Disc Review: Vibram O-Lace

For me, the Vibram O-Lace fulfills more than four years of eager anticipation. It is the disc I’ve been itching to have in my bag since the first time I held a disc made with Vibram’s X-Link rubber compound in my hand.  Before I get to my full review, though, please indulge me by first reading a little history:

When I got to throw Vibram putters for the first time, part of my initial reaction was ‘the grip is fantastic. I can’t wait to see how the midrange discs and drivers perform when they come out!’

When the Ibex, Trak and Ascent were released, I liked them all, and asked Vibram Disc Golf head honcho Steve Dodge when they would have a long range driver. He explained that Vibram was methodically releasing discs on a regular basis, focusing on having a disc model for each category and sub-category within a couple years. I found the Ascent to be very useful as a stable fairway driver and the Trak as a versatile midrange/fairway driver finesse disc and roller. But I dreamed of throwing a long-range, fast, strongly overstable driver with the grip and ‘grab’ of the current models.

The updated Vibram flight chart
The updated Vibram flight chart

A few months later the Obex arrived in the mailboxes of us testers, and I loved it (and still do). It had all the stubborn stability I hoped for, with unusual forward glide for a disc that stable. That satisfied me for a little while, but we always want more, don’t we? I again inquired about a long range driver with the same qualities, and was patiently and politely reminded that it was coming, in due time.

Fast-forward to the release of the Lace, Vibram’s first long range, high speed driver. It quickly earned a permanent spot in my bag with its ability to go very, very far on just about any line I gave it, but I still yearned for a version that could handle ridiculous combinations of power and anhyzer angle. I said as much in my feedback to Vibram after testing it, and based on the next prototype I received, six months later, their response seemed to have been ‘be careful what you wish for!’

After the release of the Lace, Vibram sent us two models, one which resulted in the UnLace, and the other a disc easily more overstable than any I had ever thrown before. That thing had practically no glide whatsoever and seemed to almost fight the anhyzer angle I tried to give it before it even left my hand, like two strong magnets of opposing polarity. Ok, that last part was probably my imagination, but you get the picture.

I must not have been the only tester who felt that way because when the production model of the O-Lace came out -much like Baby Bear’s porridge, chair and bed – it was just right.

The Vibram O-Lace is a fast, very overstable driver. And while it doesn’t break through any barriers in terms of its speed or stability it is nonetheless a breakthrough disc.

Side view of the Vibram O=Lace
Side view of the Vibram O=Lace

There are a couple characteristics all Vibram discs have in common; first, the rubber compound provides a grip that is superior to any plastic blend, and it also tends to skip less or at least not as far. Second, the the stability-to-fade/glide ratio tends to be better as well. By that I mean that compared to other discs there isn’t as much of a tradeoff between stability and glide. The overstable discs in the Vibram lineup don’t fade as quickly as you’d expect for discs that can handle power the way they can.

All of these factors are present in the O-Lace, and that is why I consider this disc so special.

Think about it: the fastest drivers are normally the hardest to throw and typically involve the most extreme effort on the part of the thrower. What better time to have a sure, reliable grip? And which discs tend to get away at the end of the flight due to a sharp fade? Just check the flight charts. The answer is fast, overstable drivers, of course. But the O-Lace is notably different.

When I took mine out to Pinto Lake, where the holes in the upper meadow all have fast fairways and OB lines left and right on every hole, that difference was remarkable. Thanks to that grip I felt I had full control as I put it through its paces. It handled both low flat screamers and big power anhyzers, always ending with reliable fade at the end. It netted just as much distance as any other similar disc in my bag. And probably the most useful feature on that course where discs so easily skip-and-slide out of bounds was the way it bit and stopped quickly even when landing fast on a sharp edge. I was able to throw much more aggressive drives on those open but dangerous holes, knowing that my disc would not skip fast and far on the hard terrain- unless the shot was designed to do so.

There is only one thing I don’t like about the O-Lace, and this goes for pretty much all Vibram discs: The variegated (definition: exhibiting different colors, especially as irregular patches or streaks) coloring of Vibram discs create two annoying problems. First, any disc that is not one solid, bright color is harder to find on the course. If you play in an area with lots of rough this is an issue. Second (and this is more of an annoyance than anything else), when you go to pull one of these discs out of your bag you naturally look for a disc of the predominant color on the disc. But if it has a different color on part of its edge, you may forget to look for that color as well and wonder why you can’t find the disc you’re looking for. I assume Vibram does the multi-color thing as a distinguishing design factor, but I’m hoping they someday soon give players a choice of solid or variegated coloring.

My suggestion is to try a Vibram disc if you haven’t already. And if you have room in your bag, consider an O-Lace for the unique qualities I’ve described. Sometimes you want that long skip, but just as often you don’t.

Lost discs: practical preventative steps to avoid that void in your bag

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Discs ain’t cheap- especially if everything you throw is premium plastic or rubber that runs $15 or more a pop. And we all own some that would fall into the category of ‘it’s not the money’; discs that are worked in just the way we want, discs that are out of production, in high demand, hard to replace, or have sentimental value. Equipment is part (albeit, in my opinion, a minor part) of what enables us to perform our best, and if our most important tool is suddenly gone, our game is likely to suffer.

For all these reasons, it makes sense to have a strategy to reduce the lost disc factor. Below is a collection of observations I’ve made over time and some changes I’ve made based on those observations.

Brand your discs like cattle

There is an unwritten rule in disc golf that a person is less obligated to try to find the owner of a found disc when it is completely devoid of a name, number, or identifying mark. So it naturally follows that unmarked discs get reunited with their owners far less often than those that are marked. But lets dig a little deeper. Everyone approaches labeling their discs a little differently, so what type of markings produce the best results in terms of getting back the lost little lambs?

