Gap Analysis: The science and art of navigating trees in disc golf

Many playing companions over the years have heard me mutter “I see holes” out loud at some point in my pre-shot routine during a round of disc golf. It’s a ‘go-to’ phrase of mine, and has been for probably 15 years. Some ask why I say those particular words when getting ready for certain shots, and they get the answer(s) you’re about to read below.

The funny thing about this particular mantra is that I use it for two distinctly different reasons- yet the two reasons often blend together. And the place where the two meet – the axis of risk/reward assessment (a scientific approach) and more nebulous subjects like positive thinking and confidence (closer to an art than a science) – is really the essence of the mental side of golf. As always, this is best explained through the use of specific examples, which we’ll get into, but first a brief explanation of the two reasons for “I see holes!”

The history of this mantra for me was the light bulb-over-the-head realization that even on shots where the trees and other obstacles seem so numerous that throwing a disc cleanly through and past them is impossible, it’s rarely as bleak as that. In fact, when you consider the overall area covering a particular flight path you’re hoping to take, the gaps between the trees usually represent a much larger portion of the total space than the obstructions.

After this fact became apparent to me, I would chant “I see holes” as a way to remind myself to think about and visualize a clean flight rather than dreading the relatively few disc whacking trees it had to pass. In this context it’s really just positive thinking and positive imagery, and the mantra is a way to keep my thoughts focused on the good things that I plan to happen rather than the bad things that might occur. And it really works! That’s how it started out when the phrase first popped into my head. But it was only a matter of time before my analytical side dissected the magical effectiveness of ‘I see holes’.

Ironically, as explained above my little mantra started out as a vague positive-thinking mind trick. And I’m convinced it works. But sometimes I find myself with so many trees between my lie and the basket (or whatever fairway spot I’m aiming for) that even a positive thinker along the magnitude of Stuart Smalley would have a hard time ‘seeing holes’. I’m talking about situations where I know that realistically the chances of getting through clean on the ideal line are less than 50 percent. At times like that I’m forced to choose between (to use a technical term) the least suck-y option.

When it’s time to select from different options on the golf course, the scientific side of me kicks in. Thoughts of percentages and risk/reward kick in. You would think that would preclude the nebulous realm of ‘I see holes’, but the mantra actually has a place here as well. This time, though, the more applicable adjectives are ‘practical,’ ‘sensible’, and the more golf-specific ‘high-percentage’. Depending on the situation, there are a couple different applications for this approach.

Searching Far and Wide

When your direct path to the target is blocked, look for gaps to the left and right that offer the best alternatives. Sometimes, as in Example 1 (click on the image to get a better view), you can hit the gap with a shot that will curve toward the target after it passes through. Other times the layout won’t allow for anything but a straight shot. Either way, though, it’s better to get most of the way there than aim for a tiny slot and hit something right in front of you.

Sometimes the best gap to aim for does not present a direct route to the target. But in tight spots the thing to look for is the best chance to get past the obstacle. Photo by Jack Trageser.
EXAMPLE 1: Sometimes the best gap to aim for does not present a direct route to the target. But in tight spots the thing to look for is the best chance to get past the obstacle. In this case the player needed to throw a shot that curved left after clearing that gap. Photo by Jack Trageser.

The ‘General Area’ Gap

This approach usually applies to instances where the obstacles in question are not right in front of you but further away, and evenly distributed, so that there is no single gap that is the clear choice.

In situations where I see what appears to be a wall of trees blocking my route that is far enough away that aiming for one particular small gap isn’t feasible I try to identify the least-dense section of that wall. Kind of like an attacking army would look for the weak spot that is most vulnerable. To be clear, I’m not talking about finding a single gap between two trees. In the situation I’m describing, the objective is to identify, aim for and hit a general area that offers the least resistance to a disc that wants to pass through relatively unmolested.

In a sense, I’m trying to find the one realistically hittable zone where there are more open spaces than trees (‘I see holes!’). A key point is that in situations like these I have shifted my goal away from selecting the shot that can get me all the way to the target – because there is either no realistic option for doing so or the chances that I’ll succeed are extremely low –  to selecting the shot that has the best chance to advance the disc as far as possible.

Example 2 (again, click on the image to get the necessary larger view) shows two gaps- one on the left of the photo, and one on the right. The gap on the right is the more direct route to the basket (hidden behind the trees on the right), and it is also a ‘true’ gap in the sense that a perfectly accurate throw will definitely get through. However, I chose to aim for the general area circled on the left for the following reasons: 1- even though a couple skinny tree trunks cut through the area, the overall area is much larger than the single gap on the right, and my odds of getting through are better; 2- the gap on the left provides a better worst-case scenario as there are no early trees to hit on the way to the gap (notice the early trees on the right side on the route to the gap on the right); and 3- as a left-hander throwing a backhand shot, if I get through the gap on the left with the throw I want, it will skip-hyzer right, in the direction of the basket. The right gap would require me to throw a shot that stays perfectly straight for 200-plus feet- a difficult feat to say the least.

