Disc golf will be on TV in August, for two reasons. Both are directly related to the current global pandemic.
First or all, disc golf is exploding as a recreational activity. Rules and restrictions have severely limited our options, and disc golf happens to be an ideal option. It’s great for social distancing, very affordable, and, as countless people are finding out for the first time, disc golf is fun! This has led to disc golf businesses of all types (especially retailers) having a surge in demand for their products and services. School of Disc Golf is no exception, as we have experienced a sharp rise in website traffic and inquiries for lessons. Another, much larger disc golf company, Dynamic Discs, has recorded record sales the past three months and decided to invest the gain by funding a high quality disc golf production.
The other reason disc golf will air on the CBS Sports Network in a month or so is the dearth of sports programming in 2020. What better time to capture the attention of the world?
the debate about modifying targets to add more drama at top pro events misses a larger, more important point
Where do you stand on The Great Debate about basket size on the pro tour? The subject has been debated extensively- on YouTube in 2018 via a DGPT roundtable, more recently in a PDGA magazine article by course design guru John Houck, and in thousands of discussions among elite players and their fans.
I believe, for reasons listed below, that it is a pointless debate. Basket size and putting difficulty has nothing to do with the perceived lack of drama on the green in disc golf as a spectator sport. Read on and you’ll learn why I feel this way. First, though, a recap:
Those in favor of shrinking baskets think top pros are just too good at putting using the current disc entrapment devices. They believe this has two negative effects on disc golf as a spectator sport: scores that are so low to par that outside observers scoff at disc golf as a professional sport, and a lack of drama on the putting green. Putts inside the circle for touring pros almost always end up inside the basket.
Some pros are opposed to the change, for an understandably self-interested reason- Putting is not their strong suit and they don’t want that weakness to be further magnified. But others make more practical points. If targets are smaller, they contend, players will lay up from longer distances more often, robbing spectators of those twisting, floating, outside-Circle 2 gems that provide some of disc golf’s best spectacles.
Others question the practicality of retrofitting thousands of existing courses and the wisdom of having pros compete with markedly different equipment than the fans who would have, could have made that shot.
Good points on both sides of the argument, right? So what do YOU think?
I’ll tell you what I think. The issues that the Basket-Shrinkers raise are real, but smaller targets and less made putts won’t ‘solve’ them, if indeed they even require solving.
I wrote a book called The Disc Golf Revolution, and much of it involves comparing and contrasting disc golf and traditional (ball) golf. One of the first chapters, titled The Future of Golf, makes the point that disc golf features nearly all of ball golf’s appeal yet none of its numerous drawbacks. You know that list: Cost, time to play, difficulty, history and culture of elitism, environmental impact . . .
I bring this up now because at the end of that chapter, per my training as a journalist, I presented the other side of that argument in a ‘devil’s advocate’ section subtitled 7.5 Reasons Why Ball Golf is Better Than Disc Golf. One of those 7.5 reasons is the undeniable fact that disc golf does not – and cannot – replicate the incredible contrast featured in ball golf between the speed and distance of a powerful drive and the delicacy, the breath-holding drama of a long, slow, undulating putt.
A 30-foot putt in ball golf might last for 30 second as it rolls slowly across the green, while a 30-footer in disc golf is over two blinks after it leaves the player’s hand. Unless it ends in a roll-away, that is, which ironically makes for some of disc golf’s most dramatic moments. What do those slow, serpentine, excruciating rollers resemble? That’s right. Ball golf putts.
Disc golf putts inside the circle don’t lack drama because they go in too often, but rather because they go in too quickly.
Disc golf putts inside the circle don’t lack drama in pro events (compared to ball golf) because they go in too often, but rather because they go in – or don’t – too quickly. That is never going to change, no matter how small and challenging baskets are made to be. It is what it is, and really, that’s OK.
Another point I make in my book is that disc golf’s greatest value is as something to DO. This is evidenced by the sport’s continued strong growth in new courses, players, and market size. As disc golf participation grows, the segment of the overall disc golfing population who choose to also be spectators and media consumers also grows. They’re watching in large part because they can relate to what they’re seeing. Disc golf may not feature the drawn-out drama of a ball golf putt, but disc golf spectators (nearly all of whom are also avid players) feel the anxiety of a 30-foot putt. As easy as they can appear, we know how easy those putts are to miss. We know the very real potential for anxiety, fatigue, or a momentary lapse of focus.
So now you know what I think. Give it a try if you want, PDGA and DGPT. Use smaller baskets for some top-tier pro events. You’ll get tougher-scoring courses, and putts inside the circle won’t be quite as much of a foregone conclusion. But it won’t change the real issue, which is the unalterable fact that disc golf putting – as something to watch – isn’t and will never be quite as dramatic as ball golf putting.