This collection of discs from the author's bag show the consistency and readability of his 'personal branding'. Look closely, and you notice that some need a fresh coat, and the rare gummy Beast on top has the brand written backwards on the bottom so it shows correctly on top. Photo by Jack Trageser.
This collection of discs from the author’s bag show the consistency and readability of his ‘personal branding’. Look closely, and you’ll notice that some need a fresh coat, which they received right after the photo was taken. Photo by Jack Trageser.
  • Name and Contact Info- People who find your disc that are inclined to try to contact you personally can’t do that if you don’t put down some contact info. I used to list my email address in addition to my phone number but no one ever used it, so I just stick with the phone number. That way they can call or text, hopefully right when they find it. Both name and number should be large and clear on the top or bottom of the disc (not the inside rim). Make it big enough so it won’t get erased or obscured through wear-and-tear, it’s easy to read, and also discourages finders from becoming keepers (those who may be temped to erase it or write over it). In this photo of multiple discs, the lighter orange disc was lost, and a friend noticed my faded JACKT on a photo on eBay. The perpetrator had attempted to erase it but wasn’t quite successful (I re-did it, in a more creative manner for fun). Good thing, as I got that disc from Steady Ed himself and it still serves active duty as a finesse roller.
  • Personal Branding- This one has gotten me back numerous discs I would not otherwise have seen again. The key is to make sure the way you brand your discs is very consistent, and fairly large. People I play with even occasionally remember the way I write JACKT on the underside of all my discs, and get them back to me. I’ve had them spot my discs on the course, in Lost-and-Found, and even in the hands of other players! My favorite story along these lines was when someone I don’t know approached a friend of mine (RIP, Slingshot Steve) and asked “What do you think of this disc?” Steve, quickly spotting the JACKT, replied “I THINK it belongs to a friend of mine,” and snatched it out of the guy’s hand. The key is to come up with a way of writing your name that is readable, unique, and simple enough to replicate on each disc.
Even pretty see-through discs must be branded. The author writes backwards on the bottom so it reads correctly on top. Photo by Jack Trageser.
Even pretty see-through discs must be branded. The author writes backwards on the bottom so it reads correctly on top. Photo by Jack Trageser.
  • Practical over Aesthetics- Golf discs in your bag are there to do a job, not look pretty. I know it mars the beauty of a translucent disc to write your name on it in large, bold letters, but you gotta ask yourself what’s more important- Keeping the disc pristine, or keeping the disc . . . period? It’s like not wearing a helmet riding a motorcycle because you don’t want to mess up your hair. And no, I don’t think I’m over dramatizing (much) with that analogy- we’re talking about our discs here!

Natural (Disc) Selection

Whereas the first point dealt with retrieving discs from others who find them, this one concerns being able to find them after an errant throw. The color of a disc significantly impacts the chance of spotting it on the course. You players who frequent wide open courses, or courses where the terrain is all manicured, regularly mowed grass might feel they can ignore this section- but read on. Disc golfers love to travel to new courses, and chances are you’ll at some point play courses like the ones I frequent in Santa Cruz and Monterey, CA. Thick bushes and ground cover, tall grass and dense, gnarly trees abound, and that’s just on the fairways!

Seriously, though, playing here has forced me to take ‘spot-ibility’ into consideration when selecting discs. Whenever possible, I choose discs in solid, bright, unnatural colors. That way I can search for the color more than the shape of the disc. Kind of like those old natural selection experiments we read about in textbooks using white and dark moths and white and dark trees- except in reverse. The discs that stand out most are the ones that will survive.

Quick- how many discs do you see? Which one caught your eye first? Enlarge the picture if necessary. Especially when only the edge is showing, bright colors really make a difference. Photo by Jack Trageser.
Quick- how many discs do you see? Which one caught your eye first? Enlarge the picture if necessary. Especially when only the edge is showing, bright colors really make a difference. Photo by Jack Trageser.

Black, dark green, and any discs in earth tones that blend in with the terrain are obvious loss-risks (although manufacturers still make them and people still buy ’em). Another kind of easy-to-lose color is more surprising; even if the colors are bright and unnatural, tie-dye and really any multi-colored discs are hard to spot as well. The variegated patterns help them blend into nearly any background. Tie-dye shirts jump out at you, but not tie-dye discs. Go figure.

Bad Habits

We’ve covered a couple things you can do in preparation of playing to reduce lost discs. Now let’s examine a few habits and activities that tend increase the separation of player and disc.

Sometimes when we throw a really bad shot and know it immediately, it’s hard to watch. I really do think we sometimes turn away or cover out eyes not to be dramatic, but because it’s painful to see a well-planned shot gone bad. I’m guilty of this as much as anyone, and it’s a situation that sometimes leads to a lost disc. If I don’t see exactly where it lands I have less of an idea specifically where to start searching for it.

Where I play, hiding places are numerous and discs can get lost on even the most innocuous of throws. So I try hard to watch my disc closely, no matter how ugly the result. I try to remember to commit where it lands to memory, and if it disappears from sight before it comes to rest, I try to note the trajectory and some type of nearby landmark as a reference point to begin the search. The word ‘try’ was in italics because occasionally I note those things but forget them immediately, making the whole exercise pointless. The trick is to pay attention to where your disc goes and retain that information until it’s time to look for it.

Here’s another one. Ever thrown a drive – maybe just before dark, or warming up for a tournament right before it’s about to start – and get the impulse, because of the unsatisfactory results, to throw one more? A little voice warns ‘Don’t do it!’ but you ignore the warning, launch the disc, and almost immediately regret it. A disc golf version of ‘one too many’, it seems the odds of losing the disc in situations like this for some reason dramatically increase. The only advice here is to listen to that little voice, and remember that as Shakespeare wrote in Henry IV, ‘discretion is the better part of valor’. Let that disc live to fly another day.

A variation of this affliction is known as ‘throwing the bag’, in which one is impelled to throw every disc in one’s quiver- usually on a particularly awe-inspiring hole. Two things can go wrong here: Either you throw so many discs that you forget one in the search-and-rescue effort, or you throw so many that the odds that at least one gets lost increases. If you can’t resist throwing multiple discs on an irresistible hole, try to note and remember the location of each disc you throw. The odds that one of your babies gets lost on its own won’t go down, but at least you won’t arrive at the landing zone with that ‘uh-oh’ feeling.

The subject of playing new courses while traveling was mentioned above, but is worth revisiting. If you’re playing a course you’ve never played before – especially if you’re just passing through and likely not to return any time soon, and especially especially if you’re playing solo – consider leaving your most precious discs out of the bag. When you don’t know the course it’s much easier to lose a disc, and when you’re solo the odds of finding it go down. Having a local as a guide helps quite a bit, but if you do lose a disc on that faraway course, odds of having it returned are not great. Instead, bring some ‘stunt doubles’ that won’t hurt as much to lose. Your score may suffer a little, but that sting is temporary compared to the loss of a key disc.

As a side note, it should also go without saying that being in an altered state of mind is often a contributing factor to lost – or forgotten – discs. To each his or her own, but play straight-edge and you’ll be amazed at how many fewer discs you ‘lose’. Disc golf should be enough in and of itself, anyway.

Golfers can easily get attached ( and that’s an understatement) to their equipment. The difference is, ball golfers bond with clubs but it’s the balls that go flying away into the horizon. In disc golf, there is only the disc- and us disc golfers can bond with one mighty quick. If I can prevent just one separation of player and disc, then this post was worth the effort.

Subtraction by subtraction: Eliminating these mental errors will lead to lower scores

The term ‘addition by subtraction’ refers to the potential for improving something by removing one or more variable from the equation. In a sports context it’s normally applied to a scenario where the elimination of a negative factor (an under-performing player or negative influence on a team, for instance) results in some type of improvement. But in golf, less is more, right? We want those scores to go down, not up. Therefore, the title of this post is Subtraction by Subtraction. Same concept, but embracing the points below will result in strokes being subtracted from your average score. Got it? Okay, here we go!