We’ve covered a lot of ground in this article, hopefully filling a few ‘gaps’ (couldn’t resist) in your strategic and mental game. Here is a quick list of the important take-aways:

  • Most of the time, even when it seems like there are lots of obstacles in the way, it’s mostly open space (holes, you see). Focusing on the space rather than the other stuff will enable you to hit those gaps more often. In other words . . . visualize success!
  • When you find yourself hemmed into a particularly tight spot, take a wide view of all your possibly escape routes. If all the more direct paths to your target require hitting tiny openings with an unlikely perfect throw, settle for a higher-percentage throw that at least allows you to make some progress.
  • When your obstacles are further away and no single gap stands out as the obvious route to take, look for a general zone that is the most open. Then target that large zone and revert to the first bullet point: think positive!

You Make the Call

In the last photo – Example 3 – there are three routes circled. If you open the full image you can see that the basket is shown in the middle of the center gap. The question I have for you, the reader, is ‘Which gap would you choose (the right rough on hole 10 at DeLaveaga, by the way), and why’? Please use the Comments link at the end of this post to provide your answer. I’ll wait a few days for the answers to come in, then I’ll post a comment with the route that I took, and why.

In this photo the basket is to the right, behind the wall of trees. The gap on the right- despite the fact that several small tree trunks criss-cross the opening - is still the best option for the left-handed thrower. Photo by Jack Trageser.
EXAMPLE 2- In this photo the basket is to the right, behind the wall of trees. The gap on the right- despite the fact that several small tree trunks criss-cross the opening – is still the best option for the left-handed thrower. Photo by Jack Trageser.
On this one you get to make the call. Would you go for: A-the gap on the left; B- the gap in the middle; or C- the gap on the right? And most importantly, why? Vote in the comments section below. Photo by Jack Trageser.
EXAMPLE 3- On this one you get to make the call. Would you go for: A-the gap on the left; B- the gap in the middle (note, the basket is in the middle of this gap); or C- the gap on the right? And most importantly, why? Vote in the comments section below. Photo by Jack Trageser.

The ‘Ground-Up’ Approach to Saving Strokes- Part 2

The disc golf courses where I live have plenty of variety, but one thing they don’t have, for the most part, is the kind of thick, lush grass found in manicured city or county parks. Whenever I travel to those kinds of courses, therefore, I need to make an adjustment.

I’m used to fairways and greens that present all manner of complexities when the disc comes into contact with them, due to the surface itself as much as the mountainous slopes. The hard and sometimes barren ground results in all kinds of action after the disc makes first contact. The uneven nature of the terrain – due to rocks, ruts, and exposed roots (an especially notorious villain in Santa Cruz) – add a second layer of complexity to the already technical nature of these seemingly unpredictable shots. So when I find myself on a course in a bucolic park setting, with lush green lawn fairways that are beefed up on Scott’s TurfBuilder and mowed to a shag carpet-like regularity, it takes some time for me to adjust.

Courses in manicured, grassy parks - like this one in Hillsboro, Oregon - can be played more aggressively because the disc is less likely to skip or roll far from where it lands. Photo by Jack Trageser
Courses in manicured, grassy parks – like this one in Hillsboro, Oregon – can be played more aggressively because the disc is less likely to skip or roll far from where it lands. Photo by Jack Trageser

Certain things are just hard-coded into your game if you play a particular type of course nearly all the time, and dealing with tricky fairways and greens is part of my DNA. After watching the locals time and again attack the greens with reckless abandon, and then constantly coming up 30 feet shorter than I intended myself because my discs are plunging into the soft, thick grass like M & M’s in chocolate pudding, I’ll begin to realize some adaptation is necessary. And even then, the old cautious habit is hard to break.

I’m glad that the adjustment I have to make when in those situations is from more to less difficult, but it’s an adjustment nonetheless. It reminds me of the pool table my Grandpa built from scratch long before I was born. He wanted his sons to be good at billiards, so he built the table regulation size but with snooker-size pockets, which are much smaller than the pockets on a normal pool table. It made those who practiced on it more precise with their aim, but it also required an adjustment to the increased shot-making possibilities when playing on normal tables. In both cases, the key is to be aware of the changes in the environment – and then know how to adjust one’s game accordingly. For my dad and his brothers (especially Uncle Bob the eventual pool shark) the adjustment was much like it is for me in disc golf.