Personally I don’t think it’s a big deal. Those of us who play know there is plenty of drama and challenge when you’re the one doing the putting, and in my opinion that is what really matters.
What do you think? I hope you share your own take here by posting a comment, but don’t just say yea or nay on changing basket size. Let me know where you stand on my main assertion. Do disc golf putts lack drama for spectators, and, if so, is it because they go in too often, or because they go in too quickly?
Most of you who read this blog know that I run School of Disc Golf as a side-gig, mainly because I thoroughly enjoy getting new players hooked on the game and helping those already addicted to get better. You’ve likely at some point read that I used to play all the tournaments I could get to, topped out at a 999 player rating (so close!) and for a time was an officer of the DeLaveaga Disc Golf Club.
What I don’t think I’ve mentioned in quite a while in this space – if ever – is another off-and-on project of mine- Discmasters TV. Since the first new episode in quite a while just hit YouTube I thought I’d take a little time to tell you about the show and its origins.
It all started when I came across a video on YouTube that covered a tournament in Santa Cruz called the Faultline Classic. I thought the video was well-produced given the obviously limited technical resources and decided to approach the guy who posted it with an idea I had been tossing around for some time. The concept was for a ‘lighter side of disc golf’ type variety show that would incorporate instruction, interviews, and cheesy, badly-acted comedy. It should come as no surprise the last part came naturally.
My original model for the show and indeed the name itself came from a cheaply-produced fishing show from the 80’s called Fishmasters that itself was a spoof on another show called Bassmasters. I liked the way Fishmasters turned their minimal technical capabilities (which I think were still greater than ours) into a positive by having it add to the comedic element of the show- knowing that anything we could muster would have the same limitations.
So as I said, I contacted the guy who posted that original Faultline Classic video and learned that he worked for Community TV in Santa Cruz, and the video had actually been broadcast there first, on local TV. At this point, let me introduce that guy- Ben Baker.
Ben had a year or two before that graduated from San Francisco State University with a film degree, and his job at the TV station was his first film-related position. He liked the idea as much as I did, and was even more excited when I told him that I had spoken to disc golf luminaries (and friends) Nate Doss, Valarie Jenkins and Avery Jenkins and gotten them to agree to participate as well. As luck would have it, the disc golf touring season had just ended and Nate, Val and Avery would be in Santa Cruz for the next couple months, enabling us to spend time in both the studio and on courses shooting footage.
A side-note about Ben: When we started the project he was enthusiastic about disc golf but pretty much a novice player. His sidearm shot had power yet score-wise he was all over the place. I even hustled a lunch out of him giving him a stroke per-hole at DeLa (that’s 28 strokes!). Ben was not altogether pleased with that introduction to disc golf gambling. That was a couple years ago. This past season, he captured the overall Championship for the venerable NorCal Series tour in the AM2 division. Good for you, Ben! I’d like to think that my instruction and Val, Avery and Nate’s excellence rubbed off on him.
As we envisioned, the show has covered lots of disc golf-related territory. There have been instructional posts by me (on the show known as Jack Tupp), Nate, Avery, Val and even one on putting by Nikko Locastro. There has been lots of tournament coverage, including the 2011 Pro World Championships and the Otter Open in Monterey.
Lots of disc golf celebrity appearances in addition to our regulars: Greg Barsby, Eric McCabe, and Nikko come to mind, but there have been plenty of others (you’ll have to watch the shows to find out who else.) Viewers also get introduced to players known better in Santa Cruz than the rest of the dg world, like Shasta Criss, Don Smith, Tony Tran, and Jon Baldwin (who became World Champion in the Masters division after his Discmasters appearance).
We managed to get a cool logo created by Nate’s step-sister, the talented Audrey Karleskind. Even a cool theme song (lyrics by Yours Truly). And of course, there have been numerous bits of cheesy comedy.
My favorites are the ones that involve me playing bongo drums while Avery tries to putt, followed by Avery nailing me with a disc with Kung-Fu like accuracy, and magic minis that adversely affect my wardrobe. And of course there is the hipster-doofus named Jimmy Shank. Gotta love that guy. And possibly the best is yet to come as we shot some great footage in which Valarie stars. Stay tuned for that.
The just-released clip I mentioned earlier is a 48-minute studio interview of disc golf hall-of-famer Tom Schot and Monterey disc golf pioneer Merle Witvoet. It was shot just before the 2011 Pro Worlds so part of the talk is about that, but I think the most interesting discussion centers on the history of disc golf in Santa Cruz, of which Schot is principally responsible. Disc golf historians should find it interesting.