Those angry, bitter second-attempt putts

When a missed putt is followed in rapid succession with another, almost always harder putt out of anger or disgust, nothing good can come of it. The thought right before that action is taken is usually something along the lines of “I can’t believe I just missed that #*$^@* putt!” The specific reason that anger translates to firing another disc at the basket has never been scientifically proven, but I suspect it has to do with the general desire to throw something at something when frustrated.

The problem is that this rash act is detrimental to one’s game in a couple different ways. First of all there is the issue of emotional control. Getting overly excited (due to negative events or positive events) is likely to take a player’s focus off of where it needs to be. Decisions then get made based on emotions rather than logic, which is not a good thing. That tendency is always lurking in the shadows if not already romping around freely, and an emotional outburst is like a size 14 wide foot-in-the-door.

It may be easier to stay calm in Hawai'i, but angry second putts are never a good thing. Photo by Al Schwartz.
It may be easier to stay calm in Hawai’i, but angry second putts are never a good thing. Photo by Al Schwartz.

The other issue at play here is the fact that players who make this mistake are in essence reinforcing bad technique- unless firing the putter with extreme malice is how he always putts. Regardless of whether the rash second putt goes in the basket or not, it serves no constructive purpose since it isn’t representative of the players ideal form and tempo. If you’re playing a casual round or a match play event where practice putts are not prohibited, and you take an extra putt or two not as an angry reflex but because you immediately recognized a flaw in your putt and want to iron it out, that’s completely different. In that case the behavior is constructive and completely fine.

Second guessing vs. analytical reflection

As a general rule, the proper thing to be thinking about during a round of disc golf is the next shot. Any other thoughts are unproductive at best, and capable of downright sabotage at worst. But we are not machines, and our minds will go where they will go. The trick is to recognize when it has wandered into the wrong zone and guide it back to the right one: the next shot.

And briefly reflecting on the shot just thrown is a good practice, as long as that reflection is brief and of an analytical nature rather than simple second guessing. Personally, I like to capture the details of the shot and the results like a snapshot in my mind, move on to the next shot, then analyze the notable ones (good and bad) later after the round. Whether you do it briefly during the round, afterward, or both, the key is to approach your review and appraisal in a constructive frame of mind. Collect information rather than passing judgement.

Why did the disc fly that way? What should I do differently next time? Second guessing is just dwelling on the past. If your reflections on an errant throw stop there they serve no constructive purpose, and worse, erode confidence in both your skills and your decision-making. Instead, use every throw as an opportunity to add to an ever-growing database that helps you benefit from each disc golf experience.

Selecting shots based on wishful thinking

A major element of playing smart golf is to know your own game. Don’t confuse confidence with wishful thinking. You may really, really want to clear that lake with your drive, but if your longest throw ever was 350 feet in perfect conditions and a 345-foot drive is required to reach the opposite shore it probably isn’t the wisest choice. Smart golf is about, to loosely paraphrase Clint Eastwood, knowing your limitations.

A big part of game management in golf is being able to quickly assess the percentages for any given shot. What is your chance of successful execution? What is the reward if you do- and the repercussions if you don’t? If you’re not able to make a realistic and sober assessment of your own capabilities, assessing accurate odds on a shot is nearly impossible.

Selecting shots based on another player’s throw

A similar and fairly common error that is even more insidious in the way it can creep into one’s thoughts is letting the shot of another player influence decision-making. This can happen on drives, putts and anything in between. Sometimes it’s seeing someone else get big distance then overthrowing to equal it. Other times it’s seeing a different approach or route and reconsidering what you had planned. And yet others it’s pure, uncomplicated ego. You were planning to lay up a tricky 35-foot putt, but the other guy goes for his that happens to be five feet longer and just as risky- and nails it.

Make a decision and stick with it- despite what the other guy does. Photo by Jack Trageser.
Make a decision and stick with it- despite what the other guy does. Photo by Jack Trageser.

In some of these situations the alternative actually makes sense, but all too often last minute changes-of-mind based on another player’s shot result in disaster- regardless of whether they make sense or not. Trust your own instincts and play your own game. It’s you against the course (and the occasional unruliness of your own mind). Sometimes actually sticking to this advice may require drastic measures. There have been times where I’ve been grouped with players that all had more power off the tee than me, and I purposefully didn’t watch their drives so as not to be influenced!

The ‘ol Over-Correct and the ol’ Double-Adjust

Everyone is guilty of this one at one time or another, and correcting it is not so much a matter of eliminating a bad habit as increasing awareness of when it’s most likely to happen.

Some ‘mis-throws’ stick with me longer than others, and I’m guessing I’m not alone. And when I am faced with a similar circumstance with that mistake fresh in my mind, the overriding thought in my mind is ‘don’t make the same mistake this time’. For example, I might have tried to throw a neutral-stable disc with an intended flight path of flying straight for the first half of the flight and then turning over the rest of the way without coming out and hyzering back at the end. Instead, the disc turns over too soon and flies right into the trees I intended to get past then curve around.

The next time I’m faced with that same shot or a similar one, I remember the earlier mistake and am focused almost exclusively on not repeating it. There are two different reactionary flaws that can result from this: the ‘ol over correct and the ol’ double correct. The over correct is a scenario that is usually immediately apparent to the player when it happens- like chucking the disc 50 feet past the basket on a short hole because it came up 25 feet short the last time.

The ‘ol double correct, on the other hand, is a little more complex. Consider the example above- the one where the disc turned over too soon. With this shot, there are a number of different ways I might try to affect a different outcome. I could start the disc on a more conservative line, or give it more elevation, or less spin . . . or even throw a different disc. Any one of these might work, with the key word being ‘one’. Sometimes rather than thinking sharply and clearly about the problem and arriving at a specific solution, I let all of those possibilities float around in my head and end up employing two or more of them. For instance, I might throw the disc a little higher and take a little off of it, resulting in a shot that never turns over at all.

The central theme in this type of mental error, and the habit to avoid, is focusing on the mistake rather than the necessary elements of the same shot executed correctly. Turn ‘don’t do this’ brain commands into ‘do this’ commands. And that brings us to one final point, the broader problem of negative brain commands.

Negative brain commands

These come in many different flavors (including the ones just mentioned), but my favorite example is thinking to yourself ‘don’t hit that tree’. The better objective, of course, is ‘throw the disc right in the middle of that space between that tree and the bushes to the left of it.