Being used to technical courses like DeLaveaga and then adapting to the grassy fairways common in, say, the Michigan Metropark system (like Hudson Mills) requires a conscious effort to be more aggressive. The disc isn’t going to go nearly as far once it hits the ground, and is much less likely to hop, skip and roll its way to an extra stroke or two.

A scenario I’ve played out numerous times is to hook up with some locals at one of these types of courses, and an hour or so into the round I feel like I’m executing my typical game plan pretty well. Staying on the fairways, not missing gimme putts, not taking unnecessary strokes . . . but then I realize I’m already either several strokes behind someone of my own skill level or at the same score as a player obviously not as experienced or polished as me. I think back, and realize the difference has been them attacking the holes compared to me playing with caution. And the funny thing is even after I realize the change required to make the most of an opportunity to go for it hole after hole, my ingrained habits of ‘playing smart’ die hard. That’s what continually practicing in one set of conditions will do.

But as hard as it is to just flip a switch and suddenly start playing more aggressive on flat holes with lush turf, it is infinitely more difficult to adjust from that type of environment to terrain that is hard, barren, rocky, craggy, or rutted. In fact, anything that is uneven means potentially unpredictable results until the disc comes to a complete stop. So how do you adjust your technique and approach when the terrain is more likely to make the disc dance like a water droplet on a hot skillet? You can start with recognizing that careful consideration of the latter will lead to a specific, measure alteration of the former.

The green on Hole 1 at DeLaveaga, with hard soil and exposed roots, offers plenty of chances for the disc to catch an edge and roll away. Photo by Jack Trageser
The green on Hole 1 at DeLaveaga, with hard soil and exposed roots, offers plenty of chances for the disc to catch an edge and roll away. Photo by Jack Trageser

Approach- For those that enjoy the challenge that golf presents in terms of shooting the lowest possible score over the course of a round, nothing is more important than the concept of risk vs. reward. In short, risk/reward involves weighing the risk of bad things happening on a given contemplated shot versus the probability of reward if things go as planned. The most common example might be along these lines: “If I go for this long putt and make it, I’ll get a birdie. If I miss and the disc ends up far enough from the basket that I miss the comeback putt, I’ll get a bogey. If I play it safe and lay up, my chances for par are almost 100 percent.”

The basics of that story are familiar to all of us who play either kind of golf – stick, or disc – but the decision is in the details. How long is the putt? Is it flat, or on a slope? Is there any OB nearby? How about trees or other tall or thick foliage? And, most germane to this post, what is the ground like? Simply put, when it comes to the general risk/reward equations that thinking players apply to every shot decision – consciously or unconsciously – hard, uneven surfaces increase the risk. Always.

The first two holes at DeLaveaga set the tone for what's to follow. On this green, a side-slope is added to the technical terrain, requiring players to execute with perfection. Photo by Jack Trageser.
The first two holes at DeLaveaga set the tone for what’s to follow. On this green, a side-slope is added to the technical terrain, requiring players to execute with perfection. Photo by Jack Trageser.

Uneven means unpredictable, and unpredictable means (at least to a degree) uncontrollable. So generally speaking, the smart play on these types of surfaces is to get more conservative with your decision making. And if the terrain is sloped as well as hard and rutted, the potential for rolling away is further compounded. Adjust accordingly.

As always, there is an exception to the rule. Sometimes you find yourself in a spot where the combination of slope and terrain is so treacherous that the odds aren’t much different whether you lay up or go for it. When I identify a situation like that I’ll often go for it, because nothing feels worse than making what you think is the safe, smart play, only to take the extra stroke(s) anyway.

Technique- There are a few specific techniques to learn and practice that are essential if you want to master hard and lumpy-bumpy terrain. First of all, hard and barren means the disc will have more life after it makes first contact with the ground. Shots that come in at an angle relatively flat to the ground are likely to skip or slide. So when you plan your shot, plan ahead for that extra distance. And keep in mind that the angle at which the disc hits the ground will determine how far and in which direction if will skip or slide.

For drives and longer upshots, if it’s already curving right-to-left, it’ll keep on in that direction after hitting the ground. If the shot is pretty straight and hits the ground with little angle it will probably slide more than skip, and progress mostly straight ahead.

Shots thrown high with lots of hyzer will come down at an angle that is so perpendicular to the ground that they usually stay close to where they land. These are called ‘spike hyzers’ due to the way they fall to the earth- kinda like Lawn Darts. And here is something useful to keep in mind: If you turn the disc over a little on a pretty flat shot, the spin of the disc will act as backspin and arrest it’s progress somewhat. But if you turn it over too much and it lands on an edge on a hard surface, it’ll likely roll. And rollers when you don’t want ’em almost always spell trouble!

