer S-turn), he could use the same technique but switch to a sufficiently more overstable disc. But if he wants the disc to execute a right turn at a certain point then very gradually come out of the turn and finish on a straight line, merely changing discs won’t cut it.

Unlike most shots, where as number of factor combinations result in roughly the same flight path, this requires an increase in spin and nose angle steepness proportionate with the distance the disc needs to carry on that straight finishing line. Spin can be increased by accentuating that whip-cracking, towel-snapping release and reducing the follow through of the arm. A good way to learn this is to pick out the apex of the intended flight path, which should act as a hinge that connects the first part of your throw with the second. Aim for that hinge with the idea that your disc will reach that apex with the right angle and lots of spin, then use that spin to coast on the exact straight line you want.

This type of shot is particularly handy on shorter shorts where you can use a fan grip and a putter, but it can be thrown with a power grip as well.