If your thought is ‘don’t hit that tree,’ the brain, for some reason can’t process it successfully. Either it just hears the last three words (‘hit that tree’), or it can’t discern the logic of not doing something. It knows that the only way to be certain to not hit the tree is to not throw the disc. Yet the disc must be thrown, so it turns more into a hope than a confident plan. Out of all the mental errors listed here, this one might be the simplest to catch and correct. Whenever you notice yourself speaking or thinking about shot selections and objectives phrased in the negative (hint: the word ‘don’t’ is almost always involved), take the time to replace it with the positive alternative.

All of the things listed here are logical and difficult to argue with, I think, but agreeing with the logic doesn’t make it easy to eliminate the mistakes. The best advice is to learn to be more conscious of all the thoughts floating through your head and find ways to replace them, or better yet prevent them from showing up in the first place. The example I gave of not watching my competitors’ drives so I wouldn’t automatically overthrow trying to match them is only one of the little devices I’ve created. For me, overcoming these mental flaws is half the fun of the game.

All things disc golf. Dot com.

This website serves as the home of School of Disc Golf, a disc golf instruction and event organization based in Santa Cruz, CA. To the broader disc golfer community we’d like to think that we’re also a good source of instructional and opinion posts. As stated in our mission statement, School of Disc Golf “strives to provide the  information and resources necessary for organizations and individuals to embrace the sport of disc golf in healthy and meaningful ways. Our ultimate goal is to inform as many people as possible about the numerous benefits of disc golf.”

We seek to reach the largest audience possible, and to that end have in the past also published posts at RattlingChains.com. The partnership has worked well for both sites, but in keeping with our mission statement (‘inform as many people as possible about the numerous benefits of disc golf’), we’ve decided that change is in order. We thank RattlingChains for a great run together and wish them nothing but the best in the future.

Moving forward, School of Disc Golf posts will appear at the rapidly expanding All Things Disc Golf. This site is the undisputed leading disc golf blog in terms of page views and unique visitors, and until now its content has consisted mainly of product reviews and Q&A interviews. The new affiliation of School of Disc Golf is only one facet of All Things Disc Golf’s expansion that will add instructional content, feature stories, increased tournament coverage, and contributions from several talented graphic artists. You can read the detailed announcement here.

We’re excited to be part of a larger effort to reach the masses with the great story that is disc golf, and as always School of Disc Golf will continue to also focus on helping those who already love the sport improve their skills, scores and enjoyment.

5.5 different reasons to practice putting in disc golf

Conventional wisdom says putting is a crucial facet of any successful  golfer’s game- and conventional wisdom is correct. No one who has ever spent a round crushing long, accurate drives only to score poorly because he couldn’t hit a putt would argue. Yet few players practice putting with a purposeful, regular routine.

If you’re reading this you are likely someone that has at least a moderate desire to shoot lower scores on the disc golf course. Therefore, if you’re not systematically working to improve your putting skills and consistency, the question is why?

One logical answer is that you’ve never heard a specific reason or reasons that resonated strongly enough with you personally. It’s one thing to agree with the logic in a general, vague sort of way and quite another to be able to connect the dots with a straight line that leads directly to a result you value highly. Therefore, the below 5.5 reasons to practice putting in disc golf are presented as a means of motivating more players to create and stick to a putting practice routine.

1. Getting better & scoring better

This is the main reason to practice anything in sports. The bottom line. The ultimate quantification to judge whether practice is translating into desired results. It’s also where most players’ understanding of why they should practice begins and ends. In this case, we practice putting because the better the putting success rate in a given round, the lower the score. This is observable, cause-and-effect, incontrovertible truth. Hit the putt and you’ve successfully completed that hole and can move on to the next one. Miss it, and (at least) one more stroke is added to your score.

Which brings us to the relationship between practicing putting and improving one’s putting success rate in actual rounds of disc golf. Have you ever thought beyond the fact that practicing something makes you better at it, and asked yourself why? In golf, due to its unique psychological components, the explanation goes much deeper than simple cause-and-effect. Consider the next 4.5 points, which are really sub-points to this first no-brainer. Also, take note of how they either build on or connect to the other sub-points as well as this first basic fact.

2. Confidence

Naturally the more you practice something, the better you should get at it- with ‘better’ in this context being defined as being successful more often (making more putts). Nothing gives a person confidence they can accomplish something like knowing they’ve accomplished it many times before. Therefore, practice should result in improvement, improvement is defined by more made putts, and more made putts will naturally increase confidence in future putts.

The second part of the maxim ‘Practice like you play, and play like you practice’ alludes to this. If you’ve put in the practice hours and repeatedly experienced what it feels like to hit that 20-footer, when it comes time to do it in a round you’ll be armed with greater confidence. ‘Play like you practice’ is meant to be a reminder during a round that you’ve made this putt many times in practice, so just do now what you do in practice.

This point probably isn’t a big revelation to you either. Naturally experiencing more and more success will give a person increased confidence. But what, specifically, does that mean? Are there additional, ‘collateral’ benefits as well? Turns out there are!

Practice results in confidence, and confidence results in more made putts. Photo by Rebecca Stark.
Practice results in confidence, and confidence results in more made putts. Photo by Rebecca Stark.

2.5 Stress reduction/emotional energy conservation

The mental game is key to success in any sport, and in golf it’s nothing short of crucial. Confidence is one component of a good mental approach to golf, for reasons stated above. It gives a player the belief she can make the putt she’s about to attempt, enabling her to credibly visualize the successful attempt. But it also benefits the player through something that it eliminates or greatly reduces- namely stress.

Players who get emotionally invested in a competitive event (tournament, tag round, whatever) have a palpable yearning for success on each throw. With that comes an equally strong negative reaction when things don’t go well. Without confidence, this translates in putting (especially on putts we think we should make) to a dread of missing. Being able to conjure up the memory of thousands of made putts of the same distance during practice time and previous rounds acts like Valium or Xanax on this kind of stress.

This is very important over the course of an entire round, much less a tournament spanning three or four rounds! Playing focused golf for hours at a time requires an enormous amount of mental focus and emotional energy, and stressing out over every throw quickly takes a toll. Practice results in confidence, and confidence results in less stress (and less misses, which also means less stress).

3. The inverted pyramid effect on shot selection

Smart disc golfers always consider the ramifications of the next shot before they decide on a disc, route, or approach. A basic example would be a right-handed player throwing backhand not choosing a super overstable disc on a left-to-right dogleg with a lake all along the left side of the fairway. That’s using logic to determine that a disc which will hook left into the lake is not a smart play. This logic extends to other variables as well, and the player’s capabilities should always be among them.

This inverted pyramid illustrates how all other types of disc golf shots are dependent upon and affected by one's putting game.
This inverted pyramid illustrates how all other types of disc golf shots are dependent upon and affected by one’s putting game.