The Pancake Shot- For upshots that are less than 100 feet, there is a specific shot that works the best when there is either a great chance of catching an edge and rolling or a steep downhill slope with hard, barren ground. It’s called the ‘pancake’ shot, and the idea is for the disc to land flat and upside down.

Pancake shots are released with an angle and touch that result in the disc landing upside-down and sliding- rather than catching an edge and rolling. Photo by Jack Trageser.
Pancake shots (NOTE: this one is held left-handed) are released with an angle and touch that result in the disc landing upside-down and sliding- rather than catching an edge and rolling. Photo by Jack Trageser.

This shot is executed using a grip with the forefinger and middle finger on the underside of the disc, with the middle finger pressed against the rime, and the thumb holding it firm on the other side, on the top of the disc. The technique is much like an overhand drive, but the power is obviously adjusted for particular shot at hand. More importantly, the disc needs to be released at an angle that will result in it landing perfectly or almost perfectly upside down. If the shot is very short it’ll have less time to flip in the air so the release angle should be almost upside down out of the hand. If it’s longer shot the release angle can be closer to straight up-and-down. The amount of spin will affect the flip too, so experiment and see what gets the results you need.

The grip on the pancake grip is pretty much the same as that used for a typical forehand throw. Photo by Jack Trageser.
The grip for the pancake shot is pretty much the same as that used for a typical forehand throw. This is the author’s lefty pancake grip. Photo by Jack Trageser.

Finally, when using this shot on a steep, hard downhill lie, keep in mind that a disc will slide much more when upside down without the rim to cause friction with the ground. Often times I’ll throw the disc only 10 feet on a shot I need to go 50 or 60 feet, counting on the slide to do most of the work.

Adapting your game to the current environment is an important part of disc golf- especially because you know the course won’t adapt to your game! Have fun out there, and remember to stay grounded!

Building blocks of basic backhand technique

Disc golf is still enough of a niche sport that by the time most of us are ensnared (like a putter caught in the inner chains of a Mach III) by an obsession to get better, we’ve already been heavily exposed to other more mainstream sports.

That reality has definite advantages for me, as an instructor, because it helps when I’m teaching a disc golf concept related to technique (or even mental stuff) to be able to draw analogies between disc golf techniques and those of other more familiar games. If someone has already learned a similar motion, it’s easier to recall that motion and apply it to disc golf than to learn it completely from scratch.

Case in point, my first remote session with a novice who was already loving disc golf but as of yet unable to throw as straight or far as his friends. We’ll call him Lou.

Without actually watching Lou throw live and in person, I had to rely mostly on the spoken and written words we exchanged on the subject in choosing my advice for him. However, I knew a couple other things that would likely prove useful.

First, players in the earlier stages of the disc golf learning curve usually make many of the same common mistakes and therefore see many of the same negative results from those mistakes. Second, Lou has talked on many occasions of being an avid softball player, so I knew right away that he would be able to easily understand the comparisons I like to use between throwing a disc golf disc using the backhand technique and proper batting technique in baseball.

Weight transfer and balance

One of the most common mistakes I see players of all levels make with the backhand shot has to do with transferring weight from the back foot to the front foot.

disc golf lessons
Figure 1: The stick in this photo illustrates the line on which players pull back the disc and throw that results in shots that pop in the air and don’t go very far.

A good backhand throw derives most of its power from the back, torso, and legs rather than just the arm. In this way (and some others, which we’ll cover soon) throwing a disc backhand is just like swinging a baseball bat with the goal of hitting the ball with any kind of power.

In both cases you’re standing at a 90-degree angle to the direction you want to throw/hit. And in both cases you want your weight to shift from your back foot to your front foot at a precise critical time. With baseball, that time is a fraction of a second before the bat hits the ball. With disc golf, it’s right as the disc is passing your body mid-throw. Any sooner in either case and you’ll rob yourself of all that power you had coiled up from your legs and torso.

Using the baseball analogy, think of what a hitter looks like when he’s way out front on a change-up or curve ball. And in the case of a backhand throw in disc golf, you’ll also likely mess up your balance and lose accuracy as well as distance.

throw straight in disc golf
Figure 2: The stick in this photo shows a proper line for a typical backhand shot intended to fly flat and straight. Note how the stick is (nearly) parallel to the ground.

Most often, the reason that disc golfers have weight transfer and balance problems is because they try to incorporate a run-up into their drives and longer fairway shots too soon. You’ve heard the saying “You have to learn to walk before you can run.” In disc golf it’s more like “before you can run-up.” Later in this post you’ll learn a great exercise for “learning to walk,” in terms of throwing a proper backhand shot.

Reach back, line, and angle

Another parallel between hitting a baseball and throwing backhand is a literal parallel. In baseball the best chance a hitter has to hit a line drive is by swinging fairly level — or parallel to the ground. The big uppercut may seem attractive to those swinging for the fences but, more often than not, results in lazy fly balls or pop-ups. In disc golf the natural tendency (usually ingrained from previous experience ‘flipping’ a Frisbee disc) is to throw on a low-to-high arc that is much like an uppercut in baseball — and the results are predictably similar.

Those throws that go way higher than you wanted (and much shorter) are the product of dropping the disc down to knee level when you pull the disc back and releasing it at eye level. There are, of course, times when you want this type of line, but not often, and rarely as exaggerated. For most throws the flatter, the better.

Continue reading “Building blocks of basic backhand technique”

Some disc golf tips have nothing to do with playing better

After a couple decades playing disc golf, DeLaBlagh has confirmed a few basic tenets related to the duller – as opposed to the finer – points of the game. These observations have nothing to do with playing the game, or at least not directly. But they can make your overall experience more enjoyable.

Minimizing lost discs

  • The golf disc industry thrives on the fact that people seem to really care about what color disc they throw, or what is stamped on the discs they throw. Players seem to really like multi-colored or tie-die discs in particular, and those discs tend to cost the most, too. But they are among the likeliest to be lost, because the variegated patterns are the hardest to spot when obscured in bushes and groundcover- even if the colors in the disc are bright. It’s a cruel fact that the discs with the appearance you find most attractive are often the easiest to lose.
  • Seemingly much more obvious is the fact that black discs and dark green discs tend to get lost more often as well. Seems like a no-brainer, but people still buy them, and manufacturers are happy to supply them. We’re not saying there’s a conspiracy here, just good ‘ol capitalism. And don’t think it’s OK because the discs you have that are black or green are putters. Those can get lost too, especially when it’s getting dark out.
  • Bottom line: if your goal is to lose as few discs as possible, throw solid, bright colors, and put your name and some type of contact info on them in large, bold print. If your main objective is to hold onto those discs you come to know well and trust, appearance shouldn’t be part of the equation.

Rashes, Bites and Burns
We’re based in Santa Cruz, and used to view our year-round disc golf outings as a chance to work on our tans. But the flip side to our temperate weather are the nasty perils of poison oak and wasps that build nests in the ground, practically invisible until it’s too late. We’ve long since given up wearing shorts on the courses around here. We usually wear long, thin nylon ‘shell’ pants that provide protection against the evil that lurks just off the fairways while adding little or no discomfort on hot days. Full shoes are a no-brainer.

Although we don’t really get excited about courses in grassy parks with no hazards to worry about, it’s nice to be able to dress lightly when playing disc golf once in awhile. But in all other cases, why risk it? A personal best round is quickly ruined when the indiscriminate nature of, uh, nature strikes. Remember the Father on Caddyshack?

Mind control in disc golf- first step: thinking about what you’re thinking about

How many times has any of the following happened to you?

  • You miss badly on a tricky and/or risky putt, and almost immediately after it leaves your hand you realize that although you thought you had decided to go for it, the disc comes out weak and unsure- maybe wobbling more than usual and way too low.
  • You hit a tree right after you made not hitting the tree your primary focus
  • You catch yourself thinking about your overall score, and the impact your last throw had or your next throw will have on your score, even as it’s your turn and you’re seconds away from executing that next throw

I’ve been guilty of all three. Many, many times.

And there are plenty other similar scenarios that play out over the course of any given round of disc golf, but they all have as their root cause one of two basic deficiencies – and usually a combination of both.

  1. An inability to step outside ourselves and think about what we’re thinking about. Huh?! Consider the first bullet point above. Often when that happens to me I’ll say something like this to no one in particular: “I tried to go for that, but my body didn’t agree,” or “my body didn’t let me”. And that’s really what it feels like; like my body – knowing better than my brain – refused to obey the command. In reality though, I was doubting the decision to go for it the entire time, but didn’t consciously recognize those thoughts because I wanted to go for it, ‘cuz I wanted to make it.
  2. Lack of a full appreciation of how much of an impact #1 has on a competitive round of disc golf, or lack of a plan to develop that type of mental focus.

Here’s the deal: We constantly have thoughts floating through our brains, and unless we train ourselves to monitor those thoughts most of them sneak under the radar of our self awareness. It’s like when one of your shoes comes untied as you step onto the teepad. If you don’t notice it, you’ll go right on with the scissor-step run-up to your drive and possibly trip over the errant shoelace, providing comic relief for your group and likely a disastrous result for you. Errant thoughts are just like errant shoelaces, and the trick is to learn how to be aware of them. Because once you’re aware of them, you can deal with them. Being aware of one’s shoelaces is easy- just look down at your feet before stepping on the pad (or wear Velcro shoes). Being aware of errant thoughts, though, requires a little (lot!) more effort and practice.