In this sense shot selection is like an inverted pyramid with putting at the tip of the pyramid and driving at the base (which in this case is on top, since it’s inverted or upside-down- see illustration). With each shot selection determined at least in part by what the player is realistically able to execute on the following throw, the options on an upshot and sometimes on a drive are based on the player’s putting ability. Consider the following example:

You shanked your drive on a par 3 hole into the rough, and are looking at numerous trees and bushes between you and the basket, which is only 80 feet away. There are several routes to consider, with none of them being routine. You’re obviously hoping to get up and down for a par. If you have confidence in your ability to hit putts from 25 feet and in, you can imagine a 50-foot diameter circle with the basket in the center, then look for the highest percentage route that gets you anywhere within that circle (route B in the diagram).

In this diagram, route A can get you right to the basket, but it'll be tough for even a very skilled player to pull off and odds of execution are small; Option B is a more realistic option in terms of executing the shot, but will only get you within 25 feet of the basket.
In this diagram, route A can get you right to the basket, but it’ll be tough for even a very skilled player to pull off and odds of execution are small; Option B is a more realistic option in terms of executing the shot, but will only get you within 25 feet of the basket.

If you don’t have any confidence in your ability to make putts (but still hoping to save par), you’ll instinctively limit your consideration of routes to one that will let you get right to the basket (route A)- even if the odds of executing that upshot are small.

So in this case, practice results in confidence, which in turn results in more options on the preceding upshot, which results in choosing a higher-percentage shot, which results in a putt you can make due in part to confidence, due in large part to practice. And to take it a step further, the stress reduction mentioned in 2.5 also applies to your reaction to shanking your drive, because you had the confidence that you’d at least save par due to the fact that your upshot only had to get within 25 feet of the basket (hey, you hit those putts all the time in practice!). That’s the inverted pyramid on shot selection.

4. Psychological warfare (but the pacifist kind)

Disc golf is a played largely within your own mind (see famous Bobby Jones quote), as it’s just you against the course and the elements. It never pays to get wrapped up in what competitors are doing or saying, or how they are playing. Competitively, when it comes to other players the best thing you can do find is a way to enclose yourself in a bubble and allow only neutral interactions with others inside (like reporting scores on a hole, or responding politely but succinctly to casual chit-chat). If others can’t help getting wrapped up in you and your game, though, it’s no fault of yours. And the truth is, some players (to their detriment) allow their game to be affected by the play of others.

When such players see a competitor who not only hits most of his putts but seems to know he’s going to hit the putt as soon as he places his mini on the ground, it can get to them.

In this case practice leads to confidence, confidence leads to less stress, less stress leads to a calm, controlled demeanor, and that ‘never let ’em see you sweat’ demeanor leads to added stress for the other guy. Don’t feel bad! It’s not like you were trying to psyche the guy out. You’re just playing your game. What he perceives and how he reacts is his deal.

5. Muscle memory

This one has much more science to back it up. The Wikipedia entry for muscle memory has a great, succinct definition of the term which says in part “When a movement is repeated over time, a long-term muscle memory is created for that task, eventually allowing it to be performed without conscious effort. This process decreases the need for attention and creates maximum efficiency within the motor and memory systems.” Go to the wiki page if you want to understand exactly how it works, or just accept it as fact. The more you practice something (assuming you get to the point where you’re doing it correctly and getting the results you want), the easier and more automatic it will become. In a sense, muscle memory is part of the confidence that grows from practice, or at least it is the fertile soil that gives it the best chance to grow.

I guess there is one more reason to practice putting. Fun! Have you ever seen the bumper sticker that says ‘The worst day fishing is better than the best day working’? If you love to play disc golf, committing 15 minutes a day to practice putting in a purposeful way can’t be too much of a sacrifice. This post isn’t about what kind of routine yields the best results, or which routine makes it the most fun or interesting. This is all about helping you to understand the many reasons it’s worth the while.

Bringing some Ben Franklin wisdom to disc golf: When in doubt . . . don’t!

“When in doubt . . . don’t.”

Golf had barely made its way to the United States during Benjamin Franklin’s lifetime, otherwise I’d be inclined to think that the above quote, taken from his Poor Richard’s Almanac, came to him while playing a round. I also believe that Franklin, if born into a world where both ball golf and disc golf existed, would undoubtedly have chosen the later. Add that to the long list of reasons why he is by far my favorite among the founding fathers.

I could write an entirely separate post listing and elaborating on the reasons he would favor disc golf – chief among them it’s accessibility to people of all classes and the endless intriguing flight path possibilities of a flying disc. But that is for another day. Let’s focus on that quote, and how it applies to disc golf.

When in doubt . . . don’t.”

I like to think the best interpretation of this nugget of wisdom in the golf world is this: In order to execute any shot successfully – and especially the most difficult ones – 100 percent conviction is a must. You can’t be waffling on which way to play it and expect things to turn out well. Let’s look at a couple examples:

Example 1

You’re 30 feet away from the basket with a downhill putt where the terrain continues to slope down behind the basket with a lake at the bottom. You know this hole well, and as you approach your lie you think of the many times you’ve hit this putt and others like it.

Despite the treacherous backdrop, you’re thinking ‘go for it. I got this.’

You place your mini on the ground and begin to line up for the putt when thoughts of the possible results of a miss begin to creep into your mind.

A player attempts a comeback putt on hole 18 at Winthrop Gold in Rock Hill, SC after missing his downhill birdie run. Photo by Jack Trageser.
A player attempts a comeback putt on hole 18 at Winthrop Gold in Rock Hill, SC after missing his downhill birdie run. Photo by Jack Trageser.

“If I miss the basket entirely I’ll probably roll away down the hill. But maybe not . . . but, probably . . .  “

“A soft, lofty putt will be less risky.”

“If I make this I’ll be leading two two strokes, and if I take a bogey here we’ll be tied.”

All of these thoughts would qualify as doubts, or at least distractions that arise from doubt, that if present in your mind as you’re about to attempt a shot should throw up a huge red flag that reads “DON’T!”

Example 2

Your drive on a fairly wooded par 3 hole smacks an early tree and comes to rest in a spot that leaves you with two clear options. The first is to pitch out safely through a wide gap to your left, which will leave you with an easy upshot of 80 feet. The other option is a narrow gap in the trees directly between you and the basket 100 feet away that you believe you can get through cleanly. You want to save par, but you’re not quite decided yet and now it’s your turn to throw. You need to make a decision right away. The following thoughts float your brain in rapid succession:

“I don’t want to just concede the bogey .  . . I can hit that hole! If I don’t get through cleanly, I might not even be able to get up and down for a bogey . . . If I do hit that hole, how long will the putt for par be? I think I can get through that gap, and then I’ll at least have a chance to save par . . . “

Choices abound on this shot. Hit an early branch and this player may be just as stymied on his next shot. Whatever he decides, there is no room for doubt. Photo by Jack Trageser.
Choices abound on this shot. Hit an early branch and this player may be just as stymied on his next shot. Whatever he decides, there is no room for doubt. Photo by Jack Trageser.