Just like the rest of your game, developing this awareness requires consistent practice. You will see results over time, but you must keep up the practice to keep seeing the results. So how do you practice something so vague and difficult to define? The good news (especially for those of you who hate being told the most useful practice always takes place off the course) is this is something you can practice on the course during rounds. In fact, this type of mental focus is hard to practice effectively any other way. The best way to develop this particular type of mental focus is to develop a pre-shot routine and then practice replicating it without fail whenever you play holes on the course.

Everyone that has one uses a slightly different pre-shot routine, and covering all the different types would make for another lengthy blog entry altogether. I’ll try to ask some top players about theirs in the near future and post ’em here. For now, it’s enough to know that most include a couple main components: the clear separation and repeated order of the different steps of the routine; and visualization. Both of these elements are important, because they make it easier to identify a rogue thought (see the bullets at the beginning of this entry) and replace it with the one that will give you the best chance at success.First, the steps and the order, then a few words on visualization:

  1. Assessing the situation- This step can (and should) begin as soon as the disc stops moving after your last shot. Begin considering all the factors that will help you decide what to do on your next shot (obstacles, slope, wind, odds of execution and risk/reward for your various options, etc.) and think of nothing else. A big mistake many players make is not making a conscious and focused effort to begin this step as soon as possible, then having to rush through it when it’s their turn to throw.
  2. Making a decision- Most of the heavy lifting has been done in step 1; the most important aspect of this step is to recognize the point at which you’ve made up your mind and not allow any second-guessing after that point. If you wait until it’s your turn to throw to consider all this, you’ll combine steps 1 and 2, and probably 3 as well. as you don’t want thoughts from any of these steps crossing over into the other steps. That’s when good thoughts go rogue!
  3. Execution- It’s this final part of the process where most personal idiosyncrasies can be found. It might be exactly three deep breaths before stepping up to the mini, it might be one practice stroke without the disc in hand. These are known as mechanisms that help a player tune into herself/himself and tune out distractions. But at some point in this step, visualizing the exact shot you want to throw (with a successful result) is mysteriously but amazingly effective.

Visualization
Much has been written and said about visualization, but for the purpose of this blog entry I’ll just say one thing: It helps to block out the rogue thoughts that you don’t want in your head right before you throw. It’s pretty simple, actually. If you’re thinking about something constructive, you can’t be thinking about something destructive at the same time.

If you develop a routine along these guidelines, and stay faithful to it, it’ll make it easier to identify these harmful or at best distracting thoughts so you can step back from your shot and replace them with the proper thoughts according to where you’re at in your routine. After working on it for a little while, you’ll be surprised how much better you’ll be at thinking about what your thinking about. You’ll become much more aware, more often, when your thoughts are straying away from where you want them to be. And that sense of self-awareness will help you get to the next level, no matter where your game is at now.

Ruminations on speed golf

Every now and then I substitute my thrice-weekly 3-5 mile run with a bit of speed golf. At Black Mouse DGC, a short but very mountainous track, it’s a great workout. My habit there, if time allows, is to play the course twice and aim for a time of less than an hour. Today I finished the first round in 26:26, and the the entire 36 holes in 53:05. If my math is correct, that means that the second 18 holes took 13 seconds longer than the first 18. I thought that was kinda cool, that the time it took to finish each round of 18 was so similar.

Reflecting on this bit of arcane information got me to thinking, though, about the relationship in speed golf between speed of play and score. Although it seems like a person could go faster if they were not concerned with score, once that person decides to play ‘speed golf’ for exercise I don’t believe that holds true. After all, the shortest distance between two points (say, tee to basket) is a straight line, and if you rush so much that your drive goes wildly errant and careens far off a fairway and down a hill, any time saved by rushing is canceled out by the extra hike to get to the errant disc and extra effort to hole out from there. Here is some more data from my morning round:

  • The first 18, I shot a -2, and the second 18 my score was -4
  • Although Black Mouse includes numerous blind holes and is heavily forested with redwood trees, ferns, and thick ground cover, the first round I was able to locate all my drives and upshots immediately. The second round, I had to search briefly a couple of times.
  • I didn’t feel like a lagged at all the second round due to fatigue

My guess is that if I had had as smooth a round the second 18 as the first, in terms of locating my drives, I would have finished it in less time rather than 13 seconds more. Maybe that just means that my hypothesis holds true in courses like we have here in Santa Cruz County, as opposed to flat, open, un-wooded areas.

According to Wikipedia’s entry on speed golf, speed golf competitions in ball golf use a formula where stroke play score is added to the time required to finish the round. Would the same formula be the most sensible with a disc golf version? Or would time elapsed alone be enough, with the idea that a round where the player does not shoot a good score is never going to yield a top time? I have an idea that the Running Man will have an opinion if he reads this.