In this case your initial reaction was likely based on emotion more than analysis. You’re ticked off that you hit that tree and want to save par to ‘erase’ the mistake, so your first impulse is to look for how that might be accomplished (“I can hit that hole!”) As your logical brain has time to process, though, it begins to come up with reasons why the risky option isn’t the best choice, and these reasons represent doubt.

Example 1 and example 2 are both situations where it would be wise to take Benjamin Franklin’s pithy advice of ‘When in doubt . . . don’t’. There are differences between the two, but also one important similarity.

In example 1, the choice is clear-cut: either go for it and risk the roll-away, or play it safe and lay up. You initially intend to go for the birdie, which may or may not wise in and of itself. But good or bad judgement and game management are not the issue here. We’re talking about doubt, and once you’ve made your mind up any doubt that creeps in needs to be acknowledged and acted upon. Nine times out of 10 this means stepping back and switching to the safer play. (On that 1-out-of 10 exception, when it’s a shot you really need to make or should have no problems with, you still need to ‘own’ the existence of the doubts and do your best to clear your mind of them and recommit to your choice.)

In example 2, you haven’t ever really made your mind up. You’ve been debating the options from the time you saw your lie until right before you’re expected to throw. You’re trying to talk yourself into the risky play due to an emotional response, but the logical side of you demands to be heard as well. I suppose this is more uncertainty than doubt, but it amounts to the same thing: attempting a shot without full commitment and attention, when it requires both.

In both cases, as with every shot in golf, successful players follow a specific sequence for every shot: First evaluate the situation and options, next make a decision and commit fully to that decision, and finally, execute that decision with 100 percent conviction and focus. You can’t expect to be consistently successful unless you do all three, in that order. There will of course be times when doubt creeps in. One’s own thoughts are slippery and hard to harness. But when that happens . . . when in doubt . . . DON’T!

Remember, ‘discretion is the better part of valour.’ Wait, that’s Shakespeare’s quote, not Franklin’s, so forget I mentioned it.

If you want another Ben Franklin quote that can be applied to golf, consider ‘Honesty is the best policy’ or ‘He that is good for making excuses is seldom good for anything else’. I’m tellin’ ya, Ben Franklin would have loved disc golf.

A secret ingredient of putting power

Notice that the title of this post is not ‘The Secret of Putting’. There are simply too many mental and physical aspects to good, consistent putting for there to be some ‘secret’ that once discovered instantly turns a weak putter into a good or great one. If anything, the best advice is the one players often like to hear the least: practice.

But we’re not talking about flour and water here. Those are major components to making bread, but the secret ingredient is yeast. Without the yeast the bread won’t rise, and if it doesn’t rise, well, it’s not really bread, is it? Secret ingredient.

The same goes for putting in disc golf. You can propel a disc toward the basket any number of ways, and it’ll even land in the basket once in awhile. But if you want a putt that seems to zip out of your hand, go further and hang in the air a little longer than your effort warranted, you need some nice tight spin. And believe it or not, there’s a pretty simple modification you can make that will help you get it.

Illustration A: This is a standard fan grip viewed from above. If your hand is on the side of your disc - like this - when you are putting, you're wasting a good deal of potential snap. Photo by Jack Trageser
Illustration A: This is a standard fan grip viewed from above. If your hand is on the side of your disc – like this – when you are putting, you’re wasting a good deal of potential snap. Photo by Jack Trageser

Illustration A shows a player holding a putter with a typical fan grip. But notice where the hand is located in relation to the disc, and pay particular attention to the straight wrist. Now grab a putter and simulate your own putting form. Look down at your hand, wrist and the disc. If your hand is alongside the disc, as it is in Illustration A, and your wrist is mostly or completely straight, the good news is that your putting game is about to get better.

Now check out Illustration B, paying attention to the same elements examined in the first picture. What do you see? (I’ll give you a few minutes to make the discovery on your own. People supposedly learn better that way) . . . . . . . . . . .

Illustration B: The wrist is cocked here, meaning that it is bent. Also, the hand is in front of the disc, creating much more natural spin upon release. Photo by Jack Trageser.
Illustration B: The wrist is cocked here, meaning that it is bent. Also, the hand is in front of the disc, creating much more natural spin upon release. Photo by Jack Trageser.

Okay, time’s up. Do you see the difference? In Illustration B, the hand is holding the front of the disc as opposed to the side, and the wrist is cocked so that it is actually in front of the hand.

This simple adjustment, assuming that you keep the wrist cocked the entire time and follow through properly on your putts, will add a significant amount of spin to your putt. The disc will fly smoother (due to a tighter spin) and farther (due to more spin) with the same amount of effort.

The best part about this technique is that you don’t have to think about ‘snapping’ your wrist during the throw. As long as you keep your wrist cocked and follow through after the release, the snap happens automatically. Come to think of it, that is probably where the term ‘cock your wrist’ came from. It’s obviously an analogy borrowed from firearms (as in cocking the gun), where the striking hammer is pulled back and set in a poised position, so that a trigger-pull makes firing almost instantaneous.

If you cock your wrist properly, you should see the difference in spin and power right away. Like anything else, this may feel weird at first, but practice will take care of that. If it’s affecting your aim and causing you to ‘pull’ your putts (to the right of the target for RHBH, and to the left for lefties), there are two probable causes: either you are thinking about trying to snap your wrist as you putt (which, remember, is not necessary if you cock your wrist properly), or you are not following through correctly- or both. That’s an entirely different issue which is addressed in detail in a past post, but it’s an essential component of this overall wrist-cocking technique.

If you like things boiled down to a few main points to remember, here they are:

  • Cock your wrist so that your wrist is bent and your hand is in front of the disc
  • Keep your wrist cocked throughout the putting motion
  • Follow through straight at the target, finishing with a straight arm, straight wrist, and even stretched out, straight fingers

Try this out, and let me know if it works for you. Like any secret ingredient you have to ‘mix thoroughly’ into the main components- and in this case that means, yes, practice. But before you know it you’ll get to the point where cocking your wrist comes automatically, without thinking about it.

Disc Review: Vibram UnLace

When I started playing disc golf there was no such thing as ‘premium’ plastic. All discs were of the grade we now think of as standard (Innova calls theirs DX). For those who have thrown nothing but the ‘good stuff’ (most players who have taken up the game more recently and can afford the good stuff, you likely missed out on a great developmental tool.