Either way, it makes for a great workout and one of the best ways I know of to have fun while doing it.

Diarrhea of the Arm: When extra shots hurt rather than help

Have you heard the term ‘diarrhea of the mouth’? It’s when someone can’t seem to prevent words from pouring out of their mouth (basically he/she can’t stop talking, whether from nervousness or a genetic flaw passed down through generations), usually leading to a detrimental result. I believe the currently accepted term for this is TMI (too much information).

Competitive disc golfers can suffer from a similar malady, and the term ‘Diarrhea of the Arm’ seems to fit. (OK, I’ve typed that disgusting word three times already, including the subject line, and that’s enough. I think you get the point). In the case of disc golf, it refers to a player’s tendency to throw extra shots after a throw or putt that doesn’t go the way he/she intended or hoped. In my experience these extra shots during a competitive round almost always have a few things in common:

  • They seem to be a kind of knee-jerk reaction, unplanned until it’s clear that the original shot is obviously not getting the hoped-for results
  • They are usually hastily executed- rushed, if you will
  • They usually also display an exaggerated correction of whatever the player perceives to have gone wrong with the original shot.

The most common – and in my opinion, most harmful – example of this, er, affliction, is the second putter that is thrown at the basket in disgust after a missed putt. More often than not it also misses the basket, or slams the chains with the anger and distain intended. It also occurs on drives and upshots, but the follow-up mad-putt is the classic example. Every time I see a friend do this I want to tell him that all he’s doing is reinforcing bad habits.

My point is this: If you’re playing a practice round, or practice holes, with the pre-planned intention of throwing repetitive shots, that’s great. More people (including me) should practice that way more often. But, first of all, if you’re playing a round of golf you should play by the rules (even if you’re alone), which in stroke play clearly state that all strokes count. And even if you and your pals have established that such ‘practice’ shots don’t count in your rounds, don’t let such reactionary shots leave your hand unless you’re able to replicate your entire pre-shot routine with the goal of learning and getting better rather than angrily proving you coulda/shoulda made it. Treat every round, and every throw, as practice, and a learning opportunity to build on for future days.

If you have an interest in getting better, that is.

How to practice follow-through when putting

One of the most important aspects of proper disc golf putting form also happens to be counter-intuitive to the way people usually first learn to throw a flying disc. I’m talking follow-through, which in a classic putting motion means thrusting the throwing (putting) hand forward toward the target, as opposed to ‘flinging’ the disc from the side like a tossing a Frisbee at the beach.

A different set of muscles are involved, so it not only feels weird at first but also requires some time and repetition to develop those muscles. Check out this short clip on YouTube that demonstrates a short exercise developed to help players work on proper putting follow-through. If you don’t feel like watching the clip, here it is in a nutshell:

  • Pick a target, preferably a basket or something else that won’t inflict abuse on your putters when you repeatedly throw them at said target.
  • Get a stack of putters, preferably at least five or so
  • Standing a short distance from the target (15 feet or closer), pick up the first disc, and prepare to putt at the target as you normally would. Except in this exercise, de-emphasize the ‘take-back/pull-back’ part of your putt, and over-emphasize your follow-through.
  • If possible, hold the disc a foot in front of your body, and fight the urge to instinctively pull the disc back before letting it fly. Instead, try to use follow-through to get as much as possible on your putt.
  • Repeat with the rest of your discs, then collect them and do it again.
  • Once you get the hang of it, try to start with the disc even further from your body. Whether the disc goes in the basket isn’t as important in this exercise as a strong follow-through with your throwing arm ending up completely straight, pointing directly at the target.
  • When you feel comfortable with your follow-through technique, go back to your normal take-back/pull-back but finish with the same exaggerated follow-through. If done correctly, you’ll notice that the disc goes further with less effort, and . . . .
  • If you’re finishing with your hand pointed directly at the center of the target, you’ll also see another benefit: less putts that miss left or right. That part is pretty simple, really. If you pull a putter back on a straight line, and release it on a straight line, it will indeed fly on a straight line.

This exercise is all about transforming a technique that is crucial to proper putting form but can feel unnatural at first into something you do every time without thinking. It can only happen through repetition, though, and as I mentioned in the first part of this post, the muscles involved need to be developed as well. So if it doesn’t seem like you can do it at first- if the disc doesn’t even make it to the basket – just get closer and keep at it. Good luck, and let me know how it goes.

A time to drill it

I used to over-simplify my approach to putting tempo, using the logic that the disc should have just enough on it to run out of gas and fall into the chains with just enough power left to slip into the cage. But on further examination, it’s clear that different situations require different tempos. Here’s a quick breakdown of when it makes sense to try to keep the disc on a straight line and hit the chains firmly, and when it doesn’t:

Drill that putt!