You see, low-grade plastic discs become steadily more understable the more they’re used and inevitably whack trees and other hard surfaces. So that favorite stable driver of yours would become a little less stable over time, than even more ‘flippy’, and finally it would want to turn over all the time. But smart, observant players wouldn’t throw it on the scrap heap. Yeah, they might replace it with a new, more stable driver, but they’d leave Old Faithful in the bag because A- by then they’d become very familiar with its flight characteristics, and B- it would be able to perform a neat trick: start off as a low of mid-height hyzer, then flatten or even turn over a ways down the fairway. If you’ve ever (as a righthander) played a hole that is a low tunnel shot for 150 feet, then requires a a throw that turns right at the end. you know how useful this can be. Especially if your sidearm is less reliable.

Which brings us to the Vibram UnLace. For more accomplished, bigger-armed players, it’s a turnover disc that when thrown with the proper touch and finesse can be made to do all kinds of neat tricks. And the best part is that, unlike those old beat-in standard plastic discs from the pre-Climo era, it’s made of durable (read: indestructible) Vibram rubber. That means it won’t change once you’ve gotten used to it and learned how to get it to do those neat tricks.

I’ll admit that I’ve had it in my for a couple weeks now and still haven’t quite figured out the exact blends of power, hyzer, and line to get it to turn just when I want- but these things take time. Another plus is the better grip that rubber brings. That’s even more important when throwing touch shots.

I haven’t had time to get to know the UnLace like I hope to, but I’m a strong believer in the greater flexibility of understable discs when it comes to crafting mind-blowing, creative shots. I look forward to getting to know this baby and really learning what she can do.

This review also appears as part of a review over at RattlingChains.com. The approach we take for reviews on that site is to have three players with different levels of expertise review each disc, so hopefully readers get the perspective of someone with a game similar to theirs. You can read the full review here.

Part 2: Two univeral truths and 7.5 tips to help you improve your putting game

If you haven’t already read the first 3.5 tips (and two universal truths) presented in this two-part post on improving disc golf putting from the neck up, click here now and read Part One before you read this one. Then click the link at the bottom of that post to come back here!

4. Follow Through. Really, really follow through! Think about all the pictures you’ve seen of pro players having just released a putt. I guarantee that most of them will show a player with his or her arm extended almost perfect straight, and with all fingers and even thumb rigid and reaching out toward the target.

Team DGA captain Jon Baldwin demonstrates perfect follow-through. Note how his arm and even fingers all point straight toward the target. Photo by Mark Stiles.

Follow-through is an important aspect of mechanics is many different sports, especially those that include throwing a disc or ball. The benefit is two-fold: the best way to ensure consistent aim is to extend toward your target in an exaggerated fashion, and doing so will add a smoothness and extra bit of momentum that increases power and speed just enough to make a difference. I’ve had too many putts to count barely go in where I noticed as I brought the disc forward that my grip was a little off or I wasn’t providing enough speed, and compensated by following through as strongly as I could.

This might be tough to do right away as it requires developing muscles in a different way. But this short video tutorial demonstrates an exercise that will help you understand the concept as well as develop the form.

5. The formula for balancing commitment and confidence with intelligent game management. A big part of good putting is making a decision, then committing fully to that decision. But that doesn’t have to be a black-or-white, all or nothing equation. Think of it more like a sliding scale- or rather two sliding scales. On the first one you’ve got the difficulty of the putt itself: how long is it? What’s the wind doing? What obstacles do you have to navigate past? The second one measures the possible negative outcomes that may result if you miss the putt. Roll-aways are one of the most common of these, along with OB near the basket, and obstacles that might impede your comeback putt.

Players who simply decide to go for it or not lose strokes by not adjusting their approach in a more granular fashion. If you assess your odds of making an 80-foot putt at only 40 percent, but it’s a pretty flat, grassy field, you should be able to make some kind of run at the basket provided you throw the disc on an arc so it’s falling downward and sideways as it approaches the target. On the other hand, if you think you think your odds of hitting a 35-footer with a lake five feet from the basket are 60 percent, you’re taking a pretty big risk going for it rather than laying up.

I’m not a math person (far, far from it) but I’m certain that there are some advanced calculations going on behind the curtain in my head as I assess shots. I imagine they’d look something like this written out:

Where X is the probability of making and putt, and Y represents the odds of a miss resulting in taking an extra stroke or more, then X + Y = a ratio that tells me how much weight will be given to trying to make the putt versus making sure I can hit the comeback putt. For purposes of illustration, this ratio will be a scale between 0-100, with 100 being the most aggressive, go for it putt and zero being a complete layup.

If I have a downhill 40 foot putt on a windy day with hole 7 at DeLa in the long position, my equation would be something like .50X + .60Y = a go for it/play safe ratio of zero on the 1-100 scale. In other words, in that case I deemed the odds of something bad happening to high to go for a putt that I only had a 50/50 chance of making.

(remember I said I’m not a math guy, so don’t go telling me that .50 + .60 = 1.1. This isn’t real math.)

Another example: I’m at hole 6 at DeLa, 25 feet from the basket, which is in the long pin position right next to an OB road. I estimate my X value to be .85, and the Y value is .70 since missed putts here seem to end up in the road more often than not. What this results in is a putt where I go for it (since I’m very confident that I can make it), but with lots of touch and loft so if I don’t get it in it’ll have a good chance of staying safe. A go-for-it/play safe ratio of 76.

6. Use – but don’t abuse – those chains. Assuming you’re playing on a course with baskets, there is a specific firmness of a throw or putt that will give your disc the best chance of ending up in the basket. And just like the Three Bears’ beds to Goldilocks, it’s not too hard, or too soft, but just right.

Steady Ed Headrick designed the original Pole Hole to absorb the momentum of a flying disc. However, throws that are too weak or too hard have less chance of letting the chains do their job.

Steady Ed designed the chains in his Pole Hole to ‘catch’ the disc- in essence to arrest the momentum of the disc then drop it into the cage. There is a specific optimal firmness or speed of a putt where the chains perform this function the best. It’s hard to describe this exact optimal firmness, but when thinking about it now I think one of the best ways is through the sound the chains make when a perfect putt hits them and falls in. It’s full and musical, with a slightly delayed a smaller sound as the disc drops down into the cage. Putts that are too hard sound more violent, like loud cymbals, and putts that are too soft remind me of a bowling ball hitting only three pins.

The other reason to develop a putt with ‘just right’ firmness lends itself to a more visual description. The chain assembly of a basket is designed for the thrower to aim at the pole in the middle. If you’re thinking more about ‘tossing the disc into the basket cage you’re ignoring this design intention and also likely throwing a disc that approaches the basket falling away at a bad angle. Putts like this – even decently aimed ones – can tend to glance off outer chains and slide out to the weak side.

Conversely, putts that are too hard can penalize the thrower in a couple different ways. As the chains are only designed to reliably catch discs thrown up to a certain speed, harder putts tend to ricochet more violently and have a great chance to either bounce right out or blast right through before they can be ensnared. This can even happen to hard putts that are perfectly aimed. And of course a hard, line drive putt that completely misses the basket with end up further away.

7. Learn your range. This tip is more of a game management tip for those playing in a format where score is important. Also, it could be considered 5.5 as it really is a building block for employing Tip 5.

You are hopefully getting a little better the more you play and practice, but at any given moment in time you have a very specific range- or as described in Tip 5 the probability of making a putt. The key here is to be in tune with your range and base shot decisions on that range rather than your desire, or what you wish your range was. It’s situations just like this for which the term ‘wishful thinking’ was coined.

Humans, being emotional creatures, can easily let emotions and ego factor into decisions that really should be made in a completely Dr. Spock-like, logic-based manner. Knowing your range is all about boiling down putting decisions to nothing but a cold, detached assessment of your own capabilities. Not as easy done as said, I know.

And to make it even harder, our range is subject to wide variances from round-to-round or even hole-to-hole. Sometimes I’ll realize a few holes into a round that for whatever reason my putting game is just not there yet. Or maybe I realize that my back is a little stiff and it’s affecting my form. So on a putt I may usually go for aggressively, I’ll take also take these temporary factors into consideration and just lay it up.

Knowing your range means being realistic about where your general putting game is and making decisions accordingly, but it’s also about being in tune with the minor variables that pop up in the moment and adjusting to those accordingly as well.

Two univeral truths and 7.5 tips to help you improve your disc golf putting game

Anyone who plays golf of any kind understands putting is a big part of the game. But surprisingly, most don’t take the time to develop the systematic approach required to produce real, lasting improvement. That’s good news for those who are willing to do so- assuming you’re interested in an advantage that directly translates to lower scores and more fun (because, you know, missed putts = NOT fun).

As the title of this posts claims, we’ll examine 7.5 ways to help you in this regard, but first, a good way to start is by recognizing that there are two universal truths in regards to putting in disc golf (and ball golf, for that matter):

  1. Consistent putting is a major component to consistently scoring well in disc golf
  2. More than any other element of the game, good putting requires a solid, well-developed ‘mental’ game.

The first point is important if you play tournaments, leagues, or any other type of competition where scores are accumulated over numerous rounds. You may shoot a hot round (where you’re ‘in the zone’) every now and then, but unless you consistently make a large majority of the putts you won’t consistently score well, regardless of how great the rest of your game is. Everyone can relate to how frustrating it is to have the best drives all round yet end up not having the best score.

The second point is the theme that ties together the tips listed below. Players are all different in terms of the physical aspects of putting technique, and what works for one player (grip, stance, form, etc.) won’t necessarily work for the next. Everyone, however, faces the same challenges and can benefit from the approaches addressed below.

As this is a collection of numerous concepts and some of them have been addressed in previous posts, make sure to follow the links to get the full explanation and illustrations of those points you’re interested in implementing. The tips, in no particular order:

1. Practice like you play, and play like you practice. You may have heard this before, but allow me to explain the particular relevance of this maxim to your putting game. When you’re ‘practicing’ your putting, mindlessly throwing discs at a basket in and of itself won’t do much good. In fact, it’s likely to reinforce bad habits. You need to try to simulate a real-round scenario with every putt. Find a way to make yourself believe that something is on the line. Go through the same routine you normally would when playing, and when you’re actually putting in a round on the course you’ll be able to draw upon the confidence you built during practice.

That brings us to playing like you practice, which simply refers to telling yourself to do what you’ve proven you can do over and over again in practice. Don’t let your mind get cluttered with thoughts of how important the putt it and what’s on the line: just tell yourself it’s no different than the 12 in a row you hit from the same distance in practice- assuming you were practicing like you play.

On putts like this one at Ryan Ranch DGC in Monterey, CA, consequences must be considered when planning the shot. Photo by Jack Trageser
On putts like this one at Ryan Ranch DGC in Monterey, CA, consequences must be considered when planning the shot. Photo by Jack Trageser

2. True practice strokes right before the putt. There are plenty of great lessons and techniques that can be borrowed from ball golf and applied to disc golf. This tip (the exception to list in that it is a much a technique as a mental tip) refers to the way ball golfers tend to simulate practice strokes just before the real thing in an effort to nail down the exact tempo they want to use. It’s usually not done it disc golf because of the difference between holding onto a club (which is done the same in practice swings as the one that counts) and holding onto a disc (which is obviously different, as we let the disc fly only when it’s time for the real thing). I found a way to get the best of both worlds, and it’s done wonders for my game.

To read the details on this one you’ll have to read this previous post, or for more instant gratification check out the video illustration. If you have time, though, read the post as it explains the full benefits of this pre-shot routine.

3. Develop a pre-putt routine, then stick to it. The previous tip is now a big part of my pre-shot routine. I do it every time I putt, without fail, and find it to be a big help in a number of ways. But whether you try it and use it isn’t the important thing in this tip. Everyone is different, and what works for me might not work for you. This tip is all about the importance of having some kind of routine.

You’ve probably seen the ‘above the surface’ (visible/audible) parts of others’ routines, like lining up the putt with the disc extended forward at eye level, or taking three deep breaths then stepping up to the mini-marker. These are cues that go along with the really important part of one’s routine- the progression of thoughts going through the player’s mind. Having a set routine is important because better you can stick to a set routine, the less chance fears, doubts, and random thoughts will cause you do do something you immediately regret.

Since you only have 30 seconds to execute your shot once it’s your turn to throw, that progression should start as early as possible- as soon as you’re able to size up your situation after your last throw. The first part of this mental routine involves doing all your risk-reward factoring and deciding if you’ll go for it and what type of approach you’ll take. Again, that is ideally all completed before it’s your turn to putt so that once you’re on the clock’ the actual execution is quick and decisive. The rest of your routine is covered in the next tip!

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3.5 When it’s time to putt, focus on the process, NOT the ‘value’ of the putt. Having a pre-shot routine is as much or more about NOT thinking the wrong thoughts as it is about thinking the right things. So many things can drift through our brains in high stress situations, and when putting almost all of them are detrimental to making the putt.

This is listed as number 3.5 on the list because it’s closely connected to number 3. Part of the reason for having a routine from which you never waver is to help you focus on the process only. If you allow emotional connects to enter your mind, like ‘I need this birdie’ or ‘if I miss this it might roll way down the hill’ or ‘I need to save par here to stay within a stroke of McBeth’ . . . let’s just say good things are less likely to happen.

Number two above is a big part of my pre-shot routine, and a perfect example of focusing on the process of executing the putt to the exclusion of everything else. During my practice strokes I visualize making a perfect putt, and go through the exact movements I would for the real putt. Then, when I’m ready for the real thing, it’s as simple as focusing on one link and telling myself the replicate the form and effort I just perfected 3-5 times in a row.

Four more tips

I promised you 7.5 tips, and so far you’ve only gotten 3.5 of them. Click here to read the other four tips now!