  • First of all, I don’t mean to suggest ever cranking a rocket into the chains that make them explode apart like billiard balls at the break or bowling pins on their way to a strike. Anyone who putts that hard inevitably gets more than their share of spit-outs. The kind of firm putt I’m talking about is thrown just hard enough to fly on a straight line rather than curling and/or falling into the basket (see ‘True Golf Putt ‘ below).
  • The premise is simply that if you thrust a putter at the target on a straight line from that distance and release directly toward the pole (do an exaggerated follow through to be sure), it doesn’t have time to veer away and will almost always go in. In this case, the firmer putt works in your favor because it minimizes the effects of wind and elevation changes. In addition, if your approach on short putts is to always be firm and follow through, you’ll come close to eliminating those times when you sleepwalk from 13 feet and come up short. Did that today, in fact. D’oh!
  • Speaking of elevation changes, downhill putts deserve special attention here. Once you’ve decided to go for a downhill putt (as opposed to laying up), you should drill it if it’s within 10 meters (or a little more, if you usually shoot under par). The main reason for this is a disc’s tendency to turn into a roller when it falls off to the weak side. It almost always lands on it’s edge with spin left. Depending on the severity of the slope and hazards that await below the target the better option may be simply to lay up. But if you go for a downhill putt, drill it.
  • Low ceiling putts (those with low-hanging foliage between you and the target) usually also require a putt that flies on a straight line. In this case, however, the reason you’re putting harder is to keep the disc low while still maintaining its height all the way to the basket. The lower you need to keep the disc, the harder it must be thrown to counter the effects of gravity.

The ‘True Golf’ Putt

  • If you watch much ball golf on TV, you know what a lag putt is. As putts get further and further away, golfers are more concerned with leaving it close enough to the cup than making the putt. That’s because it makes sense to hedge your bets for the next shot as the odds get lower and lower for this one.
  • In disc golf, we have it bother better and worse than ball golfers when it comes to putting. On the one hand, it’s much easier to nail a 15-foot put in disc golf than in ball golf. But we’re aiming at an elevated target, not a hole in the ground so we can’t really lag putt the way they do. But we can come close.
  • Regular putting practice is bound to improve your accuracy and consistency in terms of percentage of putts that end up in the cage. But if you pay attention to the ones you miss and where they end up, it’ll help you get better at putting in such a way that your ‘comeback’ putts after missing are usually 15 or less.
  • You want a disc that is close to perpendicular to the chains when it arrives at the target, losing elevation and moving at an angle roughly 45 degrees off the line between you and the pole. It should be losing speed when it arrives, not accelerating.
  • The great thing about working on this kind of touch is that it has two benefits. You’ll generally see more borderline go in that on line-drive putts, and those come-backers will be shorter on the occasions when they miss the target altogether.

Don’t count chickens (before they hatch)!

Played Black Mouse yesterday, and I got off to a nice start. Birdied 1, 2, 3, and 4. To my credit, I didn’t once entertain the possibility of shooting -18. But I did think that double digits was a given, and it got me out of a disc-ipline that I’ve worked for years to establish. I actually kept track of my score the whole time after that, and when on the teepad calculated how many holes out how many remaining I’d have to birdie to shoot -10. (For the record, I shot a bogie-free -7, but that’s not the point).

This approach is quite the opposite of my overall disc golf philosophy, ‘disc golf in a vacuum‘. Click the preceding link if you’re interested in the minute details, but it basically means that I believe we can have the most fun – and perform best – when we allow ourselves to be completely immersed in our next shot. The key is to embrace the challenge of the shot purely for the challenge of executing it perfectly. Don’t get hung up with assigning values to the shot, like, for instance “if I can this putt for birdie I’m at -8 with three holes to go!” Instead, focus on the things that will actually help you do what you’re intending to do. Or nothing at all. But anything is better than letting external noise distract you from the task at hand.

I’ve been practicing this for more than five years now, and I’m proud to say I’ve gotten to the point where most rounds I don’t know my exact score until I add it up at the end. Aside from better scores through improved focus on what I’m actually doing, here are some other benefits:

  • I rarely ever have a bad round in terms of just having a crappy time out there (score-wise, yes). I’m able to appreciate even bad throws in a learning experience kind of way, and bad breaks rarely get under my skin.
  • When the round is over, it’s time to add up the score. It’s kinda fun to piece it all together ‘for the first time,’ in a sense. It also helps to recount each shot and allow the good and the bad to sink in.
  • If you’re in any kind of competition, and your rival keeps mentioning the score, it’s fun to watch his/her reaction when you admit you have no clue what your score is, then smile the same smile whether you’re + or -8.

So don’t count those chickens, or those strokes. The game will only get better.